Documentary Educational Resources - By Title / I / All Films

The Intersection

Thu, 23 Nov 2023 08:03:38 GMT

The Intersection examines the distinct yet intersecting trajectories of French-speaking immigrants from both Canada and Francophone-African countries, as they converge in Lewiston, Maine. Through a focus on the lives and friendship between Cecile, a French-Canadian woman whose family came to the US to work in the local mills, part of an immigrant wave beginning in the 1840s, and Trésor, a Congolese man seeking asylum who is part of a recent wave of African immigrants, the film suggests the importance of language for identity and community. Cecile and Trésor build a bond around their common first language, French. After a lifetime of suppressing her French identity, Cecile regains pride in her origins, while the common language offers Trésor a means of building connections in his new home.

The filmmakers frame this story of friendship within a broader historical context, encouraging viewers to reflect on the history of immigration in Maine since the first European settlers arrived. In just over 30 minutes, the film manages to provide an overview of immigrant experiences, including histories of discrimination and oppression both past and present. This deeply American story touches on issues relevant to communities around the country and is a great film for classes in sociolinguistics, American history, immigration, Francophone studies and more.

“I strongly recommend this film to anyone seeking a better understanding of what Francophonie means...” – Olivier Favry, Cultural Attaché, French Consulate in Boston

“The Intersection is a heart-warming film that shows the deep bond formed through the bridge of a common language.” – Charlotte Cushman, educator

Selected Screenings & Awards

Audience Award for Best Short, Camden Int'l Film Festival, USA, 2021

Tourmaline Prize for Best Maine Film Short, Maine Int'l Film Festival, USA, 2022

Royal Anthropological Institute RAI Film Festival, UK, 2023

Independent Film Festival Boston, USA, 2022

FLOURISH Festival, Fredericton, NB, Canada, 2022

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Imaginero - The Image Man

Tue, 9 Oct 2018 15:11:00 GMT

Imaginero - The Image Man
Buy Now: $320.00

Imaginero is an ethnobiography of Hermógenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermógenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary.

Devout, austere and dedicated to craftsmanship, he can make anything from religious figures carved from cactus wood to a working harmonium. Inspired by a trip to Buenos Aires to advocate for land rights, Hermógenes has labored to replicate the style of the capital's grand cathedral and shrine to the Virgin with resourcefulness and skill.

A respected member of his community, the image-maker's wedding ceremony brings music, costumes and dancing, while Prelorán films life, festive and ordinary, on the coldest part of the plateau. Hermógenes and his family live much as their ancestors have always done, raising sheep and weaving cloth, but a train now makes the rest of the world closer; “the children play differently now that they have been to town,” he notes.

The film does not follow a traditional narrative structure, transitioning between themes and revisiting earlier themes later. In this way the film weaves a portrait of Hermógenes Cayo, the craft of image making, an indigenous Catholicism, as well as portraying the lifestyle of a solitary Andean family braving the harsh conditions of their surroundings. The relationship between individual and culture, as well as cultural change, is artfully expressed by Prelorán.

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In Search of the Hamat'sa

Wed, 29 Aug 2018 12:45:00 GMT

In Search of the Hamat'sa
Buy Now: $295.00

The Hamat'sa (or "Cannibal Dance") is the most important-and highly represented-ceremony of the Kwakwaka'wakw (Kwakiutl) people of British Columbia. This film traces the history of anthropological depictions of the dance and, through the return of archival materials to a First Nations community, presents some of the ways in which diverse attitudes toward this history inform current performances of the Hamat'sa. With a secondary focus on the filmmaker's fieldwork experience, the film also attends specifically to the ethics of ethnographic representation and to the renegotiation of relationships between anthropologists and their research partners.

The material for this film was gathered and shot over the year between 2002 and 2003 during the course of research for Glass's dissertation in Socio-Cultural Anthropology. The research process consisted of extensive archival work - in which he traced the history of ethnographic representation of the Hamat'sa (in texts, film and photography, art gallery and museum display, and intercultural performance) - followed by an eight month period of residence in the Kwakwaka'wakw community of Alert Bay, BC. The film was edited in a documentary filmmaking course in the Program for Culture and Media at New York University. It is intended to communicate some of the complex issues involved in representing indigenous peoples and their expressive practices, especially as anthropological materials increasingly end up back in Native communities where they are used and debated as one kind of historical resource among many.

"...Glass is to be commended in his filming, as well as his writing and editing. It is provocative without being pompous, sympathetic but not romantic, and reflexive without being overly self-obsessed."
— Alexander D. King, Museum Anthropology Review

SELECTED SCREENINGS & AWARDS

Australian Anthropological Society Film Festival, Sydney, 2009

Taiwan International Ethnographic Film Festival, Taiwan, 2009

Margaret Mead Film & Video Festival, New York, 2008

Society for Cultural Anthropology Meeting, Long Beach, CA, 2008

8th Astra Ethnographic Film Festival, Sibiu, Romania, 2006

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In the Footsteps of Taytacha

Wed, 29 Aug 2018 12:45:00 GMT

In the Footsteps of Taytacha
Buy Now: $295.00

In the Footsteps of Taytacha follows a group of Quechua-speaking musicians and dancers as they leave their remote villages high in the Andes Mountains of Peru and join thousands of other highlanders on the annual religious pilgrimage to the sacred peaks of Qoyllur-Rití. Quollur-Rití, the largest and most important religious ritual in the southern Andes, occurs only five days out of the year and involves walking both day and night in terrain over 4400 meters in altitude.

From the point-of-view of the villagers, the festival is an elaborate ritual that retraces the escape-route of an Andean god who fled from the Catholic priests during the conquest and now lives up in the snowpeaks. For the church, however, the site of Qoyllur-Rití is important because a Christ-child appeared there in 1780. Throughout the festival, the villagers explain what the ritual means to them, both personally and collectively. By combining interviews with myths and narration, the film introduces a general audience to an image of Andean highlanders and how they position themselves in a predominantly Catholic world.

SELECTED SCREENINGS & AWARDS

31st Annual Robert Flaherty Film Seminar

Chicago International Film Festival, Silver Plaque, Documentaries

Festival dei Popoli, Florence, Italy

Banff Festival of Mountain Films, Alberta, Canada

American Film Festival Finalist

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In the Shadow of the Sun

Wed, 29 Aug 2018 12:45:00 GMT

In the Shadow of the Sun
Buy Now: $320.00

A film about a Dogon funeral and enthronement ritual.

In Mali, 800 kilometers northeast of the capital of Bamako, the cliffs of Bandiagara stretch about 300 kilometers and reach a height of 300 meters. It is here among the Arou, one of the four tribes of the Dogon population, that Amma, Lord and creator of the world, chose the supreme religious chief who was responsible for fertility, rain and order on earth.

The chief priest, called a hogon, resides with a few members of his family in an isolated sanctuary given the name of his cast, "Arou", a sanctuary embedded in the cliffs, sheltered from the eyes of men. In 1984, the last of the Arou hogons died. At the bequest of the elders, his son, Ogomale, accepted the offer to replace his father temporarily to avoid leaving the position vacant. Due to economic troubles and religious discord, the funeral was not set until June 7th, 1992. For three days and two nights, the men of the Arou clan and neighboring families came to pay homage to the priest. Six weeks later, the nomination and the enthronement of the successor are organized. After his enthronement the hogon will spend the rest of his life in the sanctuary of Arou, and he will not be allowed to leave under any circumstances.

The film is beautifully shot, with the intense colors of the region coming into play, adding to our aesthetic enjoyment of this film. The filmmakers have worked closely together, and with, the famous French filmmaker, Jean Rouch, since the 1970's. This film reflects their intense engagement and in-depth knowledge of the people and events they have chosen to film.

SELECTED SCREENINGS & AWARDS

ARTE TV Broadcast, Europe, February 1998

Cinema' du Reel, March 1998

Gottingen Ethnographic Film Festival, May 1998

ICAES Conference screening

RAI Ethnographic Film Festival, England, September 1998

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Inagina

Wed, 29 Aug 2018 12:45:00 GMT

Inagina
Buy Now: $320.00

Swiss archaeologist Eric Huysecom and cameraman Bernard Augustoni work with 13 master smelters to recreate the building of a traditional furnace for smelting iron in Mali. There has not been any traditional iron smelting in Africa since the 1960's, in part due to the importing of cheaper substitutes. The building of the furnaces and the work involved in the actual production is deeply entwined with ritual, symbolism and gender. This film describes in great detail every aspect of the event, from the selection of the site of the reconstruction - which is the oldest remaining furnace site in the region, last active in 1961 - to the final result. This is an important film for African Studies, Archaeology, Religion, Ritual, Technology and Gender.

SELECTED SCREENINGS & AWARDS

MAIA — Mostra Audiovisual Internacional em Arqueologia, Brazil, 2012

Inagina has also been screened at the International Congress of the Society of African Archaeologists, and it won a commendation from the Society for Visual Anthropology at the American Anthropological Association annual meeting in 1998.

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Incidents of Travel In Chichen Itza

Wed, 29 Aug 2018 12:45:00 GMT

Incidents of Travel In Chichen Itza
Buy Now: $320.00

This original ethnographic video depicts how New Agers, the Mexican state, tourists, and 1920s archaeologists all contend to “clear” the site of the antique Maya city of Chichen Itza in order to produce their own idealized and unobstructed visions of “Maya” while the local Maya themselves struggle to occupy the site as vendors and artisans.

The setting is the spring Equinox, when a shadow said to represent the Maya serpent-god Kukulkan appears on one temple pyramid. As more than 40,000 New Age spiritualists and secular tourists from the United States and Mexico converge to witness this solar phenomenon, the video depicts the surrounding social event as a complicated entanglement of expected dualisms concerning tourism. Going beyond previous films that reduce tourism to neo-colonial and exoticizing social relations, this video portrays a Maya cultural site where US New Agers — rather than local Mayas — appear as exotic ritualists who are on display for other secular tourists and for local Mayas.

While the video does examine representations of Mayas by visiting New Agers as part of globalizing discourses on the exotic and evolution, it also shows how during the ongoing economic crisis, resident Mayas struggle against the Mexican state — rather than against tourists — that regularly “sweeps” them from the tourist zone in order to anchor the nation in an image of pure antiquity.

This video also asks what kind of fieldwork is possible as part of such a spectacle. It questions the status of ethnographic authority as people from the various groups converging on the event, ironically including the anthropologist-videomakers, trade positions and compete to speak about the Maya.

SELECTED SCREENINGS & AWARDS

Society for Visual Anthropology Film Festival, Award 1997

Margaret Mead Festival, 1997

Royal Anthropological Institute, Material Culture and Archaeology Prize, 1998

Latin American Studies Association Film Festival, Washington DC, 2001

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Indian Self-Rule

Wed, 29 Aug 2018 12:45:00 GMT

Indian Self-Rule
Buy Now: $320.00

"When the 20th century began, most Americans who thought about Indians at all did so in the past tense. Like a photograph, the image and culture of Indian people were frozen in time. Yet for Indians, the 20th century was a time of recovery. Instead of a photograph, Indian life and culture was more like a motion picture, and the story line or plot moved on..."

— Roger Buffalohead, Historian

After centuries of struggle, the Indians of North America own less than 2% of the land settled by their ancestors. Indian Self-Rule traces the history of white-Indian relations from nineteenth century treaties through the present, as tribal leaders, historians, teachers, and other Indians gather at a 1983 conference organized to reevaluate the significance of the Indian Reorganization Act of 1934.

The experiences of the Flathead Nation of Montana, the Navajo Nation of the Southwest, and the Quinault people of the Olympic Peninsula illustrate some of the ways Indians have dealt with shifting demands imposed upon them, from allotment to reorganization to termination and relocation. Particularly eloquent are Indian reflections upon the difficulties of maintaining cultural identities in a changing world and within a larger society that views Indians with ambivalence.

"Society wants...Indians to be like everyone else; and yet...wants Indians to be Indians."
— Sam Deloria, Director of the American Indian Law Center

Disclaimer on Naming:

Please be aware that this documentary may include outdated or potentially offensive language. Such terms are not endorsed by DER but are presented in their original context to promote awareness, education, and discussion. Learn more about DER’s efforts to use reparative language and honor the preferred names of Indigenous communities by clicking here.

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Inside the Khmer Rouge

Wed, 29 Aug 2018 12:45:00 GMT

Inside the Khmer Rouge
Buy Now: $320.00

Inside the Khmer Rouge takes an in-depth look at the history, domination, and current status of the Khmer Rouge (a Communist regime) in Cambodia. The film features revealing interviews with soldiers of both the modern Khmer Rouge and those who fight in opposition. A comprehensive timeline of the regime's five-year occupation in Cambodia is dissected and includes a review of key individuals, ideologies, and locations where devastation hit hardest. Following this, the film takes a look at the effects on the Cambodian citizens upon the retraction of Vietnamese forces.

Inside the Khmer Rouge continues to investigate the current tactics the modern Khmer Rouge implement and their attempts to persuade followers in order to rebuild and expand their regime. Oppositely, local forces or "jungle soldiers" discuss their devices for assuring the destruction and atrocities once caused by the Khmer Rouge never happen again.

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Inside/Outside Station 9

Wed, 29 Aug 2018 12:45:00 GMT

Inside/Outside Station 9
Buy Now: $340.00

A number of short sequences show some of the events and people in the daily lives of several policemen: their intervention in domestic quarrels, the handling of a hit-and-run case, the approaches taken toward loitering youths, a drunk and disorderly charge being made in Magistrate's Court, and the interrogation of a burglary suspect. Police force candidates are shown being interviewed by members of the police department. They discuss their reasons for wanting to be policemen and their thoughts about themselves and their jobs, placing the film in the context of the community from which the department draws its personnel.

Films in the Pittsburgh Police series

901/904

After the Game

A Forty Dollar Misunderstanding

The 4th and 5th and the Exclusionary Rule

Henry is Drunk

The Informant

Inside/Outside Station Nine

Investigation of a Hit and Run w/ Legal Discussion

Manifold Controversy

Nothing Hurt But My Pride

Three Domestics

Twenty One Dollars or Twenty One Days

Youth and the Man of Property

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