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Yanomamö Films: Remastered, Vol. 1

Tue, 14 Sep 2021 09:45:14 GMT

Yanomamö Films: Remastered, Vol. 1
Buy Now: $1,000.00

In 1968 and again in 1971 filmmaker Timothy Asch and anthropologist Napoleon Chagnon collaborated on a project to film the Yanomamö Indians. Chagnon had conducted research among the Yanomamö beginning in 1964, and Asch had previously filmed in the field in Africa and Japan. During his first field trip, Chagnon used a 16mm Bolex to film selected aspects of Yanomamö life.

In 1968, Asch joined Chagnon, and from this first collaboration two films were produced: The Feast and Yanomamö: A Multidisciplinary Study. The latter film was made in close cooperation with a team of scientists from the Department of Human Genetics at the University of Michigan. A feast was chosen as the subject of the other film for several reasons: it was a predictable event, and as a single event it could be placed in the social and cultural context of the village. Additionally, the feast illustrated some classical anthropological themes - reciprocity and alliance formation - that would complement Chagnon's own published work, particularly his widely-read Yanomamö: The Fierce People.

Between 1968 and 1971 Chagnon returned annually to the field and filmed alone. The footage shot during this period became more meaningful when viewed as part of the larger body of film on the Yanomamö shot collaboratively by Asch and Chagnon in 1971. During 1971 the team (together with Craig Johnson who recorded synchronous sound) shot an additional 80,000 feet of 16mm color film, using Arriflex, Bolex, Nagra, and Uher equipment. The scene of most of this film is the remote village of Mishimishimabowei-teri, a village whose history and inhabitants Chagnon knew well. Several figures in particular are outstanding: Moawa, a village headman and Dedeheiwä, another headman and the leading shaman in Magical Death.

In all, Asch and Chagnon shot approximately 110,000 feet (50 hours) of film on the Yanomamö, much of it in Mishimishimabowei-teri. Thirty-seven films were produced from this footage and initially used in a national introductory curriculum project supported by the National Science Foundation. Today, they have become classics of visual anthropology and continue to be studied in classrooms throughout the world.

This collection includes these remastered films:

Arrow Game

The Ax Fight

Children's Magical Death

Climbing the Peach Palm

A Father Washes His Children

Magical Death

A Man and His Wife Make a Hammock

A Man Called Bee: Studying the Yanomamö

Moonblood: A Yanomamö Creation Myth

Weeding the Garden

Several of these films are also available on the Yanomamö Shorts DVD collection. This two-disc set includes the following remastered titles on Disc One: Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock and Weeding the Garden. Also included on Disc One: Firewood, Tapir Distribution and Tug-of-War. Disc Two includes: Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling, and Young Shaman.

Films in the Yanomamö series:

Arrow Game *†

The Ax Fight †

Bride Service

Children's Magical Death *†

Climbing the Peach Palm *†

A Father Washes His Children *†

The Feast

Firewood *

Jaguar, a Yanomamö Twin Cycle Myth

Magical Death †

A Man and His Wife Make a Hammock *†

A Man Called Bee: Studying the Yanomamö †

Moonblood: A Yanomamö Creation Myth †

Myth of Naro, as told by Dedeheiwä

Myth of Naro, as told by Kaobawä

New Tribes Mission

Ocamo is My Town

Tapir Distribution *

Tug-of-War, Yanomamö *

Weeding the Garden *†

Yanomamö: A Multidisciplinary Study

Yanomamö of the Orinoco

* included on the Yanomamö Shorts compilation
† included in the Yanomamö Films: Remastered, Vol. 1 set

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NYU Culture & Media Series

Fri, 1 Feb 2019 15:02:00 GMT

NYU Culture & Media Series
Buy Now: $545.00

The NYU Culture & Media series is a new collection showcasing ethnographic documentaries from the Program in Culture & Media (C&M) at New York University. C&M is a specialized course of study leading to a New York State certificate in Culture and Media for NYU graduate students who are also pursuing their Ph.D. degrees in the Departments of Anthropology, Cinema Studies, and Comparative Literature.

The program integrates production with theory and research stressing a decolonial approach in exploring the relationships between culture and media in a number of domains: ethnographic film’s significance for the fields of anthropology and cinema/media studies; the representation of cultures through media; the development of media in Indigenous, Diaspora, and non-Western communities; the emerging social and cultural formations shaped by new media practices; the political economy shaping the production, distribution and consumption of media worldwide; and the impact of new media technologies on these processes.

The documentary shorts in these collections were produced, directed, and shot by students in the yearlong Documentary Production Lab. Rather than focus on a single filmmaking style, students are exposed to a wide variety of ethnographic and documentary filmmaking methodologies in order to determine the best fit for their story. Each of the compilations, includes films representing an array of filmmaking approaches and diverse subject areas, selected for their usefulness in anthropology and film classes, as well as documentary production courses.

The NYU Culture & Media series

Volume 1 - Stories from the Archive: History, Representation, and Identity

Volume 2 - Point of View: First Person to Observational

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Jazz Cosmopolitanism In Accra Series

Tue, 9 Oct 2018 15:11:00 GMT

Jazz Cosmopolitanism In Accra Series
Buy Now: $1,280.00

Five one-hour video collaborative documentaries (two with additional shorts) reveal Accra's resonances with jazz histories, styles, and performance practices ranging from New Orleans to bebop and the avant-garde, featuring famed percussionist Guy Warren/Ghanaba, multi-instrumentalist, afrifone inventor, and sound sculptor Nii Noi Nortey, percussionist and guitarist Nii Otoo Annan, the horn honking La Drivers Union Por Por Group, and master puppeteer J.C. Abbey.

The Jazz Cosmopolitanism in Accra films series, alone or joined by the companion book and CD series of the same title, convey a sense of diasporic intimacy and musical cosmopolitanism in Ghana.

Films in the Jazz Cosmopolitanism in Accra series:

Hallelujah! (60 min, 2009)

Accra Trane Station: The Music and Art of Nii Noi Nortey (60 min, 2009)

Includes the short film From Accra to Santa Fe (18 min, 2009)

A Por Por Funeral for Ashirifie (60 min, 2009)

The Story of Por-Por (60 min, 2013)

Includes the short film M.V. Labadi (20 min, 2013)

J.C. Abbey, Ghana's Puppeteer (55 min, 2016)

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Faces of Change: Afghanistan

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: Afghanistan
Buy Now: $495.00

Shot in 1972, these five films present a portrait of Afghan life in the last months before the Russian invasion.The films capture the daily economic and social exchanges in the market town of Aq Kapruk, an area inhabited by Tajik and other Central Asian peoples, 320 miles northwest of Kabul.

Situated along Balkh River, this agricultural community depended primly on wheat farming and a pastoral economy. These films offer a window into an Afghanistan on the cusp of change, and serve as a record of the culture and life ways of its rural people.

"These five films portray different aspects of technology, economic arrangements and social life in the village of Aq Kupruk in northern Afghanistan. The area is hilly, intensely arid, the elevation is about 2000 feet, the population consists mainly of Tajikagriculturalists. There is a substantial bazaar at Aq Kupruk and the valley lies on the migration track of Pushtun pastoral nomads. Clearly the area comprises the three main segments of Afghan society: the bazaar sector, the farmers, and the nomads."
— Asen Balikci, American Anthropologist, 1977

Films in the Afghanistan series

About the Faces of Change Collection

Faces of Change is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the China Coast at sea level and moving up to Taiwan, then to Afghanistan, Kenya and finally to the mountains of Bolivia. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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Faces of Change: Bolivia

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: Bolivia
Buy Now: $495.00

Faces of Change: Bolivia includes a series of six short films about Andean peasant life. Film in 1973, the Bolivian expedition took an educational film crew into remote Muñecas Province east of Lake Titicaca, some 10 road hours from La Paz. The area is populated by Aymara and Quechua speaking Indians and people of mixed Spanish-Indian descent.At an altitude of over 12,000 feet, people survive on a mixed economy of potato farming, other high altitude vegetables, and small animal husbandry. Conflicts over land ownership, age-old control by rich "mestizos"(still referred to as "conquistadors"), poor health facilities, and a struggling education system makes this prize winning collection invaluable to teachers and those interested in Latin America.

The filmmaker Hubert Smith has returned to the area on two occasions to help build a better school system, which in the 1990s was recognized as a national school of excellence by the Bolivian government.

"The Bolvian Aymara series (comprising six films, rather than five like the others) is one of the most thorough-going documentations of Andean peasant life yet made or available. One can think of a number of topics not overtly dealt with but the knowledgeable observer can quickly find other themes interwoven with the main topic. Each film follows the lives of the peasants of the highland communities of Ayata and Virochocha, Bolivia, in a direct, cinema verité fashion. The AUFS team has achieved a degree of sophistication with the technique that invariably draws the student ever deeper into the culture.

The sound picks up the Aymara dialogue effectively and the English subtitles are very well done, providing a direct and forceful translation which is easily followed. Through the camera eye the viewer can become the ethnographer or indeed, with the sound, the linguist as well. Students can use the films as field study documents and take notes from them as observers."
— Paul Doughty, University of Florida, American Anthropologist, 1977

Films in the Bolivia series

Andean Women
The Children Know
Magic and Catholicism
Potato Planters
The Spirit Possession of AlejandroMamani
Viracocha

About the Faces of Change Collection

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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Faces of Change: China Coast

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: China Coast
Buy Now: $495.00

The fishermen and the island farmers of the Soko Islands in the South China Sea typify coastal harbor communities that have existed for centuries along the China coast, controlled by mainland China or for many decades alien governments in Hong Kong and Macau.

The five films portray two independent cultures that rely on each other in complex ways, the boat people providing fish, transport to markets, and the necessities of survival on the island; the island farmers providing food, a school for boat children and labor when needed on boats and harbor facilities. The day-to-day lives of boat people and island people in this maritime culture three hours from Hong Kong are studies in mutual support, although historically discriminatory between a mainland farm family and boat people, who are seen as second class citizens who floated beyond "civilization."

After the filming in 1973, the entire population, farmers and boat people, were moved by government decree. The farmers were settled in nearby Lantau Island, the fishermen allowed to find harbors where they could. The initial government action was to accommodate refugee boat people from the Vietnam war era, the second to find harbors in Hong Kong's Aberdeen or nearby Cheng Chau where some had relatives and part-time work could be found ashore.

"These films are all set primarily in the Soko Islands, under British rule in Hong Kong territorial waters. They provide an interesting and valuable ethnographic picture of the lives of Chinese islanders and fishermen. Somewhat greater emphasis is given throughout to the fishing families, whose lives are spent almost entirely on their boats, broken only by brief visits to shore to fetch fresh water from a well or buy supplies in a market town.All are visually excellent, providing fascinating studies of details of daily life. In three of the five films narration is kept at a minimum, with direct simultaneous translation of interviews used effectively to provide verbal information, along with occasional translation of small talk and conversation among the Chinese as they go about their work." — Judith Strauch, American Anthropologist, 1977

Films in the China Coast series

China Coast Fishing
Hoy Fok and the Island School
The Island Fishpond
Island in the China Sea
Three Island Women

About the Faces of Change Collection

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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Faces of Change: Kenya

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: Kenya
Buy Now: $495.00

The Boran are desert pastoralists in Kenya and Ethiopia who traditionally followed the rains in search for grass and water. Since the 1960s many Boran have elected to settle in a few market towns, such as Marsabit, the district capital in northern Kenya. Those who settle are in contrast to those who pursue the traditional lifestyle, particularly in terms of work, education, and social interaction with the outside world. Since 2015, the region has been on the western fringe of the on-going conflict between Kenya and the Al Shaba movement in Somalia. The films provide a backdrop to the harsh realities of this region of Kenya and the lifestyles of the residents.

"The core of this series is Kenya Boran 1 and 2, each designed to stand alone, but which together complement one another in a most useful and informative fashion. Their common subject matter is the development problems posed for rural Boran herdsmen and their families by the encroachment upon their once-isolated grazing lands of a growing town (Marsabit) and a major road (the new Nairobi-Addis Ababa Highway). These are shown in Kenya Boran 1, as two fathers and their sons discuss difficult choices between old and new ways of responding to the complexity of changes occurring around them, each emphasizing different aspects of the problem and different strategies for confronting them which, in turn, promote view speculation as to the appropriateness and the outcome of their divergent ways of dealing with change.Kenya Boran 2 expands upon these themes by focusing on the life of Peter Boru, a 16 year old former herdsboy who has gone to the government boarding school in the town; his expression of his hopes, fears and aspirations is adroitly contrasted both with those of his unschooled neighbors in the rural cattle camps and with the bleak employment opportunities facing him in the modern sector, in the course of which some of the difficulties of existing national educational practices in promoting development are isolated and explored.The hallmark of both films is their earnest commitment to permitting the Boran to define the issues that confront them in their own vernacular terms, expertly subtitled without the imposition of directed interpretative commentary… The overall result is a series of remarkably intimate and realistic scenes, attractively films with an absence of conspicuous staging or obvious show-biz; indeed, they move with a natural rhythm and pace that engenders an authentic sense of the problems, and of the sorts of ideas and feelings that individual Boran bring to bear in deciding on appropriate response to change.The prevailing tone of both films is their seriousness and deliberate instructional intent to provoke analytic responses from viewers. Their principal value lies in presenting the evidence in such a fashion as to force viewers to arrive at their own conslusions about the course of action that seems most appropriate based on the film/essay evidence." — Alan Jacobs, Western Michigan University, American Anthropologist, 1977

Films in the Kenya series

Boran Herdsmen

Boran Women
Harambee: Pull Together
Kenya Boran

About the Faces of Change Collection

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

Visit Series & Collections to see additional products in this category.

Faces of Change: Taiwan

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: Taiwan
Buy Now: $340.00

Shot in 1973, these five films present a portrait of life in Taiwan by following the daily economic and social exchanges in Tsao Tun (also known as Tsaotun, or Caotun) Township, an area inhabited by farmers, in Nantou County 130 miles southwest of Taipei. This agricultural community depend primarily on wet rice and other mixed vegetable farming. Pigs and poultry, too, are important farm products. These films offer a window into Taiwan during a time of economic and social change, and serve as a record of the culture and life ways of its rural people as they stand on the cusp of tradition and modernization.

Films in the Taiwan series

A Chinese Farm Wife
People are Many, Fields are Small
The Rural Cooperative
They Call Him "Ah Kung"
Wet Culture Rice

About the Faces of Change Collection

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

Visit Series & Collections to see additional products in this category.

A Kalahari Family

Wed, 5 Sep 2018 11:07:00 GMT

A Kalahari Family
Buy Now: $1,200.00

A Kalahari Family is a five-part, six-hour series documenting 50 years in the lives of the Ju/'hoansi of southern Africa, from 1951 to 2000. These once independent hunter-gatherers experience dispossession, confinement to a homeland, and the chaos of war. Then as hope for Namibian independence and the end of apartheid grows, Ju/'hoansi fight to establish farming communities and reclaim their traditional lands. Through depiction of their efforts of the Ju/hoansi to participate as farmers in the contemporary economy and advocate for their rights to do so, the series challenges stereotypes of primitive and unchanging "bushmen."

"There are two kinds of films. Films that show us in skins are lies. Films that show the truth show us with cattle, with farms, with our own water, making our own plans." —Oma Tsamkxao

"The old life was too thin. We wanted foods that made us strong. We wanted clothes like other people... A new life called us to Tjum!kui." —Oma Tsamkxao

"We heard stories about whites killing Ju/'hoansi. We were traveling to find bush foods when /Ui Legs told us white people had come. He said you would return to look for us and stay a long time. We were afraid you would capture or kill us. I'm glad you whites were different." —Oma Tsamkxao

John Marshall's documentary shows the objective story of one Namibian family and testifies to the challenges and the effects of changing times on the entire nation. This not only supports the constructive political revelations preached by our first president but is a touching testimony seen from within and without our society how it changes without reflection to its past history sacrificing part of its capacity to the demands put to them by the fast changing environment making it impossible to keep up and adjust. There is no progress possible if any help from the outside does not generate capacity building from within. This documentary shows that listening to the local voices and capacity building is the only answer to sustainable development. Such help is this documentary, so that each Namibian irrespective of any rank should be obliged to see it several times and keep it for generations to come. This is part of our invisible history innocently captured to testify in vision what has so far been invisible to the naked eye.

We owe enormous gratitude to the Marshall family for this valuable contribution to the History and welfare of our nation.
— Levi Namaseb, Namibian Visiting Scholar, University of Toronto

Films in the A Kalahari Family series:

Part One: A Far Country
Part Two: End Of the Road
Part Three: Real Water
Part Four: Standing Tall
Part Five: Death By Myth

SELECTED SCREENINGS & AWARDS

Best Environmental TV Series, FICA - International Festival of Environmental Film & Video, Brazil, 2003

Special Prize: Homage to the Films of John Marshall; Bilan du Film Ethnographique, Paris, 2003

Grand Jury Award (Best in World Cinema), DC Independent Film Festival, Washington DC, 2003

Basil Wright Film Prize, RAI Ethnographic Film Festival, England, 2003

Beeld Voor Beeld, Ethnographic Film Festival, Amsterdam, 2003

Jury Award, Athens Film Festival, 2003

Best Film - Jury Award, XII International Festival of Ethnographical Films, Nuoro, Italy, 2004

Planet In Focus Film Festival, Toronto, 2003

Margaret Mead International Film Festival, NYC, 2002

Sithengi International Film Festival, Capetown, 2002

African Film Festival, Seattle, 2003

Boston Premiere, Museum of Fine Arts, 2003

Archaeology Channel Film Festival, Oregon, 2003

Beeld Voor Beeld, Ethnographic Film Festival, Amsterdam, 2003

Harvard Film Archive, Cambridge, MA, 2004

Göttingen International Film Festival, Germany, 2004

Thessaloniki Documentary Film Festival, Greece, 2005

Ecocinema Festival, Athens, Greece, 2005

This film is part of the !Kung Series.

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Alaska Native Heritage Film Series

Wed, 5 Sep 2018 11:07:00 GMT

Alaska Native Heritage Film Series
Buy Now: $2,070.00

Filmmakers Sarah Elder and Len Kamerling produced these films jointly with village councils. Since 1974, the Alaska Native Heritage Film Project has pioneered a community-based approach to producing cultural films in which the film's subjects play a central role in determining the production's themes and direction. The goal of this approach is to produce documentary films that are closer to the perspectives and priorities of the indigenous and minority people they represent. This technique was developed to ensure authentic Alaskan native material and point of view. Each of the communities represented helped to decide the direction and content of the films.

Films in the Alaska Native Heritage Film series:

At the Time of Whaling

The Drums of Winter (Uksuum Cauyai)

From the First People

Note on Term "Eskimo":

The films in this series make use of the name "Eskimo." While once broadly applied, it is a perjorative term and considered offensive. While the inception of the word is a matter of debate, it is no longer used or applied in our film catalog. The context in which the term appears in this series is an acknowledged relic of a colonial past, presented in its original version. DER apologizes for any offense caused.

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