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    <title>Documentary Educational Resources - Filmmaker / Smith, Hubert / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/smith-hubert-c427all.aspx</link>
    <pubDate>Tue, 22 Sep 2026 03:06:44 GMT</pubDate>
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      <link>https://store.der.org/the-living-maya-p1010.aspx</link>
      <guid isPermaLink="false">Product1010</guid>
      <pubDate>Mon, 29 Oct 2018 13:21:00 GMT</pubDate>
      <title>The Living Maya</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-living-maya-p1010.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/the-living-maya.jpg"  alt="The Living Maya" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-living-maya-p1010.aspx"&gt;The Living Maya&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-living-maya-p1010.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$340.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This series documents life in a Yucatan village, focusing on one family over the course of a year. The films explore the ancient agricultural and religious customs that ground contemporary Maya life in traditional values – even as modern Mexico comes to the village.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 1&lt;/b&gt;Introduces the village of Chican and the Colli-Colli family, and examines the structure of Maya agricultural and village life.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 2&lt;/b&gt;Hard-pressed by an illness in the family, the Colli-Colli face financial and emotional challenges using traditional solidarity to muster resources and comfort. Drought threatens the village's crucial corn crop.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 3&lt;/b&gt;As the Colli-Colli resolve their difficulties and the village harvests a mediocre corn crop, viewers are left with an understanding of the underlying rationales of Maya life and with questions about their own assumptions, priorities, and values.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 4&lt;/b&gt;The Colli-Colli's two youngest sons plead to be placed in school in Merida – the first of their family to reject traditional life.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/faces-of-change-bolivia-p977.aspx</link>
      <guid isPermaLink="false">Product977</guid>
      <pubDate>Fri, 7 Sep 2018 09:20:00 GMT</pubDate>
      <title>Faces of Change: Bolivia</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/faces-of-change-bolivia.jpg"  alt="Faces of Change: Bolivia" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Faces of Change: Bolivia&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Faces of Change: Bolivia&lt;/i&gt; includes a series of six short films about Andean peasant life.&amp;nbsp; Film in 1973, the Bolivian expedition took an educational film crew into remote Muñecas Province east of Lake Titicaca, some 10 road hours from La Paz. The area is populated by Aymara and Quechua speaking Indians and people of mixed Spanish-Indian descent.At an altitude of over 12,000 feet, people survive on a mixed economy of potato farming, other high altitude vegetables, and small animal husbandry. Conflicts over land ownership, age-old control by rich "mestizos"(still referred to as "conquistadors"), poor health facilities, and a struggling education system makes this prize winning collection invaluable to teachers and those interested in Latin America.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The filmmaker Hubert Smith has returned to the area on two occasions to help build a better school system, which in the 1990s was recognized as a national school of excellence by the Bolivian government.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;"The Bolvian Aymara series (comprising six films, rather than five like the others) is one of the most thorough-going documentations of Andean peasant life yet made or available. One can think of a number of topics not overtly dealt with but the knowledgeable observer can quickly find other themes interwoven with the main topic. Each film follows the lives of the peasants of the highland communities of Ayata and Virochocha, Bolivia, in a direct, cinema verité fashion. The AUFS team has achieved a degree of sophistication with the technique that invariably draws the student ever deeper into the culture.&amp;nbsp;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;The sound picks up the Aymara dialogue effectively and the English subtitles are very well done, providing a direct and forceful translation which is easily followed. Through the camera eye the viewer can become the ethnographer or indeed, with the sound, the linguist as well. Students can use the films as field study documents and take notes from them as observers."&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Paul Doughty, University of Florida, American Anthropologist, 1977&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of AlejandroMamani&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-children-know-p933.aspx</link>
      <guid isPermaLink="false">Product933</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>The Children Know</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-children-know-p933.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/children-know.jpg"  alt="The Children Know" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The deep division in Andean society between rural and townspeople begins at birth, is perpetuated by the schools and continues throughout life. The film evidences the discrimination faced by the children of the rural and extremely poor campesinos. From different food arrangements at school to healthcare, there is a distinct divide between them and the town-dwelling mestizos. Evidence of discrimination's effects is unmitigated by the formal Flag Day festival that brings the two groups together with the campesinos urging their own to stand up against the mestizos and stop appearing cowardly before them. A stark portrayal of abject poverty and deep-rooted discrimination, &lt;i&gt;The Children Know&lt;/i&gt; is an intriguing study in ethnographic filmmaking.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/magic-and-catholicism-p600.aspx</link>
      <guid isPermaLink="false">Product600</guid>
      <pubDate>Tue, 28 Aug 2018 14:49:00 GMT</pubDate>
      <title>Magic and Catholicism</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/magic-and-catholicism.jpg"  alt="Magic and Catholicism" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The people of the Bolivian highlands blend in thought and practice the traditional magic of the region and the religion of their conquerors. A fatal automobile accident, coincident with the festival of Santiago, provides occasion for unique expressions of both faith and magic in the effort to influence events.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/potato-planters-p524.aspx</link>
      <guid isPermaLink="false">Product524</guid>
      <pubDate>Tue, 28 Aug 2018 10:58:00 GMT</pubDate>
      <title>Potato Planters</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/potato-planters-p524.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/potato-planters.jpg"  alt="Potato Planters" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;An Aymara family plants potatoes, prepares and eats a meal, and discusses the religious and astronomical forces that control their destiny. The stark routine of this typical planting day contrasts with the complexity of their beliefs.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx</link>
      <guid isPermaLink="false">Product437</guid>
      <pubDate>Tue, 28 Aug 2018 07:46:00 GMT</pubDate>
      <title>Spirit Possession of Alejandro Mamani</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/spirit-possession.jpg"  alt="Spirit Possession of Alejandro Mamani" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;An old Bolivian man nears the end of his life. He has property and status, but not contentment. Believing himself posessed by evil spirits, he opens his heart to reveal his anguish. His personal tragedy brings us close to every man's confrontation with the unknown, old age, and death.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; background-color: #ffffff}p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #12759f; -webkit-text-stroke: #12759f}p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333; min-height: 15.0px}p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 12.0px 'PT Sans'; color: #333333; -webkit-text-stroke: #333333}span.s1 {font-kerning: none}span.s2 {font-kerning: none; background-color: #ffffff}span.s3 {font-kerning: none; color: #333333; background-color: #ffffff; -webkit-text-stroke: 0px #333333}span.s4 {font-kerning: none; color: #12759f; -webkit-text-stroke: 0px #12759f}&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
    </item>
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      <link>https://store.der.org/viracocha-p297.aspx</link>
      <guid isPermaLink="false">Product297</guid>
      <pubDate>Fri, 24 Aug 2018 13:38:00 GMT</pubDate>
      <title>Viracocha</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/viracocha-p297.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/viracocha.jpg"  alt="Viracocha" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Viracocha&lt;/i&gt; features mestizos and &lt;g class="gr_ gr_9 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling" id="9" data-gr-id="9"&gt;&lt;g class="gr_ gr_9 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling" id="9" data-gr-id="9"&gt;campesinos&lt;/g&gt;&lt;/g&gt; in the Andean highlands interacting within a near-subsistence economic system. Market days and fiestas provide opportunities for Spanish-speaking mestizos, alternately benign and abusive, to assert their traditional social dominance over the Aymara and Quechua &lt;g class="gr_ gr_8 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace" id="8" data-gr-id="8"&gt;campesinos&lt;/g&gt;.&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/yucatec-maya-deaf-sign-p277.aspx</link>
      <guid isPermaLink="false">Product277</guid>
      <pubDate>Fri, 24 Aug 2018 12:27:00 GMT</pubDate>
      <title>Yucatec Maya Deaf Sign</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/yucatec-maya-deaf-sign-p277.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/yucatec-maya-deaf-sign.jpg"  alt="Yucatec Maya Deaf Sign" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/yucatec-maya-deaf-sign-p277.aspx"&gt;Yucatec Maya Deaf Sign&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/yucatec-maya-deaf-sign-p277.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;In 1976, Hubert Smith set out with a group of researchers to visually document Yucatec Maya society within the village of Chican. This project resulted in the 4-part series, The Living Maya. During filming, however, it was impossible to ignore the use of sign language in the village. Smith and his team saw a lot of the deaf residents, filmed them often, and went back to have these sign exchanges translated. Now it is time to share a story solely about them.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The Yucatec Maya Deaf Sign DVD contains three distinct sequences: the first, &lt;i&gt;A Search for the Origins of Yucatec Maya Deaf Sign&lt;/i&gt;, follows linguist Robert Johnson of Gallaudet University in his study of the extent of Yucatec Maya Deaf Sign. At the time, genetic researchers believed that the high incidence of deafness — and thus of sign language use — was limited to Chican. Johnson set out to ascertain whether the &lt;g class="gr_ gr_14 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace" id="14" data-gr-id="14"&gt;Chican&lt;/g&gt; use of sign language was, in fact, an isolated case or if it was widespread among the Maya. Johnson travels throughout the region and finds both a high incidence of deafness and widespread knowledge of sign language, and ultimately gathers evidence that Yucatec Deaf Sign is, indeed, a language and not simply a gestural system.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The filmed conversations, &lt;i&gt;Snake Encounter&amp;nbsp;&lt;/i&gt;&lt;g class="gr_ gr_132 gr-alert gr_gramm gr_inline_cards gr_run_anim Punctuation only-ins replaceWithoutSep" id="132" data-gr-id="132"&gt;and&lt;/g&gt; &lt;i&gt;Courtship &amp;amp; Marriag&lt;/i&gt;e provide an opportunity to see Yucatec Deaf Sign in use. Each conversation is shown more than once, to provide both the real-time experience and annotated versions offering access to the meaning of the stories told. Margaret Mead, who served as an advisor to the project before her death once remarked, “The language is one thing, but what is remarkable is that the entire community uses it!”&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/andean-women-p151.aspx</link>
      <guid isPermaLink="false">Product151</guid>
      <pubDate>Wed, 18 Jul 2018 13:31:00 GMT</pubDate>
      <title>Andean Women</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/andean-women-p151.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/andean-women.jpg"  alt="Andean Women" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Aymara women voice a common paradox. In the film they express agreement with the dominant Hispanic ideal that women should be subservient to men and assigned to tasks appropriate to their limited strength and intelligence. Yet Aymara culture recognizes their equal contributions to survival.&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Faces of Change&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/aymara-leadership-p169.aspx</link>
      <guid isPermaLink="false">Product169</guid>
      <pubDate>Wed, 18 Jul 2018 13:31:00 GMT</pubDate>
      <title>Aymara Leadership</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/aymara-leadership-p169.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/aymara-leadership.jpg"  alt="Aymara Leadership" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/aymara-leadership-p169.aspx"&gt;Aymara Leadership&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/aymara-leadership-p169.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The theme of leadership is difficult to convey, especially in another culture, in which outsiders often do not recognize subtle cues and implicit understandings that play so important a role in the exercise and acceptance of authority. This film helps viewers, even if they have no prior familiarity with the Aymara, to appreciate the ways in which a young man manages to minimize conflicts, resolve disputes, and generally promote the social welfare in a community where age and experience have traditionally been highly valued.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This bold venture in ethnographic filmmaking attempts to convey the meanings and methods of a theme that most people consider inherently abstract, and to do so in a document brief enough to be used in the classroom. Beyond that, it imaginatively combines the techniques of slow motion, instant replay, and freeze-frame in ways that vividly show how body language, conformity to local norms of kinship and propriety, and other factors interact as we watch a self-taught master of conflict management at work.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/smith-hubert-c427all.aspx"&gt;Smith, Hubert&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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