Cochengo Miranda

Thu, 30 Aug 2018 08:16:00 GMT

Cochengo Miranda is a portrait of a farmer and his family living in the Pampas region of Central Argentina. Made by Jorge Prelorán, Argentina's best-known documentary filmmaker, the film is an example of his unique genre of ethnobiography, in which the story of an individual reveals larger truths about a culture and way of life.

The extensive region of the Pampas in Central Argentina is one of the most fertile in the world. However, as the rains subside towards the West, the land becomes arid and dry. Here live a sparse population of rugged cattlemen whose nearest neighbor may be 10 miles away. The center of life is a well and a windmill to which the cattle come every day to drink, and then go off to find the scarce grasses in the vast plains where no fences are necessary.

Cochengo Miranda has lived here for over 30 years, and raised his family after marrying at 45. In his youth he had been an itinerant singer and ranch hand, but hung up his guitar when he finally settled down. He is descendant from early Spanish stock in the region, where many of its traditions are still kept alive even though transculturation is rapidly taking its toll.

During a whole year Prelorán visited this family several times, filming a variety of occurrences that took place as the months and seasons passed. In each occasion he would record extensive monologues of don Cochengo as the basis for the film's structure. The result is a warm, intimate portrait of life in a little-known region of the world, as told to us by the settlers themselves.

This is the style of film that Prelorán has developed through the years based on the limitations of his equipment and budgets. He shot with a spring-wound 16mm Bolex camera, which accounts for the short length of the takes. He did not possess sync-sound equipment, so the soundtracks were later constructed painstakingly in order to give the impression that they are real. Because he could not record dialogues between his characters, he had to devise a style which appeared to be professional; so he used voice-over monologues. Thus his films are narrated by the protagonists themselves, conveying their feelings, wishes, philosophy and manners of expression, in order to complement the visuals rather than to just document what we see, or to be told by 'experts' how these people act or think, as is so common in ethnographic film.

It is interesting to point out that Prelorán does not consider his films pure ethnography, for he does not work with a scientific method nor is he interested in documenting material anthropology. He is more intent on capturing the human soul in its infinite varieties, and does not consider re-staging scenes for the camera a problem, if they are essentially truthful and do not call attention to themselves.

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Zulay

Fri, 24 Aug 2018 12:27:00 GMT

Zulay
Buy Now: $320.00

Filmed over a span of 8 years, this film is based on dialogue between Zulay Saravino, an indigenous Otavaleña of Equador, and Mabel Prelorán, an Argentine anthropologist living in Los Angeles.

The Otavalo Indians are industrious landowners and farmers who have also transitioned somewhat to a textile-based economy, selling handwoven garments to tourists at markets in Quito.

The film shows the beautiful mountainous landscape of Zulay's home and the traditions of her people – their work, history, food, clothing, and Catholic religious practices. The educated and business-savvy Zulay shares her opinions on tourism and photography and her anger over the stereotypes imposed on indigenous people in Equador. She tells Mabel stories passed down from her elders and reflects upon the trade-offs she's had to make in leaving her home to come to Los Angeles, where her desire to learn new skills is tempered by homesickness. The film becomes a universal document on transculturation and its implications for identity, education, economic advancement, and emotional ties.

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Documentary Educational Resources - Filmmaker / Prelorán, Jorge / All Films

Cochengo Miranda

Zulay