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    <title>Documentary Educational Resources - Geography / Africa / Namibia / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/namibia-c52all.aspx</link>
    <pubDate>Wed, 23 Sep 2026 20:15:23 GMT</pubDate>
    <ttl>60</ttl>
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      <link>https://store.der.org/kung-short-films-p936.aspx</link>
      <guid isPermaLink="false">Product936</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>!Kung Short Films</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/kung-short-films-p936.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/kung-shorts.jpg"  alt="!Kung Short Films" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung Short Films&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). Marshall and his family, who together undertook an extensive multi-disciplinary study of Ju/'hoansi, spent the greatest amount of time with the people of /Gautcha, including ≠Oma, !U, Tsamko, N!ai, and /Gunda. During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. 15 of those are short films that Marshall referred to as "sequence films." Each focuses on a single event, providing the viewer a brief introduction followed by an uninterrupted sequence.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Although Marshall recorded some sync sound between 1955 and 1958, sync recording in the field was difficult and cumbersome. As a compromise, Marshall made non-sync recordings at the time of filming and later joined this audio to the edited films. Soundtracks were sometimes enhanced with additional ambient sound or sound effects recorded after the fact. This method allowed Marshall a major innovation in ethnographic and documentary film - his subjects could speak for themselves, often accompanied by subtitles.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;These shorts were intended as educational films, to be viewed multiple times and with the aid of a study guide. The introduction to each film might identify major characters, outline the basic plot, or offer background information about the event to follow, but then viewers are left to experience the film for themselves, to form their own impressions of what is happening and why. Of course, the films have proven to have a life well beyond the classroom. They are intimate portraits of the daily life and ritual life of ≠Oma and his band during the 1950's. Rich in ethnographic detail, the films' beauty and high emotional content are indicative of the close bond that Marshall had formed with his subjects - a bond that would last all his life.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Disc One:&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw) (20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;/b&gt;&lt;div&gt;&lt;b&gt;Disc Two:&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee.&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-kalahari-family-p937.aspx</link>
      <guid isPermaLink="false">Product937</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>A Kalahari Family</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-kalahari-family-p937.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/kalahari-family-2.jpg"  alt="A Kalahari Family" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-kalahari-family-p937.aspx"&gt;A Kalahari Family&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-kalahari-family-p937.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$1,200.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;A Kalahari Family&lt;/i&gt; is a five-part, six-hour series documenting 50 years in the lives of the Ju/'hoansi of southern Africa, from 1951 to 2000. These once independent hunter-gatherers experience dispossession, confinement to a homeland, and the chaos of war. Then as hope for Namibian independence and the end of apartheid grows, Ju/'hoansi fight to establish farming communities and reclaim their traditional lands. Through depiction of their efforts of the Ju/hoansi to participate as farmers in the contemporary economy and advocate for their rights to do so, the series challenges stereotypes of primitive and unchanging "bushmen."&amp;nbsp;&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;"There are two kinds of films. Films that show us in skins are lies. Films that show the truth show us with cattle, with farms, with our own water, making our own plans." —Oma Tsamkxao&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;"The old life was too thin. We wanted foods that made us strong. We wanted clothes like other people... A new life called us to Tjum!kui." —Oma Tsamkxao&lt;/blockquote&gt;&lt;br /&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;"We heard stories about whites killing Ju/'hoansi. We were traveling to find bush foods when /Ui Legs told us white people had come. He said you would return to look for us and stay a long time. We were afraid you would capture or kill us. I'm glad you whites were different." —Oma Tsamkxao&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;John Marshall's documentary shows the objective story of one Namibian family and testifies to the challenges and the effects of changing times on the entire nation. This not only supports the constructive political revelations preached by our first president but is a touching testimony seen from within and without our society how it changes without reflection to its past history sacrificing part of its capacity to the demands put to them by the fast changing environment making it impossible to keep up and adjust. There is no progress possible if any help from the outside does not generate capacity building from within. This documentary shows that listening to the local voices and capacity building is the only answer to sustainable development. Such help is this documentary, so that each Namibian irrespective of any rank should be obliged to see it several times and keep it for generations to come. This is part of our invisible history innocently captured to testify in vision what has so far been invisible to the naked eye.&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;We owe enormous gratitude to the Marshall family for this valuable contribution to the History and welfare of our nation.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;— Levi Namaseb, Namibian Visiting Scholar, University of Toronto&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;i&gt;A Kalahari Family &lt;/i&gt;series:&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;a href="https://store.der.org/a-kalahari-family-part-i-p690.aspx"&gt;Part One: A Far Country&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.der.org/films/end-of-the-road.html"&gt;Part Two: End Of the Road&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/a-kalahari-family-part-iii-p692.aspx"&gt;Part Three: Real Water&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/a-kalahari-family-part-iv-p693.aspx"&gt;Part Four: Standing Tall&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/a-kalahari-family-part-v-p694.aspx"&gt;Part Five: Death By Myth&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Best Environmental TV Series&lt;/i&gt;, FICA - International Festival of Environmental Film &amp;amp; Video, Brazil, 2003&lt;/div&gt;&lt;div&gt;&lt;i&gt;Special Prize&lt;/i&gt;: Homage to the Films of John Marshall; Bilan du Film Ethnographique, Paris, 2003&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Grand Jury Award (&lt;/i&gt;Best in World Cinema),&amp;nbsp;DC Independent Film Festival, Washington DC,&amp;nbsp;2003&lt;/div&gt;&lt;div&gt;&lt;i&gt;Basil Wright Film Prize,&amp;nbsp;&lt;/i&gt;RAI Ethnographic Film Festival,&amp;nbsp;England, 2003&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Beeld Voor Beeld&lt;/i&gt;, Ethnographic Film Festival, Amsterdam, 2003&lt;/div&gt;&lt;div&gt;&lt;i&gt;Jury Award,&lt;/i&gt;&amp;nbsp;Athens Film Festival, 2003&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Best Film - Jury Award&lt;/i&gt;, XII International Festival of Ethnographical Films, Nuoro, Italy, 2004&lt;/div&gt;&lt;/div&gt;&lt;div&gt;Planet In Focus Film Festival, Toronto, 2003&lt;/div&gt;&lt;div&gt;Margaret Mead International Film Festival, NYC, 2002&lt;/div&gt;&lt;div&gt;Sithengi International Film Festival, Capetown, 2002&lt;/div&gt;&lt;div&gt;African Film Festival, Seattle, 2003&lt;/div&gt;&lt;div&gt;Boston Premiere, Museum of Fine Arts, 2003&lt;/div&gt;&lt;div&gt;Archaeology Channel Film Festival, Oregon, 2003&lt;/div&gt;&lt;div&gt;Beeld Voor Beeld, Ethnographic Film Festival, Amsterdam, 2003&lt;/div&gt;&lt;div&gt;Harvard Film Archive, Cambridge, MA, 2004&lt;/div&gt;&lt;div&gt;Göttingen International Film Festival, Germany, 2004&lt;/div&gt;&lt;div&gt;Thessaloniki Documentary Film Festival, Greece, 2005&lt;/div&gt;&lt;div&gt;Ecocinema Festival, Athens, Greece, 2005&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is part of the&amp;nbsp;&lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/kung-series-p962.aspx</link>
      <guid isPermaLink="false">Product962</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>!Kung Series</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/kung-series-p962.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/kung-series.jpg"  alt="!Kung Series" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/kung-series-p962.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$3,250.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Over the course of his career, filmmaker John Marshall shot more than one million feet of film and video (722 hours) of the Ju/'hoansi (!Kung Bushmen) of Namibia's Kalahari Desert. This body of work is unrivalled as a long-term visual study of a single group of people. Contained in Marshall's footage are the personal histories of individuals, documents of a now non-existent way of life, and the unfolding of massive social and economic change as experienced by one group of people over a period of fifty years.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A frequent innovator in the field of ethnographic film, Marshall produced twenty-three films and videos and one multi-part series from his extensive footage archive. Marshall's approach to filmmaking evolved alongside changes in film and video technology, in the fields of anthropology and ethnographic and documentary film, and on a very personal level, in Marshall's relationship to the Ju/'hoansi. These shifts can be seen throughout the course of his career, as he moved from the almost scientific, observational style of &lt;i&gt;First Film&lt;/i&gt; (his earliest footage), to the nuanced and self-reflexive epic, &lt;i&gt;A Kalahari Family&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the !Kung series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument about Marriage&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bitter-melons-p199.aspx"&gt;Bitter Melons&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/children-throw-toy-assegais-p913.aspx"&gt;Children Throw Toy Assegais&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/first-film-p813.aspx"&gt;First Film&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;A Group of Women&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-hunters-p798.aspx?Thread=True"&gt;The Hunters&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/a-kalahari-family-p937.aspx"&gt;A Kalahari Family&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/kung-bushmen-hunting-equipment-p688.aspx"&gt;!Kung Bushmen Hunting Equipment&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-kung-san-traditional-life-p723.aspx"&gt;The !Kung San: Traditional Life&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-kung-san-resettlement-p722.aspx"&gt;The !Kung San: Resettlement&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;Lion Game&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/nai-the-story-of-a-kung-woman-p572.aspx"&gt;N!ai, The Story of a !Kung Woman&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: the Ceremonial Dance of the !Kung Bushmen&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/pull-ourselves-up-or-die-out-p531.aspx"&gt;Pull Ourselves Up or Die Out&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/to-hold-our-ground-p336.aspx"&gt;To Hold Our Own Ground: A Field Report&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-bushmen-p354.aspx"&gt;Tug-Of-War (Bushmen&lt;/a&gt;)&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx</link>
      <guid isPermaLink="false">Product968</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>The Ovahimba Years: A Multidisciplinary Ethnographic Study</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/ovahimba-years-series.jpg"  alt="The Ovahimba Years: A Multidisciplinary Ethnographic Study" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx"&gt;The Ovahimba Years: A Multidisciplinary Ethnographic Study&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$795.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;From 1997 to 2004, Rina Sherman lived with the Tjambiru family at their homestead located on oHere hill in the outskirts of Etanga, a village in the north-western Kunene region of Namibia.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; During her stay in the field, she documented the lives of the members of the family, their relatives and friends. Over a period of seven years, she established an extensive record of their everyday and ritual lives in text, sound, video and photography.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; In 2003, Rina Sherman extended her research to the south-western provinces of Cunene and Namibe in Angola where she documented the lives of the Otjiherero speaking peoples, the Ovahakaona, Ovadhimba, Ovagambwe, Ovakuvale, Ovatwa, and more.&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the&amp;nbsp;&lt;/b&gt;&lt;a href="https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx"&gt;&lt;b&gt;Ovahimba Years&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/keep-the-dance-alive-p714.aspx"&gt;Keep The Dance Alive&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/shake-your-brains-p408.aspx"&gt;Shake Your Brains&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/when-visitors-come-p258.aspx"&gt;When Visitors Come&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-curing-ceremony-p902.aspx</link>
      <guid isPermaLink="false">Product902</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>A Curing Ceremony</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/curing-ceremony.jpg"  alt="A Curing Ceremony" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Sha//ge, a very young woman about to have her first child, falls ill, probably with malaria. /Ti!kay, a relative and healer, enters a mild trance, without the stimulus of dancing, in an attempt to cure her. Sha//ge lives but the baby is stillborn. Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series.&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is available as part of the&amp;nbsp;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung ShortFilms&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/children-throw-toy-assegais-p913.aspx</link>
      <guid isPermaLink="false">Product913</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Children Throw Toy Assegais</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/children-throw-toy-assegais-p913.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/children-throw-assegais.jpg"  alt="Children Throw Toy Assegais" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/children-throw-toy-assegais-p913.aspx"&gt;Children Throw Toy Assegais&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/children-throw-toy-assegais-p913.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Young boys throw toy spears into a tree, trying to make them stick in the bark. A girl watches.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/debes-tantrum-p863.aspx</link>
      <guid isPermaLink="false">Product863</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Debe's Tantrum</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/debes-tantrum-p863.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/debes-tantrum.jpg"  alt="Debe's Tantrum" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;In this film a five-year-old named Debe refuses to let his mother Di!ai go gathering without him. Di!ai appeals to her daughter N!ai to entertain the child but Debe resists. In the end Di!ai leaves with Debe on her back. This is a companion film to The Wasp Nest which shows Di!ai, Debe, and other women and children on the subsequent gathering expedition.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Thisfilm is available as part of the &lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung Short Films&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung filmsonto two remastered/re-authored DVDs, complete with a full-color bookletcontaining photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&amp;nbsp;&lt;br /&gt;&lt;/b&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&amp;nbsp;&lt;br /&gt;&lt;/b&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00) &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This film is part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/first-film-p813.aspx</link>
      <guid isPermaLink="false">Product813</guid>
      <pubDate>Wed, 29 Aug 2018 14:53:00 GMT</pubDate>
      <title>First Film</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/first-film-p813.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/first-film.jpg"  alt="First Film" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/first-film-p813.aspx"&gt;First Film&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/first-film-p813.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$340.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;First Film&lt;/i&gt; was edited and narrated by Lorna Marshall and is comprised of footage shot in 1951 on the second Marshall family expedition to the Kalahari Desert. It is intimate in style, very carefully filmed, with a wealth of practical information about the material culture and structure of Ju/'hoan (!Kung Bushmen) hunter-gatherer society. The film allows viewers to see some of John Marshall's earliest film footage and provides an interesting comparison with the more sophisticated shooting found in his later work.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is part of the&amp;nbsp;&lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-group-of-women-p762.aspx</link>
      <guid isPermaLink="false">Product762</guid>
      <pubDate>Wed, 29 Aug 2018 13:26:00 GMT</pubDate>
      <title>A Group of Women</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-group-of-women-p762.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/group-of-women.jpg"  alt="A Group of Women" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;A Group of Women&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role. Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series.&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is available as part of the&amp;nbsp;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung ShortFilms&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/keep-the-dance-alive-p714.aspx</link>
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      <pubDate>Wed, 29 Aug 2018 11:13:00 GMT</pubDate>
      <title>Keep the Dance Alive</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/keep-the-dance-alive-p714.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/keep-the-dance-alive.jpg"  alt="Keep the Dance Alive" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/keep-the-dance-alive-p714.aspx"&gt;Keep the Dance Alive&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/keep-the-dance-alive-p714.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;A unique voyage through the music, dance and spirit possession practices of the Ovahimba people of north-western Namibia and south-western Angola, &lt;i&gt;Keep the Dance Alive&lt;/i&gt; features remarkable footage of how dance and spirit possession is integrated into everyday life from infancy to death.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The documentary presents a singular vision of the Ovahimba people, that of director Rina Sherman who filmed the lives of an Omuhimba family for seven years. She focuses on how singing, rhythm and voice work together with dance and spirit possession to compose a complete imaginary universe and a dense and complex social structure.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Keep the Dance Alive&lt;/i&gt; is part of The Ovahimba Years Project, a long-term multi-disciplinary ethnographic study of the Ovahimba and other Otjiherero-language-speaking peoples of northwestern Namibia and southwestern Angola.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the&amp;nbsp;&lt;/b&gt;&lt;a href="https://store.der.org/the-ovahimba-years-a-multidisciplinary-ethnographic-study-p968.aspx"&gt;&lt;b&gt;Ovahimba Years&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&amp;nbsp;series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/keep-the-dance-alive-p714.aspx"&gt;Keep The Dance Alive&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/shake-your-brains-p408.aspx"&gt;Shake Your Brains&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/when-visitors-come-p258.aspx"&gt;When Visitors Come&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/namibia-c52all.aspx"&gt;Namibia&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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