Documentary Educational Resources - Indigenous Studies / Justice & Inequities / All Films

Riada

Sun, 1 Dec 2024 16:48:23 GMT

In 2018, Colombia's second most powerful waterway was stopped because of a controversial infrastructure project: the Hidroituango dam. Once completed, this massive hydropower project is projected to provide for 20% of the country’s energy needs. Yet, the social and environmental impacts are perhaps equivalent in scale to the dam’s colossal size. Already the area's inhabitants have suffered forced displacement, massacres, and systematic persecution, along with a permanent alteration in their ways of living.

Riada is an ethnographic inquiry into the impacts of this infrastructure project. The film’s poetic construction brings to life the river and the communities who have waged a thirty year battle to preserve their way of life. The film takes viewers through the river waterways in the Hidroituango dam's influence area to meet peasants, gold panners, fishermen, and scientists. Finished on the verge of the dam's inauguration date, this 100-minute journey poetically connects the survivor's raw oral stories and the harrowing landscape in three acts: swirls, debris, and mutations.

SELECTED SCREENINGS & AWARDS

25th Bogota Int'l Documentary Showcase (MIDBO), Colombia 2024

19th Galician Ethnographic Film Showcase (MICE), Spain 2024

Latin American Anthropology Film Festival (ALA), Argentina 2024

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We Are The Warriors

Wed, 17 Apr 2024 15:15:24 GMT

We Are The Warriors
Buy Now: $320.00

For nearly 70 years, students and alumni of Wells High School in Maine have called themselves the “Warriors.” Their yearbook, the Abenaki, was named for the Indigenous people the town’s settlers first encountered in the 1600s. And the school mascot was a stoic Native American head in profile with braids and feathered headband. When, in 2017, public allegations emerged that Warriors fans made “Indian” whooping calls and donned “war paint,” the community began a process to decide whether to keep or drop their long-held mascot. We Are The Warriors follows the proceedings of the school district’s Mascot Advisory Committee and draws on interviews with residents of Wells, Maine to paint a profile of one community’s process as they confront their history and identity, challenging long-held misconceptions about the meanings behind their team’s name.

The film’s Co-Directors, both graduates of Wells High School, gathered interviews and insights from residents of Wells and Wabanaki people from what is now Maine, Québec, and the Canadian Maritimes. Revelations about the town’s brutal colonial history and difficult conversations about the actual impact of the use of the mascot were key to changing hearts and minds of committee members. The film highlights evolving opinions of residents with a secondary focus on the history of the region. After months of informed consideration, the committee votes to recommend that the school board retire the mascot.

We Are the Warriors serves as a case study for how one community contends with the legacy of settler colonialism and speaks to national issues regarding misunderstandings about the role and place of indigenous people in American society.

SELECTED SCREENINGS & AWARDS
Maine Public Television, USA, 2024

Vermont Public Television, USA, 2024

Port Jefferson Documentary Series, USA, 2024
Tourmaline Prize for Best Feature made in Maine, 26th Maine Int'l Film Festival, USA 2023

Global Peace Film Festival, USA, 2023
Monadnock Int'l Film Festival, USA, 2023

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Ujirei (Regeneration)

Wed, 10 May 2023 10:21:02 GMT

Ujirei (Regeneration)
Buy Now: $320.00

For Ayoreo peoples in the Gran Chaco of northern Paraguay, the future remains unclear. In this radical experimental film, Ayoreo leader Mateo Sobode Chiqueno visually explores the terms of present-day life on an evangelical mission. The filmmaker creates a visionary cinematic reflection on what it means to affirm Ayoreo life in the aftermath of colonial violence and social upheaval.

The filmmaker Sobode writes, “Ujirei refers to many things. We Ayoreo know that some plants can grow new versions of themselves after they have been damaged. A whole new tree can emerge from a severed stump or even a piece of wood. Ujirei is the word in our language for that kind of new growth. But it can also refer to something that emerges from a prior version. Everything in this film is a sort of ujirei. Maybe even the film itself is an ujirei too.

I made this film so that people in other countries can learn about my people. I want them to know about what happened to us Ayoreo in the past. I want them to think about what kind of futures we are creating from the present. I want people to watch this film and know that we should be respected as human beings.

Those who watch this film may have questions. They may ask: how does the film show the idea of ujirei? How do outsiders treat Ayoreo people in Paraguay? Why do outsiders not respect Ayoreo people? Why did the missionaries take Ayoreo people out of the forest? How are Ayoreo people creating new possibilities and what are they?”

“Ujirei is a further illustration of how the collaborative production of Indigenous cinema remains an effective technique for enacting a decolonizing, anti-essentialist, and anti-extractive anthropological praxis.”- Lucas Bessire & Bernard Belisario, Tipití –Journal of the Society for the Anthropology of Lowland South America

"One of the most radical films of emerging Indigenous cinema.” - Vincent Carelli, founder of Video in the Villages

Selected Screenings & Awards

Merit in Film Award, Latin American Studies Association, Colombia, 2024

University of Zurich Ethnographic Museum, Switzerland, 2021

Cine Kurumun - Festival Internacional de Cinema Indígena, Brazil, 2021

Festival Internacional de Cine y las Artes Indígena de Wallmapu (FICWALLMAPU), Chile, 2018

Premio Internacional Anaconda, Paraguay, 2018

Festival Int'l de Cine y Comunicación de los Pueblos Indígenas y Originarios, Guatemala, 2018

Anaconda Prize Indigenous Film Festival, Paraguay, 2018

Forumdoc Festival, Brazil, 2017

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Ophir

Fri, 6 May 2022 14:37:33 GMT

Ophir
Buy Now: $320.00

Ophir tells the story of an extraordinary Indigenous revolution for life, land and culture: a poetic and dramatic ode to the thirst for freedom, culture and sovereignty. The film sheds light on the biggest conflict of the Pacific since WWII, revealing the visible and invisible chains of colonisation and its enduring cycles of physical and psychological warfare.

Voiced entirely by the Indigenous people of the Autonomous Region of Bougainville in Papua New Guinea, the film deconstructs the mechanisms of exploitation through the colonisation of land and its people, who at the end of the 1980s were left with no choice but to revolt for their right to exist. A small group of islanders first armed with bows and arrows fought helicopters and guns. They defiantly defended the core principles that formed the basis of their society, in the face of absolute destruction of their mental, physical, and spiritual conception of what it means to be human.

It was a decade-long civil war which killed around 20,000 Bougainvilleans, wiping out approximately 10% of the island's population.

The people of Bougainville ultimately won in their fight against the colonial powers, in a bid to secede from their motherland Papua New Guinea, despite the government's support from Australia and one of the biggest of the mining giants, Rio Tinto.

“(5 out of 5 stars)...may be the best environmental documentary I have ever seen. It is rare to see an indigenous lead revolution succeed, and rarer still to hear about such success. This documentary gives the viewer a chance to hear the residents of Bougainville speak for themselves in their own words. They speak of colonialism and all of its faces. Beautiful poetry is used to drive this documentary from segment to segment, connecting the thoughts and ideas spoken by this film’s subjects to one another through cultural expression." – J. Zimmerman, Video Librarian

“Edifying... A remarkable reflection on the aftermath of an anti-colonial struggle.” – Christine Chaumeau, Télérama TTT

“It's just really an incredible film. It plays out like a Greek tragedy.” – Gabrielle Kelly, Guam IFF 2020 Jury Member

“The things that the filmmakers managed to see and film are quite exceptional.” – Eric Barbier, FIFO 2020 Jury President

Selected Screenings & Awards

Society for Visual Anthropology Film and Media Festival, Toronto, 2023

Grand Prix, FIFO Int'l Documentary Film Festival of Oceania, Tahiti, 2020

Grand Prix ‘Sol de Oro’, Suncine Environmental Film Festival, Barcelona, Spain, 2020

Grand Jury Prize, Feature Documentary Competition, Guam Int'l Film Festival, USA, 2020

Grand Prix Rigoberta Menchú, Montréal First Peoples Festival, Canada, 2020

Audience Award, Noma Int'l Human Rights Film Festival, Portugal, 2021

Best Feature Film, All Living Things Environmental Film Festival, Panchgani, India, 2021

Best Foreign Film Award, AegeanDocs Int'l Film Festival, Greece, 2021

Film of the Year, FICA Festival Internacional de Cine Ambiental, Goias, Brazil, 2021

RAI Film Prize & Basil Wright Prize Nominee, RAI Film Festival, 2021

Silver Award, Millenium Int'l Documentary Film Festival, Brussels, Belgium, 2021
Grand Prix Best Feature Film, Cinema e Ambiente Avezzano, Italy, 2021
Special Jury Prize ‘Coup de Coeur du Jury’, Martinique Int'l Doc FF, Martinique, 2021
Special Jury Mention, Noma Int'l Human Rights Film Festival, Portugal, 2021
1st Special Jury Prize, Ecology of the Soul, Green Montenegro Int'l Film Festival, Montenegro, 2021
Best International Feature Film, PukaÑawi Int'l Human Rights Film Festival of Sucre, Bolivia, 2021
2nd Jury Prize, International Documentaries, Int'l Nature Film Festival Gödöllő, Hungary, 2021
Best Feature Film, Festiver Festival de Cine Verde de Barichara, Colombia, 2021
Benedetto Senni Award, Terra di Tutti Film Festival, Italy, 2021
Best Feature Film, Youth Jury, Serra de Estrela Int’l Environmental Film Festival, Portugal, 2021
Best Documentary Feature Film, Dili Int'l Film Festival, Timor-Leste, 2021
Best Environmental Film, Bogocine Bogota Int'l Film Festival, Colombia, 2021
Best Feature Film, Mallku Features, Arica Nativa Festival, Chile, 2021
Best Script, Filmambiente Festival, Brazil, 2021
Best Feature Film, Greenfest Belgrade, Serbia, 2021

Environmental Justice Award, Eugene Environmental Film Festival, USA, 2022
Best International Feature Film, Ecozine Film Festival, Spain, 2022

Best Feature Documentary Award, Gibara Int'l Film Festival, Cuba, 2022
Best Film, Best Feature Documentary, Int'l Documentary Film Festival of Ierapetra, Greece, 2022
Invited in Competition, Asia Pacific Screen Awards, 2022

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6 Generations

Tue, 9 Oct 2018 15:11:00 GMT

6 Generations
Buy Now: $320.00

Ernestine De Soto is a Chumash Native American whose mother Mary Yee was the last speaker of her native Barbareño language. In 6 Generations, her family reaches back to the days the Spanish arrived in Santa Barbara and made first contact. Ernestine tells this history from the perspective of her female ancestors, making her a unique link with the past.

Famous anthropologist John Peabody Harrington, whose work focused on native peoples of California, started research with her family in 1913 and continued with three generations for nearly 50 years. This inspired Ernestine's mother to begin taking notes and, combined with mission records (which survived intact from the late 1700s), they form the heart of this story.

Because of these circumstances, her story, possible only in California, is unique in America.The impact of loss of land, language, culture and life itself is made all the more clear as this story is told in Native American voices, who describe the events as they experienced them. Ultimately, it is a story of survival and the fierce endurance of Ernestine's ancestors, particularly the women.

“This is history as autobiography, foregrounding the power of language and telling a checkered tale of cultural survival in the extreme. The time depth is simply astonishing, and the narrative is frank and true and sometimes stark. 6 Generations is a home run. I cannot recommend it highly enough.”
— David Hurst Thomas, Current Anthropology

"Using old drawings, photos, old film footage, live interviews, and dramatic readings by Ernestine of her family's story, filmmaker Paul Goldsmith has woven together an important testimony to the vibrancy of a people brought into the California missions around Santa Barbara."
— Glen Farris, Journal of California and Great Basin Anthropology

“Some films do not deserve a review so much as a rhapsody, and 6 Generations is one of these special films. There are some productions that go beyond ethnography to find the heart of a people — and show how individual anthropologists can transcend the professional limitations of their discipline and really engage fellow human beings — and 6 Generations is just such an achievement… This would be a particularly effective film to use in the classroom… Suitable for college courses in cultural anthropology, anthropology of gender, anthropology of colonialism/globalization, and Native American studies, as well as general audiences.”
— Jack David Eller, Anthropology Review Database

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Changa Revisited

Thu, 30 Aug 2018 08:16:00 GMT

Changa Revisited
Buy Now: $320.00

Changa Revisited is the story of Tanzania Maasai elder Toreto ole Koisenge and his family, seen from two points in time across a thirty year divide. His life has drastically changed since anthropologist Peter Biella first visited his home thirty years ago. Then he had six hundred cattle. Now disease has reduced his herd to twenty. The world of Maasai pastoralists has gotten smaller and smaller since the Tanzania government forced them to live in permanent villages and end the seasonal cattle migrations. “The world is upside-down…what can you do except change?” says Toreto. The film draws on hundreds of photographs and audio recordings taken in 1980 by Peter Biella. These images, woven with contemporary video footage, create a deeply personal portrait of the unfolding of a family's life through three decades of tumultuous change.

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The Children Know

Thu, 30 Aug 2018 08:16:00 GMT

The Children Know
Buy Now: $495.00

The deep division in Andean society between rural and townspeople begins at birth, is perpetuated by the schools and continues throughout life. The film evidences the discrimination faced by the children of the rural and extremely poor campesinos. From different food arrangements at school to healthcare, there is a distinct divide between them and the town-dwelling mestizos. Evidence of discrimination's effects is unmitigated by the formal Flag Day festival that brings the two groups together with the campesinos urging their own to stand up against the mestizos and stop appearing cowardly before them. A stark portrayal of abject poverty and deep-rooted discrimination, The Children Know is an intriguing study in ethnographic filmmaking.

Films in the Bolivia series

Andean Women
The Children Know
Magic and Catholicism
Potato Planters
The Spirit Possession of Alejandro Mamani
Viracocha

About the Faces of Change Collection

Faces of Change is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the China Coast at sea level and moving up to Taiwan, then to Afghanistan, Kenya and finally to the mountains of Bolivia. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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Diary of a Maasai Village, Part 2

Thu, 30 Aug 2018 07:04:00 GMT

Diary of a Maasai Village, Part 2
Buy Now: $320.00

In this episode of Diary of a Maasai Village, the film follows the story of the young men of the village. Young men are ritually prohibited from eating grain. Several of them steal one of the Laibon's goats and then must make reparations.

About the Diary of a Maasai Village series

This series of five films by Melissa Llewelyn-Davies looks at daily life among the Maasai. The films are presented as a diary of a 7-week visit to a single village. The structure is episodic and the content dependent on various events or stories, some of which are developed through more than one film. The tapes can be used independently or together, to give an in-depth sense of Maasai life. The series includes the following five films:

Part 1: The Prophet's Village

Part 2: Two Ways Of Justice

Part 3: Two Mothers

Part 4: Two Journeys

Part 5: Nine Cows And An Ox

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First Contact

Wed, 29 Aug 2018 14:53:00 GMT

First Contact
Buy Now: $320.00

The classic film of cultural confrontation that is as compelling today as when it was first released over 35 years ago.

When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But in 1930 when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact. Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience.

The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons. Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold.

First Contact is one of those rare films that holds an audience spell-bound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there.

Films in the The Highlands Trilogy

First Contact

Joe Leahy's Neighbors

Black Harvest

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Full Circle

Wed, 29 Aug 2018 14:53:00 GMT

Full Circle
Buy Now: $295.00

In the summer of 2001, under the Native American Graves Protection and Repatriation Act, a totem pole in the Peabody Museum at Harvard University was returned to its original owners' ancestors, a Tlingit community in Southeast Alaska. The journey of the pole began a hundred years ago when it was removed by the Harriman Expedition from the deserted village of Gash at Cape Fox. The totem pole makes its way from Cambridge, Massachusetts to Ketchikan, Alaska, where the Cape Fox community holds a ceremony to welcome home artifacts taken by the Expedition.

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