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    <title>Documentary Educational Resources - Filmmaker / MacDougall, David / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/macdougall-david-c549all.aspx</link>
    <pubDate>Mon, 21 Sep 2026 00:13:49 GMT</pubDate>
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      <link>https://store.der.org/faces-of-change-kenya-p979.aspx</link>
      <guid isPermaLink="false">Product979</guid>
      <pubDate>Fri, 7 Sep 2018 09:20:00 GMT</pubDate>
      <title>Faces of Change: Kenya</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/faces-of-change-kenya.jpg"  alt="Faces of Change: Kenya" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Faces of Change: Kenya&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The Boran are desert pastoralists in Kenya and Ethiopia who traditionally followed the rains in search for grass and water. Since the 1960s many Boran have elected to settle in a few market towns, such as Marsabit, the district capital in northern Kenya. Those who settle are in contrast to those who pursue the traditional lifestyle, particularly in terms of work, education, and social interaction with the outside world. Since 2015, the region has been on the western fringe of the on-going conflict between Kenya and the Al Shaba movement in Somalia. The films provide a backdrop to the harsh realities of this region of Kenya and the lifestyles of the residents.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;"The core of this series is Kenya Boran 1 and 2, each designed to stand alone, but which together complement one another in a most useful and informative fashion. Their common subject matter is the development problems posed for rural Boran herdsmen and their families by the encroachment upon their once-isolated grazing lands of a growing town (Marsabit) and a major road (the new Nairobi-Addis Ababa Highway). These are shown in Kenya Boran 1, as two fathers and their sons discuss difficult choices between old and new ways of responding to the complexity of changes occurring around them, each emphasizing different aspects of the problem and different strategies for confronting them which, in turn, promote view speculation as to the appropriateness and the outcome of their divergent ways of dealing with change.Kenya Boran 2 expands upon these themes by focusing on the life of Peter Boru, a 16 year old former herdsboy who has gone to the government boarding school in the town; his expression of his hopes, fears and aspirations is adroitly contrasted both with those of his unschooled neighbors in the rural cattle camps and with the bleak employment opportunities facing him in the modern sector, in the course of which some of the difficulties of existing national educational practices in promoting development are isolated and explored.The hallmark of both films is their earnest commitment to permitting the Boran to define the issues that confront them in their own vernacular terms, expertly subtitled without the imposition of directed interpretative commentary… The overall result is a series of remarkably intimate and realistic scenes, attractively films with an absence of conspicuous staging or obvious show-biz; indeed, they move with a natural rhythm and pace that engenders an authentic sense of the problems, and of the sorts of ideas and feelings that individual Boran bring to bear in deciding on appropriate response to change.The prevailing tone of both films is their seriousness and deliberate instructional intent to provoke analytic responses from viewers. Their principal value lies in presenting the evidence in such a fashion as to force viewers to arrive at their own conslusions about the course of action that seems most appropriate based on the film/essay evidence." — Alan Jacobs, Western Michigan University, American Anthropologist, 1977&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600; font-family: Montserrat, sans-serif; font-size: 14px;"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600; font-family: Montserrat, sans-serif; font-size: 14px;"&gt;Boran Women&lt;/a&gt;&lt;br style="color: rgb(68, 68, 68); font-family: Montserrat, sans-serif; font-size: 14px;"&gt;&lt;a href="https://store.der.org/harambee-p778.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600; font-family: Montserrat, sans-serif; font-size: 14px;"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br style="color: rgb(68, 68, 68); font-family: Montserrat, sans-serif; font-size: 14px;"&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600; font-family: Montserrat, sans-serif; font-size: 14px;"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b style="color: rgb(68, 68, 68); font-family: Montserrat, sans-serif; font-size: 14px;"&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none;"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="color: rgb(68, 68, 68); font-family: Montserrat, sans-serif; font-size: 14px;"&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600;"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600;"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600;"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600;"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx" style="color: rgb(0, 163, 224); text-decoration-line: none; font-weight: 600;"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/macdougall-david-c549all.aspx"&gt;MacDougall, David&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/harambee-p778.aspx</link>
      <guid isPermaLink="false">Product778</guid>
      <pubDate>Wed, 29 Aug 2018 13:27:00 GMT</pubDate>
      <title>Harambee</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/harambee-p778.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/harambee.jpg"  alt="Harambee" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Harambee is a traditional Swahili chant meaning heave-ho or pull together the slogan for a united Kenya. Harambee Day or Independence Day is celebrated in this small town in North Kenya with political speeches and an auction at the native school. The film shows how North Kenya- isolated for years- tries to adapt to the new concept of nationhood. Government officials from South Kenya are appointed as ambassadors to spread the idea of national unity to a people unaccustomed to it.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/macdougall-david-c549all.aspx"&gt;MacDougall, David&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/kenya-boran-p715.aspx</link>
      <guid isPermaLink="false">Product715</guid>
      <pubDate>Wed, 29 Aug 2018 11:13:00 GMT</pubDate>
      <title>Kenya Boran</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/kenya-boran-p715.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/kenya-boran.jpg"  alt="Kenya Boran" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;In the midst of a traditional herding territory, a growing town and a new road encroach upon a once-isolated desert people. The complexities brought about by this modernization are shown as two fathers and their sons confront difficult choices between old ways and new.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The first part of the film provides the social, economic, and political background of the Boran and introduce themes developed in detail in other films. It establishes a base line for traditional lifestyles and attitudes, increasingly subject to pressures — both intentional and incidental — for change. The second part shows the complex set of educational problems facing young people and governments in a typical Third World setting. It has special relevance in courses that focus on comparative education, socialization and learning.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In its second half, the film follows the life of Peter Boru, a sixteen-year-old former herdsboy who has become a boarding school student. Peter's life is juxtaposed to a traditional herdsboy, Dokata. The question, "Education for what?" is posed when both tradition and modern forces common to developing areas make the economic outlook bleak for young people, even if they are able to complete local educational requirements.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/macdougall-david-c549all.aspx"&gt;MacDougall, David&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/boran-herdsmen-p205.aspx</link>
      <guid isPermaLink="false">Product205</guid>
      <pubDate>Thu, 26 Jul 2018 09:36:00 GMT</pubDate>
      <title>Boran Herdsmen</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/boran-herdsmen.jpg"  alt="Boran Herdsmen" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Boran Herdsmen&lt;/i&gt; demonstrates the time-honored solutions to the problems associated with the Boran's dependence on cattle for living. Direct government intervention and the indirect impact of modernization are forcing the old patterns to change. The film depicts herding practices, movement patterns, watering strategies, and the lifestyle of the herdsmen.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The film has special currency for issues in rural development and agricultural, environmental, and human adaption. Courses that emphasize Third World problems, cross-cultural techniques of adaptation, the role of the environment in questions of human survival, and the role of government in rural development will find the film useful.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Major Concepts: Pastoralism, nomadic-sedentary interaction, environmental adaptation, role segregation of men and women in economic and ritual affairs, ritual and the role of the supernatural.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/macdougall-david-c549all.aspx"&gt;MacDougall, David&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/boran-women-p206.aspx</link>
      <guid isPermaLink="false">Product206</guid>
      <pubDate>Thu, 26 Jul 2018 09:36:00 GMT</pubDate>
      <title>Boran Women</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/boran-women-p206.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/boran-women.jpg"  alt="Boran Women" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$495.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with little deviation from customary ways.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Remarkable though is the obvious independence they demonstrate in performing tasks which normally would fall under the male domain, like building their own houses. The film is principally observational with occasional segments in which the women speak directly to the camera.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the Kenya series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-herdsmen-p205.aspx"&gt;Boran Herdsmen&lt;/a&gt;&lt;div&gt;&lt;a href="https://store.der.org/boran-women-p206.aspx"&gt;Boran Women&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/harambee-p778.aspx"&gt;Harambee: Pull Together&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/kenya-boran-p715.aspx"&gt;Kenya Boran&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-collection-p945.aspx"&gt;Faces of Change Collection&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Faces of Change&lt;/i&gt;&amp;nbsp;is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-china-coast-p978.aspx"&gt;China Coast&lt;/a&gt;&amp;nbsp;at sea level and moving up to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-taiwan-p980.aspx"&gt;Taiwan&lt;/a&gt;, then to&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-afghanistan-p976.aspx"&gt;Afghanistan&lt;/a&gt;,&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-kenya-p979.aspx"&gt;Kenya&lt;/a&gt;&amp;nbsp;and finally to the mountains of&amp;nbsp;&lt;a href="https://store.der.org/faces-of-change-bolivia-p977.aspx"&gt;Bolivia&lt;/a&gt;. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/macdougall-david-c549all.aspx"&gt;MacDougall, David&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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