Fantome Island

Wed, 29 Aug 2018 14:52:00 GMT

In 1945 seven-year-old Joe Eggmolesse was diagnosed with Leprosy. He was taken from his family under police escort and transported by rail and sea over a thousand kilometres to Fantome Island where he was to be incarcerated for the next ten years.

The isolated tropical island off the North Queensland coast became home to a close-knit community of indigenous “lepers” whose marginalized existence was hidden from white society and has until now remained absent from the mainstream historical record. Cared for by nuns from the Franciscan Missionaries of Mary their isolation was the consequence of apartheid-like policies developed by the Queensland government and medical establishment which espoused a eugenicist philosophy and regarded racial segregation as standard practice.

As one of the few surviving former patients Joe returns to the island for a long awaited event, the Fantome Island Remembrance Day. As a 73 year old Elder he confronts the memory of his childhood on the island to pay tribute to those who lived and died there and to inscribe his own unique story into official Australian history. Drawing on an evocative archive, this film exposes how an ideology of racism and eugenics worked to justify horrific treatment of Australia's Indigenous communities.

In uncovering this shameful history, Fantome Island is a testimony of strength and endurance, demonstrating one man's incredible capacity for forgiveness and love.

Selected Festivals

Official Selection, Etnofilm, 5th Ethnographic FilmFestival, Rovijn Croatia, 2013

John Oxley Memory Award - State Library Of Qld, 2012

Best Australian Documentary, Human Rights Arts & FilmFestival, Melbourne, 2012

Finalist, ATOM Awards - Best Documentary History, Social& Political Issues, 2012

First Factual Films Festival, Adelaide, 2012

Brisbane International Film Festival, 2011

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Bitter Roots

Thu, 26 Jul 2018 09:36:00 GMT

Bitter Roots
Buy Now: $320.00

Bitter Roots: The Ends of a Kalahari Myth is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s.

Shot in 2007, two years after Marshall's death (and including footage from his films), Bitter Roots documents the return of Strong and Ritchie to Nyae-Nyae where they observe the erosion of a community-led development process following the imposition of a new agenda led by the World Wildlife Fund, which prioritizes wildlife conservation and tourism over subsistence farming. Communities voice their dissatisfaction with the new Conservancy, which has done little to help people farm and improve their lives.

Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds.

“Everyone who has followed the Ju'hoasi saga, from The Hunters (1957) to A Kalahari Family (2001) needs to see this film. In the Marshall tradition, Adrian Strong has made the subject close and personal. From the bleak ruins of a misguided international development project and the cynicism of those who would turn a profit in that barren landscape to the dawning realization that the Ju'hoasi will prevail, the film is unflinching. Bitter Roots is tightly made and keeps the question on the table — who has the right to dictate people's fate on their own land?”
— John Bishop, Media Generation

“Bitter Roots unveils how misguided development programs can be when they focus so narrowly on wildlife conservation and tourism. It also reveals how large NGOs and detached donors can contribute to further marginalizing the very people who they are attempting to help, an important though unsettling lesson for those who still wish to “save the world.” The film is a valuable educational resource for teaching students about international development, political ecology, and indigenous peoples.
— Rachel Giraudo, Department of Anthropology, University of California, Berkeley

“Bitter Roots is an eye-opening, depressing, and angering — and therefore very effective — film… Suitable for college courses in cultural anthropology, applied/development anthropology, anthropology of threatened cultures, and African studies, as well as general audiences.”
— Jack David Eller, Anthropology Review Database

“…this low-budget film demonstrates what ingenuity and creativity can do.”
— Robert J. Gordon, American Anthropologist, September 2012

SELECTED SCREENINGS & AWARDS

Guillermo Zúñiga Award, ESPIELLO Film Festival, Spain, 2014

Guillermo Zúñiga Award, Spanish Association of Scientific Film and Image, Spain, 2014

Award, Best Representation of Cultural Change, Archaeology Channel Int'l Film & Video Festival, 2012

Honorable Mention, Best Public Education Value, Archaeology Channel Int'l Film & Video Festival, 2012

Honorable Mention, XVI Sardinia International Ethnographic Film Festival, Italy, 2012

Best Film Made by an Anthropologist, 4th ETNOFILm, Croatia, 2012

Ethnografilm Festival, Paris, France, 2016

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Documentary Educational Resources - Filmmaker / Strong, Adrian / All Films

Fantome Island

Bitter Roots