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    <title>Documentary Educational Resources - Geography / North America / United States / Tennessee / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/tennessee-c167all.aspx</link>
    <pubDate>Sun, 20 Sep 2026 09:22:10 GMT</pubDate>
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      <link>https://store.der.org/southern-belle-p433.aspx</link>
      <guid isPermaLink="false">Product433</guid>
      <pubDate>Tue, 28 Aug 2018 07:46:00 GMT</pubDate>
      <title>Southern Belle</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/southern-belle-p433.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/southern-belle.jpg"  alt="Southern Belle" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/southern-belle-p433.aspx"&gt;Southern Belle&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/southern-belle-p433.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The Civil War may be long over, but the spirit of rebellion is hard to extinguish -- even in something as innocent as a girls' summer camp. S&lt;i&gt;outhern Belle&lt;/i&gt; examines the 1861 Athenaeum Girls' School, where young women eagerly sign up to become that iconic and romantic image of Southern identity: the Southern belle, replete with hoop skirt, hat and gloves, singing the region's anthem, Dixie.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;While the young women are eager to learn the "art" of being a lady by practicing penmanship and learning how to deep curtsy, a larger agenda for the camp appears to lurk under the surface. The teachers, all of whom work for no compensation, hope to instill genteel manners and build pride in Southern heritage. They have also carefully selected the time period so they can share the "truth" with the next generation about why the South seceded from the Union. For them, the Civil War had little to do with slavery and everything to do with states' rights and unfair taxation. Critics, however, say the camp experience whitewashes history and misinforms the next generation.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Is the camp a self-esteem building, living history experience or does it ultimately reinforce divisions between race, gender, and geography in the present? As we begin the 150th anniversary of the Civil War, &lt;i&gt;Southern Belle&lt;/i&gt; captures the divisive historical memory of an American subculture and challenges us to consider how a romantic portrayal of the past can affect current attitudes that continue to define and divide America today.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DVD EXTRAS INCLUDE:&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;The Scholars' Responses:&lt;/b&gt; &lt;i&gt;Southern Belle &lt;/i&gt;is less about historic fact and more about how people use history to form their identity and understanding of the world. The film is meant to ignite discussion and debate between people with different beliefs, experiences and worldviews. &lt;i&gt;The Scholars' Responses&lt;/i&gt; facilitates dialogue by providing additional historical context and analysis from leading historians and scholars. Topics include:&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;The Myth of the Southern Belle &lt;/i&gt;(7:43)&amp;nbsp;&lt;/div&gt;&lt;div&gt;How the southern belle became an idealized symbol used to maintain social hierarchy and a rallying cry for post- Civil War revisionists.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Erasing Slavery from Secession&lt;/i&gt; (9:42)&amp;nbsp;&lt;/div&gt;&lt;div&gt;How the Lost Cause movement erased slavery as a dominant cause of the Civil War and replaced it with state's rights.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Justifications For Slavery &lt;/i&gt;(6:03)&amp;nbsp;&lt;/div&gt;&lt;div&gt;How misleading and ahistorical arguments are used to rationalize the South's use of slave labor.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;The Southern Small Farmer &lt;/i&gt;(3:47)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Why would the "yeoman" farmer go to war with no dog in the Civil War fight?&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scholars interviewed:&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;Stan Deaton, PhD, Director, Georgia Historical Society R. Blakeslee Gilpin, PhD, Asst. Prof. of History, University of South Carolina Tara McPherson, PhD, Prof. of Critical Studies, University of CA, School of Cinematic Arts Carroll Van West, PhD, Director, Tennessee Civil War National Heritage Area&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Playing Out Confederate History&lt;/i&gt; (5:52) A short video that captures the directors' interest and intentions behind the making of &lt;i&gt;Southern Belle&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;“...visually appealing, well edited, fascinating... The film is simply a mirror that — depending on the perspective of the viewer — reflects either a distorted view of history which glosses over the oppression and brutalization of African people for the good of the South, or the "good old days" when woman's petticoats, curtsying and knowing how to keep ones voice from being shrill were imperative to white female survival.”&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Molly Secours,&amp;nbsp;&lt;a href="http://www.makewrightfilms.com/southernbellefilm/reviews/huffington_post.pdf"&gt;&lt;i&gt;Huffington Post&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;“In the wake of national controversy over the celebration of "Confederate History Month" and ensuing... (&lt;i&gt;Southern Belle&lt;/i&gt;) is certain to raise eyebrows. Without comment, the film depicts a tightly corseted world where nostalgia for Dixie reigns and slavery is quickly dispensed with.”&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Ron Wynn,&amp;nbsp;&lt;a href="http://www.makewrightfilms.com/southernbellefilm/reviews/nashville_scene.pdf"&gt;&lt;i&gt;Nashville Scene&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;“The possibilities for pedagogically fruitful discussions of this film are almost endless… ”&amp;nbsp;&lt;/div&gt;&lt;div&gt;— &lt;i&gt;Contemporary Sociology: A Journal of Reviews&lt;/i&gt;, July 2012&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;“Sure to spark discussion, this is recommended.”&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Heather Seggel, &lt;i&gt;Video Librarian&lt;/i&gt;, Volume 27, Number 5, September-October 2012&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style=""&gt;2012 INPUT Conference, Australia, 2012&lt;/div&gt;&lt;div style=""&gt;SVA Ethnographic Film Festival, USA, 2012&lt;/div&gt;&lt;div style=""&gt;Citizen Jane Film Festival, 2011&lt;/div&gt;&lt;div style=""&gt;Oxford Film Festival, 2011&lt;/div&gt;&lt;div style=""&gt;Nashville Film Festival, 2010&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/tennessee-c167all.aspx"&gt;Tennessee&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/southern-voices-p434.aspx</link>
      <guid isPermaLink="false">Product434</guid>
      <pubDate>Tue, 28 Aug 2018 07:46:00 GMT</pubDate>
      <title>Southern Voices</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/southern-voices-p434.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/southern-voices.jpg"  alt="Southern Voices" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/southern-voices-p434.aspx"&gt;Southern Voices&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/southern-voices-p434.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This documentary traces the development and premiere performance of an avant-garde symphonic work by Southern composer Sorrel Doris Hays.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Commissioned by the Chattanooga Symphony Orchestra, Hays' piece is based on the sounds and rhythms of Southern speech and musical traditions. It is a journey into childhood memories via the melodies and rhythms of Southern dialect. Stoney combines analysis of her work with interviews in which Hays discusses her struggle with racism and paternalism of Southern culture.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A note on the composer's name: After the documentary was completed in 1985, Doris Hays changed her name to Sorrel Hays.&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Blue Ribbon&lt;/i&gt;, American Film Festival, 1985&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/tennessee-c167all.aspx"&gt;Tennessee&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/banjo-romantika-p185.aspx</link>
      <guid isPermaLink="false">Product185</guid>
      <pubDate>Thu, 26 Jul 2018 09:36:00 GMT</pubDate>
      <title>Banjo Romantika</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/banjo-romantika-p185.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/banjo-romantika.jpg"  alt="Banjo Romantika" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/banjo-romantika-p185.aspx"&gt;Banjo Romantika&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/banjo-romantika-p185.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Banjo Romantika&lt;/i&gt;&amp;nbsp;shares the story of Czech musicians who play a unique version of American Bluegrass, melding their political past and present into a lively musical tradition. Czechs first heard bluegrass during World War II, when the Armed Forces Network broadcast American music for soldiers. For many dissatisfied Czechs living in a communist state, bluegrass was an outlet of creative expression, and more so, a look towards freedom.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In this film, ethnomusicologist Lee Bidgood explores the genre’s fascinating history with musicians in the Czech Republic, and performs original Czech Bluegrass songs at renowned venue, The Down Home, in Johnson City, Tennessee.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;“In Tennessee every cowboy or every farmer loves this music and that's why everyone young and old knows how to play it. Guitars, harmonicas, banjos, bass…I'll stay forever in the land of this music.”&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;— 'Bluegrass Tennessee', Czech Song&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;“It was the discovery of a musical genre…because it was forbidden, it was more tantalizing.”&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;— Marko Čermák, Greenhorns&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;"Clocking in at fifty-six minutes, the film is tailor-made to screenin in a classroom and will kick-start discussions of unexpected cross-cultural connections, musical imaginaries, local reception and reinvention, and tradition and innovation. &lt;i&gt;Banjo Romantika&lt;/i&gt; is recommended for bluegrass aficionados, global traditional music scholars, and anyone with an hour to spend with an enriching, human-centered project."&amp;nbsp;&lt;/div&gt;— Scott V. Linford, &lt;i&gt;Ethnomusicology&lt;/i&gt;&amp;nbsp;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/tennessee-c167all.aspx"&gt;Tennessee&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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