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    <title>Documentary Educational Resources - Filmmaker / Stiven, Annie / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/stiven-annie-c418all.aspx</link>
    <pubDate>Tue, 22 Sep 2026 12:57:37 GMT</pubDate>
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      <link>https://store.der.org/cowboy-and-maria-in-town-p927.aspx</link>
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      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Cowboy and Maria In Town</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/cowboy-and-maria-in-town-p927.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/cowboy-and-maria.jpg"  alt="Cowboy and Maria In Town" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/cowboy-and-maria-in-town-p927.aspx"&gt;Cowboy and Maria In Town&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/cowboy-and-maria-in-town-p927.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Attracted by the myths of town life and the chance of work, people from villages all over Papua New Guinea have come to the towns. Cowboy and Maria in Town tells the story of two such migrants living in the settlements that surround the capital, Port Moresby. Cowboy is a reformed 'rascal'- unemployed and illiterate with a criminal record. He invents an electric guitar out of scrap materials and plays his distinctive rock-and-roll on street corners, earning just enough for his family to get by. Maria lives an equally precarious existence. Seasonal gardening and her husband's small income as a night security guard are their sole means of survival. Only her resilient humor keeps her going when inter-tribal conflicts, inflamed by frustration and alcohol, erupt in the settlement. Cowboy and Maria are vital players in the new urban Papua New Guinea. Their interwoven stories highlight the consequences of urban drift, where traditional and Western values meet. These intelligent and determined optimists are far from being Third World victims; they go about their daily lives with humor and imagination, rising to the enormous cultural changes that confront them.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/stiven-annie-c418all.aspx"&gt;Stiven, Annie&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/taking-pictures-p305.aspx</link>
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      <pubDate>Mon, 27 Aug 2018 08:56:00 GMT</pubDate>
      <title>Taking Pictures</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/taking-pictures-p305.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/taking-pictures.jpg"  alt="Taking Pictures" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/taking-pictures-p305.aspx"&gt;Taking Pictures&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/taking-pictures-p305.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Australia's most internationally renowned documentarists (Kildea, O'Rourke, Connolly/Robin Anderson) are part of a group of expatriates who honed their documentary filmcraft while residents of Papua New Guinea. Their films, brimming with wit and character, capture the energy and contradictions of a country in transition from a backward colony, to a young nation in the modern world. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;But whose stories are they? Filmmakers are now often challenged about cultural rights, and the Western domination of representation. &lt;i&gt;Taking Pictures&lt;/i&gt; explores the issues and pitfalls of filming across a cultural boundary - through interviews with Australian filmmakers and by sampling their powerful award winning documentaries about PNG that include &lt;i&gt;First Contact&lt;/i&gt;, &lt;i&gt;Trobriand Cricket&lt;/i&gt;, &lt;i&gt;The Shark Callers of Kontu&lt;/i&gt;, &lt;i&gt;Joe Leahy's Neighbours&lt;/i&gt;, &lt;i&gt;Black Harvest&lt;/i&gt;, &lt;i&gt;Cannibal Tours&lt;/i&gt; and &lt;i&gt;Man Without Pigs&lt;/i&gt;. It also covers the work of indigenous PNG filmmakers, and their own experience of interpreting film and culture. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Taking Pictures&lt;/i&gt; is a inquiry into the practicalities, politics and aesthetics of the documentary experience.&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-tab-span" style="white-space:pre;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div style="text-align: left;"&gt;"A 1930's black and white clip of Papua New Guinea (PNG) people opens this stunning documentary film. We never see the photographer, a white Australian explorer. The people in front of the camera are not actors yet they are acting. Victor Turner called life a performance and we are all in a play. In a documentary film we expect reality and yet only get a glimpse of what we want reality to be. The question is, are the people playing to the camera or is the action real? Is it part of reality or a play? For anyone interested in cultural ramifications of documentary film or ethnography this is more than a glimpse into the lives behind the lens and in front of it. I would highly recommend this film for college/university undergraduates, graduates and faculty."— &lt;a href="https://emro.libraries.psu.edu/record/index.php?id=24"&gt;Patricia Sarchet&lt;/a&gt;, MLS, State University of New York at Buffalo&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;span class="Apple-tab-span" style="white-space:pre;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/stiven-annie-c418all.aspx"&gt;Stiven, Annie&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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