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    <title>Documentary Educational Resources - Subject / Politics, Law &amp;amp; Justice / Nationalism / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/nationalism-c279all.aspx</link>
    <pubDate>Mon, 21 Sep 2026 18:50:03 GMT</pubDate>
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      <link>https://store.der.org/the-children-know-p933.aspx</link>
      <guid isPermaLink="false">Product933</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>The Children Know</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-children-know-p933.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/children-know.jpg"  alt="The Children Know" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The deep division in Andean society between rural and townspeople begins at birth, is perpetuated by the schools and continues throughout life. The film evidences the discrimination faced by the children of the rural and extremely poor campesinos. From different food arrangements at school to healthcare, there is a distinct divide between them and the town-dwelling mestizos. Evidence of discrimination's effects is unmitigated by the formal Flag Day festival that brings the two groups together with the campesinos urging their own to stand up against the mestizos and stop appearing cowardly before them. A stark portrayal of abject poverty and deep-rooted discrimination, &lt;i&gt;The Children Know&lt;/i&gt; is an intriguing study in ethnographic filmmaking.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Bolivia series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/andean-women-p151.aspx"&gt;Andean Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-children-know-p933.aspx"&gt;The Children Know&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/magic-and-catholicism-p600.aspx"&gt;Magic and Catholicism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/potato-planters-p524.aspx"&gt;Potato Planters&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/spirit-possession-of-alejandro-mamani-p437.aspx"&gt;The Spirit Possession of Alejandro Mamani&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/viracocha-p297.aspx"&gt;Viracocha&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/dinka-diaries-p873.aspx</link>
      <guid isPermaLink="false">Product873</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Dinka Diaries</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/dinka-diaries-p873.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/dinka-diaries.jpg"  alt="Dinka Diaries" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/dinka-diaries-p873.aspx"&gt;Dinka Diaries&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/dinka-diaries-p873.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Dinka Diaries&lt;/i&gt; tells the story of some of America's most recent arrivals: Sudanese refugees who would have never dreamt a few years ago that they'd be living in America. Over the course of ten months, the film follows the lives of three Sudanese refugees who resettle in the Philadelphia area and adjust to the new American culture and way of life. &lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Dinka Diaries&lt;/i&gt; represents an important attempt to empower refugees by giving them the opportunity to represent themselves and their experiences through film.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/divided-loyalties-p874.aspx</link>
      <guid isPermaLink="false">Product874</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Divided Loyalties</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/divided-loyalties-p874.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/divided-loyalties.jpg"  alt="Divided Loyalties" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/divided-loyalties-p874.aspx"&gt;Divided Loyalties&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/divided-loyalties-p874.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Divided Loyalties studies the stories of Greek and Turkish Cypriot refugees and nationals who seek to reconcile their fractured heritage from the history of the proud, yet divided island: Cyprus. Shot in 16 mm the film reveals both a visual and emotional landscape of the island. Structured around the chronological political legacy of Cyprus, award-winning director and cinematographer Sophia Constantinou explores the memories and personal histories of its natives, as well as her own family. Unknown to many, Cyprus, as of 2001, is one of the most densely militarized zones in the world. The United Nations, Turkey and Great Britain continue to hold strong military presences in Cyprus -severing the island into separate Greek and Turkish territories. Cypriots are constantly reminded of their disjointed identities by the military border zone physically splitting the island into North and South regions. Such turbulence resulted in the scattering of Cypriots around the globe, deunifying familial, individual and collective identities. Important for teaching international relations, middle eastern studies, anthropology, conflict resolution and identity.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/freedom-never-dies-p829.aspx</link>
      <guid isPermaLink="false">Product829</guid>
      <pubDate>Wed, 29 Aug 2018 14:53:00 GMT</pubDate>
      <title>Freedom Never Dies</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/freedom-never-dies-p829.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/freedom-never-dies.jpg"  alt="Freedom Never Dies" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/freedom-never-dies-p829.aspx"&gt;Freedom Never Dies&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/freedom-never-dies-p829.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;On Christmas night 1951, Harry T. Moore and his wife Harriette retired to bed in their white frame house tucked inside a small orange grove in Mims, Florida. Ten minutes later, a bomb shattered their house, their lives, and any notions that the South’s post-war transition to racial equality would be a smooth one. Harry Moore died that night, his wife nine days later. Harry T. Moore paved the way for the ‘60s civil rights movement by championing equal pay for black teachers, organizing the black vote and publicly condemning racist attitudes and actions of local, state and national officials. Despite a massive FBI investigation and repeated inquisitions, the murders of Harry and Harriette Moore have never been solved.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/harambee-p778.aspx</link>
      <guid isPermaLink="false">Product778</guid>
      <pubDate>Wed, 29 Aug 2018 13:27:00 GMT</pubDate>
      <title>Harambee</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/harambee-p778.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/harambee.jpg"  alt="Harambee" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Harambee is a traditional Swahili chant meaning heave-ho or pull together the slogan for a united Kenya. Harambee Day or Independence Day is celebrated in this small town in North Kenya with political speeches and an auction at the native school. The film shows how North Kenya- isolated for years- tries to adapt to the new concept of nationhood. Government officials from South Kenya are appointed as ambassadors to spread the idea of national unity to a people unaccustomed to it.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/inside-the-khmer-rouge-p749.aspx</link>
      <guid isPermaLink="false">Product749</guid>
      <pubDate>Wed, 29 Aug 2018 12:45:00 GMT</pubDate>
      <title>Inside the Khmer Rouge</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/inside-the-khmer-rouge-p749.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/inside-the-khmer-rouge.jpg"  alt="Inside the Khmer Rouge" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/inside-the-khmer-rouge-p749.aspx"&gt;Inside the Khmer Rouge&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/inside-the-khmer-rouge-p749.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Inside the Khmer Rouge&lt;/i&gt; takes an in-depth look at the history, domination, and current status of the Khmer Rouge (a Communist regime) in Cambodia. The film features revealing interviews with soldiers of both the modern Khmer Rouge and those who fight in opposition. A comprehensive timeline of the regime's five-year occupation in Cambodia is dissected and includes a review of key individuals, ideologies, and locations where devastation hit hardest. Following this, the film takes a look at the effects on the Cambodian citizens upon the retraction of Vietnamese forces.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Inside the Khmer Rouge&lt;/i&gt; continues to investigate the current tactics the modern Khmer Rouge implement and their attempts to persuade followers in order to rebuild and expand their regime. Oppositely, local forces or "jungle soldiers" discuss their devices for assuring the destruction and atrocities once caused by the Khmer Rouge never happen again.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/i-am-the-people-p727.aspx</link>
      <guid isPermaLink="false">Product727</guid>
      <pubDate>Wed, 29 Aug 2018 12:44:00 GMT</pubDate>
      <title>I Am the People</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/i-am-the-people-p727.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/i-am-the-people.jpg"  alt="I Am the People" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/i-am-the-people-p727.aspx"&gt;I Am the People&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/i-am-the-people-p727.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$340.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;As the Egyptian people rise up in Tahrir Square, a rural community in the Nile valley follows the revolution on TV, radio and in the newspapers. Intimately shot over the three year period from the overthrow of Mubarak to the fall of Morsi, we are shown an alternate view of the revolution through the eyes of Farraj, his family, and friends as they make sense of and debate national politics.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Through the experiences and voices of a community in the periphery, &lt;i&gt;I Am the People&lt;/i&gt; presents a complex picture of the struggle for democracy in Egypt.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;“Rarely seen a sweeter exchange between filmmaker and subject”&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;— Filmmaker Magazine&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;“A beautiful and invaluable glimpse into the Egyptian people”&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;— VOX Magazine&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;br /&gt;“In this first feature, Anna Roussillon, a French citizen raised in Egypt, offers an important counterpoint to the spectacular images captured in Tahrir Square. In January 2011, when ten of thousands of demonstrators took to Cairo's streets, the director started filming her friend Farraj and his family, peasants in the Luxor Valley. For two years, their television screens allowed them to follow the country's political upheavals, as it experienced an alternately enthusiastic and painful experiment with democracy. With wit, empathy and a powerful rapport with her subjects, the director makes us feel their hopes and disappointments. A superb lesson in humanity.”&amp;nbsp;&lt;div&gt;&lt;div&gt;— Charlotte Selb, RIDM&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;hr&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;John Marshall Award for Contemporary Ethnographic Media&lt;/i&gt;, Camden International Film Festival, USA, 2015&lt;/div&gt;&lt;div&gt;&lt;i&gt;Emerging Cinematic Vision Award&lt;/i&gt;, Camden International Film Festival, USA, 2015&lt;/div&gt;&lt;div&gt;&lt;i&gt;Grand Prize Nezha Drissi&lt;/i&gt;, Fidadoc Agadir, Morocco, 2015&lt;/div&gt;&lt;div&gt;&lt;i&gt;Best Film&lt;/i&gt;, Arkipel Documentary and Experimental Film Festival, Indonesia, 2015&lt;/div&gt;&lt;div&gt;&lt;i&gt;Best Documentary &amp;amp; Best Filmmaker&lt;/i&gt;, Pravo Ljudski Film Festival, Bosnia, 2015&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-last-kamikaze-p679.aspx</link>
      <guid isPermaLink="false">Product679</guid>
      <pubDate>Wed, 29 Aug 2018 06:41:00 GMT</pubDate>
      <title>The Last Kamikaze</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-last-kamikaze-p679.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/last-kamikaze.jpg"  alt="The Last Kamikaze" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-last-kamikaze-p679.aspx"&gt;The Last Kamikaze&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-last-kamikaze-p679.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This film explores the minds of former suicide bombers who participated in the first well-orchestrated suicide mission in modern history, the one carried out by the air arm of the Imperial Japanese Navy during WWII. Although in the beginning, these suicide pilots were university graduates and intellectual elites in their 20s, by 1942 the Navy was aggressively recruiting a large number of boys who were only in their low teens. Fortunately, some never flew their final suicide mission because the war ended before it was their turn to fly out. The producer/director interviews several friends of his deceased father (who was also a former suicide pilot) in order to understand the mindset and motives behind such an extraordinary behavior. Now in their 70s and 80s, these individuals reflect upon their past and talk candidly about their lives, issues related to patriotism, spirituality, and on-going turmoil in the Middle East.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/melting-wok-p623.aspx</link>
      <guid isPermaLink="false">Product623</guid>
      <pubDate>Tue, 28 Aug 2018 14:49:00 GMT</pubDate>
      <title>Melting Wok</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/melting-wok-p623.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/melting-wok.jpg"  alt="Melting Wok" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/melting-wok-p623.aspx"&gt;Melting Wok&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/melting-wok-p623.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Mainak Bhaumik's film provides insight into India's often-overlooked Chinese population, examining the thriving Chinatown in Kolkata, Bengal. There, skilled Chinese immigrants have historically established themselves in business - especially tanneries and shoemaking - and created a unique Indo-Chinese cuisine. Exploring the factors that make up Chinese-Indian identity, the film looks at the Indian cultural stereotypes of Chinese immigrants and the effects of government resettling of Chinese-Indians during the 1962 border conflict between the two countries. A portrait emerges of a hardworking and traditionally enclosed immigrant community, but one that is becoming increasingly assimilated with mainstream Indian culture.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Melting Wok&lt;/i&gt; pays attention to the unique contributions and experiences of Chinese-Indians, while also helping the audience to understand the larger phenomena of immigration and cultural identity.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style=""&gt;European Association of Social Anthropologists' Film, Video &amp;amp; New Media Festival, Slovenia, 2008&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/postcards-from-tora-bora-p523.aspx</link>
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      <pubDate>Tue, 28 Aug 2018 10:58:00 GMT</pubDate>
      <title>Postcards from Tora Bora</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/postcards-from-tora-bora-p523.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/postcards-from-tora-bora.jpg"  alt="Postcards from Tora Bora" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/postcards-from-tora-bora-p523.aspx"&gt;Postcards from Tora Bora&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/postcards-from-tora-bora-p523.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;At the height of the Cold War, the Osman family frantically escapes from Afghanistan while leaving almost everything behind. In the ensuing chaos, their only suitcase filled with family photos is stolen. Now after two decades of living in America, Wazhmah Osman, a young Afghan-American woman returns to her childhood home. Armed only with rapidly fading memories, she recruits some unlikely and reluctant guides to put together the pieces of her past.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;On an alternately sad and humorous quest, she encounters confused cabbies, the enthusiastic former minister of the tourism bureau, amuseum director that archives land mines, and a group of angry street vendors. As Wazhmah desperately searches for any tangible evidence of her former life, the journey leads her to many unexpected places. Amidst the rubble and destruction, she finds her estranged father who in the aftermath of war choose his country over his family.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;On the road, Wazhmah frequently finds herself at a strange intersection where cultures clash, identities are mistaken, and the past violently collides with the present. The filmmakers incorporate recovered Super 8 home movies and family photos that offer a rare and unprecedented look at 1960s and 1970s pre-war Afghanistan. Travel brochures are animated to reveal the country's peaceful past. Drawings by orphan children are animated to illustrate the Soviet invasion and subsequent wars. Interviews with Wazhmah's family and on the ground interviews with shopkeepers, teachers, orphans, and soldiers bring to light Wazhmah's personal journey and the country's current situation.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;AAA/Society for Visual Anthropology Film, Video &amp;amp; Multimedia Festival, 2009&lt;/div&gt;&lt;div&gt;Tribeca Film Festival, 2007&lt;/div&gt;&lt;div&gt;Mill Valley Film Festival, 2007&lt;/div&gt;&lt;div&gt;Kassel Documentary Film and Video Festival, 2007&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/nationalism-c279all.aspx"&gt;Nationalism&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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