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    <title>Documentary Educational Resources - Indigenous Studies / Gender Roles &amp;amp; Relationships / All Films</title>
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    <link>https://store.der.org/gender-roles--relationships-c1043all.aspx</link>
    <pubDate>Sun, 20 Sep 2026 19:05:10 GMT</pubDate>
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      <link>https://store.der.org/the-bride-market-of-imilchil-p1086.aspx</link>
      <guid isPermaLink="false">Product1086</guid>
      <pubDate>Fri, 19 Jan 2024 10:15:17 GMT</pubDate>
      <title>The Bride Market of Imilchil</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-bride-market-of-imilchil-p1086.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/bride-market.jpg"  alt="The Bride Market of Imilchil" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-bride-market-of-imilchil-p1086.aspx"&gt;The Bride Market of Imilchil&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-bride-market-of-imilchil-p1086.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Each September, during a three-day event, eligible men and women from the Berber tribes of Aït Benhaddou in central Morocco gather in front of the shrine of Imilchil to select a spouse and marry. Through interviews and observational footage &lt;i&gt;The Bride Market of Imilchil&lt;/i&gt; presents an intimate portrayal of the Souk Aam marriage festival, enabling viewers to read the signs and subtle behaviors that shape this unique ritual, and offering insight into local ideas about marriage and divorce. In the final sequences, the film suggests the increasing presence of tourists as an explanation for the declining participation in the festival.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Shot in 1985 and originally released in 1987, the film remains a classic in ethnographic cinema and is an excellent resource for teaching about gender, kinship, and related topics.&amp;nbsp; &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;“This is an exciting film. The very content captures attention. The photography is superb, not only aesthetically satisfying with its often muted colors, but also sensitive in its lingering portrayal of hands, faces, body language. An old woman praying, a dust storm in slow motion, accelerated shadows of clouds across the tent city: these are scenes of rare beauty…”&amp;nbsp;&lt;/div&gt;&lt;div&gt;— &lt;i&gt;Visual Anthropology Review&lt;/i&gt;, Spring 1990&lt;i&gt;&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/sweetheart-dancers-p1029.aspx</link>
      <guid isPermaLink="false">Product1029</guid>
      <pubDate>Fri, 15 Nov 2019 07:39:28 GMT</pubDate>
      <title>Sweetheart Dancers</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/sweetheart-dancers-p1029.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/sweetheart-dancers.jpg"  alt="Sweetheart Dancers" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/sweetheart-dancers-p1029.aspx"&gt;Sweetheart Dancers&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/sweetheart-dancers-p1029.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$275.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="display: none;"&gt;[ &amp;lt;script/style&amp;gt; code inserted at beginning of text ]&lt;/div&gt;&lt;div&gt;Indigenous dancers Sean&amp;nbsp;and&amp;nbsp;Adrian&amp;nbsp;challenge the rulebook of San Manuel's Native American Sweetheart Special as they attempt to compete in the annual couple's competition. Dancing not only against the other dancers, but against the drums of oppression and closed-mindedness, this two-spirit couple is determined to rewrite the rules of "one man, one woman" with their resplendent charisma, character and resilience. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:"êundefinedÛø\/U\0027EA";panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:Geneva;mso-font-charset:77;mso-generic-font-family:auto;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;div&gt;Director, Ben-Alex Dupris explains the origin of the film. "This story is rooted in an incident wherethe first Two Spirit couple, Sean Snyder and Adrian&amp;nbsp;Stevens, decided to enter a Sweetheart specialcompetition at one big influential powwow. This had never been attempted beforein modern tribal dance circles and they were disqualified for not adhering to therule of the "one man, one woman" competition.&amp;nbsp; This led to a year of reflection, and thoughtful preparationfor the next year where they courageously returned to the same powwow and were allowedto compete. This success story of resilience, and the action of love provided atalking point that spans decades of colonization with Indigenous communities. &amp;nbsp;Prior to the Catholic boarding school era, LGBTQIA were accepted and respected by Native people. &amp;nbsp;This story, and the spiritual renewal of our sacred Identitiesis one that leaves the audience with a greater understanding of our triballifeways. Within our hearts we are all one."&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Sweetheart Dancers&lt;/i&gt; was directed by Ben-Alex Dupris, an enrolled member of the Colville Confederated Tribes in Washington State, where he grew up.&lt;/div&gt;&lt;blockquote&gt;&lt;div&gt;"[T]he expert cinematography and editing make Adrian and Sean’s relationship and emotion immediately legible. When they’re first turned away from competition by organizers who insist that “a couple must consist of two people. One man. One woman,” you feel their devastation intimately. A year later, when they win third place at a sweetheart dance open to all partners, you feel their elation and their love just as keenly." – &lt;span class="value" data-bvo-item-id="21081476" data-bvo-item-type="platform-content"&gt;&lt;i&gt;Washington City Paper&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Grand Jury Award, Best Short Documentary&lt;/i&gt;, OUT Fest, US, 2019 &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Grand Jury Award, Best Short Documentary&lt;/i&gt;, &lt;i&gt;Audience Award&lt;/i&gt;, "Out On Film" Atlanta LQTBQ Film Fest, US, 2019&lt;/div&gt;&lt;div&gt;&lt;i&gt;Best Short Film&lt;/i&gt;, Lumbee Native Film Festival, US, 2019&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Competition, Best Short Film&lt;/i&gt;, New Orleans Film Festival, US, 2019&lt;/div&gt;&lt;div&gt;&lt;i&gt;Competition, Best Short Film&lt;/i&gt;, Palm Springs International Film Festival, US, 2019&lt;/div&gt;&lt;div&gt;&lt;i&gt;Competition, Best Short Film&lt;/i&gt;, American Indian Film Festival, US, 2019&lt;/div&gt;&lt;div&gt;&lt;i&gt;Competition, Best Short Film&lt;/i&gt;, Mountain Film, US, 2019&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Big Sky Documentary Film Festival, US, 2019&lt;/div&gt;&lt;div&gt;Seattle International Film Festival, US 2019&lt;/div&gt;&lt;div&gt;Cine Las Americas, US, 2019&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Cucalorus Film Festival, US, 2019&lt;/div&gt;&lt;div&gt;Frameline, &lt;span class="st"&gt;San Francisco International LGBTQ Film Festival, US, 2019&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;Hot Springs Documentary Film Festival, US, 2019&lt;/div&gt;AFI Docs Film Festival, US, 2019&lt;br /&gt;Film Independent’s “The New Wave”, US, 2019&lt;/div&gt;&lt;div&gt;Hot Springs Film Festival, US, 2019&lt;br /&gt;People of the Plains Visionmaker Film Festival, US, 2019&lt;br /&gt;Way OUT West Film Fest, US, 2019&lt;/div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 18.0px; font: 14.0px Montserrat; color: #444444; -webkit-text-stroke: #444444; background-color: #ffffff}span.s1 {font-kerning: none}&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-curing-ceremony-p902.aspx</link>
      <guid isPermaLink="false">Product902</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>A Curing Ceremony</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/curing-ceremony.jpg"  alt="A Curing Ceremony" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Sha//ge, a very young woman about to have her first child, falls ill, probably with malaria. /Ti!kay, a relative and healer, enters a mild trance, without the stimulus of dancing, in an attempt to cure her. Sha//ge lives but the baby is stillborn. Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series.&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is available as part of the&amp;nbsp;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung ShortFilms&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/dukas-dilemma-p882.aspx</link>
      <guid isPermaLink="false">Product882</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>Duka's Dilemma</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/duka-dilemma.jpg"  alt="Duka's Dilemma" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;Duka's Dilemma&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Duka is a married woman and mother of five young children, living in Hamar, Southern Ethiopia. Ever since her husband married a beautiful, young, second wife, Duka has been in a state of emotional turmoil. Among the Hamar, who live with herds and cultivate small fields of sorghum in their remote, bush-covered country, men are allowed to marry more than one wife, but only a few men ever do so. Duka wonders why her husband married again; did he find her too old, or was he turned off because of her chronic malaria? Also, she doesn't know what to make of the new wife who is silent and never expresses her feelings except in rage? And on top of this, her mother-in-law keeps making trouble and is angry with her son for marrying a second wife behind her back. Personal and intimate, the film follows the drama of this family in crisis, the high points of which are the birth of the new wife's child, and nine months later, a heated dispute between the mother-in-law and her son, which leads to the building of a new house. Duka, her husband, her mother-in-law and the second wife voice their different points of view as events proceed and the crisis finally gets resolved. The language of the film is Hamar, and is translated by subtitles. There is no need for extra commentary from the filmmakers, whose presence and close relationship to the people are always evident.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/deep-hearts-p864.aspx</link>
      <guid isPermaLink="false">Product864</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Deep Hearts</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/deep-hearts-p864.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/deep-hearts.jpg"  alt="Deep Hearts" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/deep-hearts-p864.aspx"&gt;Deep Hearts&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/deep-hearts-p864.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Deep Hearts&lt;/i&gt; is a film about the Bororo Fulani, a nomadic society located in the central portion of the Niger Republic of Africa. The title is a reference to an important aspect of these people's thought and demeanor. The Bororo are immensely beautiful. They are also extremely envious of each other's looks. This envy accounts for their truly suspicious nature; one which leads quickly to feelings of fear. They are particularly fearful of being 'devoured' by both the eyes and mouths of those around them with whom they compete as beautiful creatures. The concept of a deep heart is useful because it accommodates their fears by providing a metaphysical space in which to hide their true feelings. &lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Deep Hearts&lt;/i&gt; describes the Gerewol, an occasion during the rainy season when two different and competing lineages come together at a designated watering place to choose the most 'perfect' Bororo male. It is close to being a physical and moral beauty contest in which the winner, selected by a maiden of the opposing lineage, is acclaimed the 'bull.' The film is also an attempt to let this ceremony of the Bororo be a way of speaking to the larger question of choice itself, something which confronts all human beings at all times. &lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx</link>
      <guid isPermaLink="false">Product870</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Diary of a Maasai Village, Part 3</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/diary-of-a-maasai-village-3.jpg"  alt="Diary of a Maasai Village, Part 3" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Diary of a Maasai Village, Part 3&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Two Mothers&lt;/i&gt; focuses on gender relationships in a Maasai village. The principal events for the women are a "coming out ox" ritual and the birth of a child; for the men, the birth of a calf is the central theme.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/diary-of-a-maasai-village-series-p943.aspx"&gt;Diary of a Maasai Villageseries&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Thisseries of five films by Melissa Llewelyn-Davies looks at daily life among theMaasai. The films are presented as a diary of a 7-week visit to a singlevillage. The structure is episodic and the content dependent on various eventsor stories, some of which are developed through more than one film. The tapescan be used independently or together, to give an in-depth sense of Maasailife. The series includes the following five films:&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-1-p868.aspx"&gt;Part 1: The Prophet's Village&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-2-p869.aspx"&gt;Part 2: Two Ways Of Justice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Part 3: Two Mothers&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-4-p871.aspx"&gt;Part 4: Two Journeys&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-5-p872.aspx"&gt;Part 5: Nine Cows And An Ox&lt;/a&gt;&lt;/div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/firewood-p811.aspx</link>
      <guid isPermaLink="false">Product811</guid>
      <pubDate>Wed, 29 Aug 2018 14:53:00 GMT</pubDate>
      <title>Firewood</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/firewood-p811.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/firewood.jpg"  alt="Firewood" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;The strenuousness of women's work is revealed as a woman patiently chops a large log for firewood one evening, enough to last one day. Her two children play nearby, and she occasionally stops to nurse the younger. The wood is loaded into a basket and she walks slowly back to the village, the heavy burden slung on a tumpline from her forehead, the young child in her arms.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This film is included on the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts compilation&amp;nbsp;&lt;/a&gt;DVD.&amp;nbsp;This two-disc set includes the following remastered titles on &lt;b&gt;Disc One:&lt;/b&gt; &lt;i&gt;Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock&lt;/i&gt; and &lt;i&gt;Weeding the Garden&lt;/i&gt;. Also included on Disc One: &lt;i&gt;Firewood, Tapir Distribution &lt;/i&gt;and&lt;i&gt; Tug-of-War&lt;/i&gt;. &lt;b&gt;Disc Two&lt;/b&gt; includes: &lt;i&gt;Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling, &lt;/i&gt;and&lt;i&gt; Young Shaman&lt;/i&gt;.&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-girls-celebration-p795.aspx</link>
      <guid isPermaLink="false">Product795</guid>
      <pubDate>Wed, 29 Aug 2018 13:27:00 GMT</pubDate>
      <title>The Girl's Celebration</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-girls-celebration-p795.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/girls-celebration.jpg"  alt="The Girl's Celebration" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-girls-celebration-p795.aspx"&gt;The Girl's Celebration&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-girls-celebration-p795.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;The Nambiquara of Mato Grosso are trying to re-establish their traditional practices. In &lt;i&gt;The Girl's Celebration&lt;/i&gt; a girl undergoes puberty rites after her first menstruation, entering seclusion for several months; a neighboring village is then invited to fetch her out of isolation and to take part in a feast and celebration. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Ceremonies like this double as political events, strengthening ties between Nambiquara and other Indian groups, and watching video footage of the ceremony allows the people of the village to assess themselves and their visitors. Video also allows the Nambiquara to proudly record the revival of their most distinctive practice: the lip and nose-piercing of boys.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/video-in-the-villages--video-in-the-villages-series-p973.aspx"&gt;Video in the Villages&lt;/a&gt; series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/daritidz-trainee-healer-p856.aspx"&gt;Daritidzé, Trainee Healer&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-girls-celebration-p795.aspx"&gt;The Girl's Celebration&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/jungle-secrets-p710.aspx"&gt;Jungle Secrets&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/pemp-p506.aspx"&gt;Pemp&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/the-spirit-of-tv-p458.aspx"&gt;The Spirit of TV&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/video-cannibalism-p293.aspx"&gt;Video Cannibalism&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/video-in-the-villages-presents-itself-p295.aspx"&gt;Video in the Villages Presents Itself&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/video-in-the-villages-p294.aspx"&gt;Video in the Villages&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Disclaimer on Naming:&lt;/b&gt;&lt;br /&gt;Please be aware that this documentary may include outdated or potentially offensive language. Such terms are not endorsed by DER but are presented in their original context to promote awareness, education, and discussion. Learn more about DER’s efforts to use reparative language and honor the preferred names of Indigenous communities by&amp;nbsp;&lt;a href="https://www.der.org/resources/indigenous-film-index/about-the-initiative/"&gt;clicking here&lt;/a&gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-group-of-women-p762.aspx</link>
      <guid isPermaLink="false">Product762</guid>
      <pubDate>Wed, 29 Aug 2018 13:26:00 GMT</pubDate>
      <title>A Group of Women</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-group-of-women-p762.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/group-of-women.jpg"  alt="A Group of Women" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;A Group of Women&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role. Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series.&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is available as part of the&amp;nbsp;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung ShortFilms&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/kuo-hina-e-hiapo-p720.aspx</link>
      <guid isPermaLink="false">Product720</guid>
      <pubDate>Wed, 29 Aug 2018 11:13:00 GMT</pubDate>
      <title>Kuo Hina E Hiapo</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/kuo-hina-e-hiapo-p720.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/kuo-hina-e-hiapo.jpg"  alt="Kuo Hina E Hiapo" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/kuo-hina-e-hiapo-p720.aspx"&gt;Kuo Hina E Hiapo&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/kuo-hina-e-hiapo-p720.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Tapa cloth, or &lt;i&gt;ngatu&lt;/i&gt; as it is called in Tonga, is cloth made from the bark of the mulberry tree. The inner bark is beaten into fine sheets and painted using traditional designs. After centuries of use, ngatu has literally become the fabric of Tongan society. In Tonga and throughout much of Polynesia, bark cloth has deep symbolic and ceremonial use. At birth, babies are swaddled in it. At marriage, newlyweds line their wedding bed, and at death, the departed are buried wrapped in it.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This documentary investigates the highly collaborative process of making ngatu and the organizations of women who carry on with the tradition. While the process continues to be passed on from generation to generation, there are signs of change as a cash economy begins to infiltrate Tongan life. Young people show less interest in such labor intensive endeavor in the face of the older generation's belief that this tradition will never die.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/gender-roles--relationships-c1043all.aspx"&gt;Gender Roles &amp;amp; Relationships&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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