Documentary Educational Resources - Subject / Food Ways & Subsistence / Fishing / All Films

Faces of Change: China Coast

Fri, 7 Sep 2018 09:20:00 GMT

Faces of Change: China Coast
Buy Now: $495.00

The fishermen and the island farmers of the Soko Islands in the South China Sea typify coastal harbor communities that have existed for centuries along the China coast, controlled by mainland China or for many decades alien governments in Hong Kong and Macau.

The five films portray two independent cultures that rely on each other in complex ways, the boat people providing fish, transport to markets, and the necessities of survival on the island; the island farmers providing food, a school for boat children and labor when needed on boats and harbor facilities. The day-to-day lives of boat people and island people in this maritime culture three hours from Hong Kong are studies in mutual support, although historically discriminatory between a mainland farm family and boat people, who are seen as second class citizens who floated beyond "civilization."

After the filming in 1973, the entire population, farmers and boat people, were moved by government decree. The farmers were settled in nearby Lantau Island, the fishermen allowed to find harbors where they could. The initial government action was to accommodate refugee boat people from the Vietnam war era, the second to find harbors in Hong Kong's Aberdeen or nearby Cheng Chau where some had relatives and part-time work could be found ashore.

"These films are all set primarily in the Soko Islands, under British rule in Hong Kong territorial waters. They provide an interesting and valuable ethnographic picture of the lives of Chinese islanders and fishermen. Somewhat greater emphasis is given throughout to the fishing families, whose lives are spent almost entirely on their boats, broken only by brief visits to shore to fetch fresh water from a well or buy supplies in a market town.All are visually excellent, providing fascinating studies of details of daily life. In three of the five films narration is kept at a minimum, with direct simultaneous translation of interviews used effectively to provide verbal information, along with occasional translation of small talk and conversation among the Chinese as they go about their work." — Judith Strauch, American Anthropologist, 1977

Films in the China Coast series

China Coast Fishing
Hoy Fok and the Island School
The Island Fishpond
Island in the China Sea
Three Island Women

About the Faces of Change Collection

Faces of Change is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the China Coast at sea level and moving up to Taiwan, then to Afghanistan, Kenya and finally to the mountains of Bolivia. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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China Coast Fishing

Thu, 30 Aug 2018 08:16:00 GMT

China Coast Fishing
Buy Now: $495.00

China Coast Fishing concerns the traditional "floating population" who fish Chinese coastal waters from family sized Junks based in Hong Kong in competition with salaried fisherman using large, mechanized boats. The combined effect of education and an increased integration with shore life is putting strains on the old ways.

This is a "process film" in that it portrays the economic activities of three fishing families, each pursuing a different kind of fishing. Like the whole Faces Of Change series, it focuses on rural people using small-scale technology. Other fishing methods exist in the South China Sea-the large "long-liners" and deep-sea trawlers are big business operations with hired crews and constantly changing technology.

China Coast fishing styles around Hong Kong waters have changed greatly in the last decade. Most of the sailing junks have given way to junks with small inboard diesel engines. Of the nearly 5,800 registered boats in Hong Kong in 1973, less than 900 had sails of any kind and many of these had auxiliary engines. The scale of fishing operations here is far larger than one might expect. The former British territory of Hong Kong has some 280 islands and encompasses 404 square miles of water.

Fishing people often shelter in the bays of uninhabited islands and use the beaches to clean their boats. Many boats are double licensed and ply the waters of both Hong Kong and mainland China. The small family junk is found along the whole South China coast. The film was made in 1973 on the Soko Islands in the South China Sea. The inhabitants are Cantonese who either fish from small family-owned junks or live ashore raising pineapples, vegetables, and pigs. The area is located three hours by junk from Hong Kong. The Soko Island inhabitants use both Canton and Hong Kong as market centers.

Films in the China Coast series

China Coast Fishing
Hoy Fok and the Island School
The Island Fishpond
Island in the China Sea
Three Island Women

About the Faces of Change Collection

This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.

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The Disappearing of Tuvalu

Thu, 30 Aug 2018 07:05:00 GMT

The Disappearing of Tuvalu
Buy Now: $320.00

A detailed overview of contemporary life in the tiny South Pacific country of Tuvalu, this film documents the earth's first sovereign nation faced with total destruction due to the effects of global warming.

With a population of about 11,000 living on a total landmass of only 20 square miles – less than Manhattan – spread over nine low-lying atolls 600 miles to the north of Fiji, Tuvalu has been inhabited for over four millenia. The warm-spirited and highly community-oriented people of this ex-British colony struggle to survive economically while confronting the likelihood of having to evacuate their homeland en masse within the next 50 years.

As the industrial world just begins to address the threat and causes of global warming, rising seas and increasingly violent changes in climate have already left their marks on this poor island nation. The government of Tuvalu and other concerned organizations are directing their pleas for solutions to the wealthy countries whose high pollution emissions could be the central human contribution to this phenomenon.

Observation, narration, and interviews with Tuvalu citizens from various walks of life flesh out a full portrait of a unique community confronting a dubious future on the front lines of a global environmental assault.

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The Earth is Our Home

Thu, 30 Aug 2018 07:05:00 GMT

The Earth is Our Home
Buy Now: $295.00

This documentary about the early Natives of the Great Basin emphasizes the traditional culture of the last 5,000 years. The story unfolds through the words and skills of the older Paiute women of southeastern Oregon and northern Nevada. They tell us how they make cakes from berries, baskets from tulles, cord for nets...necessary daily tasks linked with an ancient heritage.

The earth is ever present in the film, wildlife, rivers and marshes, sagebrush desert, all part of the story. The lifeways of the Northern Paiutes are followed through a seasonal cycle, from root-gathering in spring to building shelter in winter. The Earth is Our Home is an important historical film about Native North Americans.

This film is excellent for classroom use from 6th grade to adult.

DER thanks Oregon Public Broadcasting for the opportunity to rescue fine archival films from obscurity.

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Fish Is Our Life

Wed, 29 Aug 2018 14:53:00 GMT

Fish Is Our Life
Buy Now: $295.00

This unusual documentary provides a fascinating profile of an important segment of the Japanese population rarely seen or studied in the West. It focuses on the small businessmen-proprietors who work the 1,100 family-owned businesses at Tsukiji Market, Tokyo's largest wholesale fish market. With its many small wholesalers and its seven large auction houses, Tsukiji is a small city in itself, with its own unique culture, work hours, and traditions. The video captures the vitality and earthy humor of a variety of people who work in the market, and examines how they, like all Japanese, are increasingly affected by the global market economy and by changes in the larger Japanese culture.

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Fishers of Dar

Wed, 29 Aug 2018 14:53:00 GMT

Fishers of Dar
Buy Now: $295.00

Samaki wa Dar es Salaam/Fishers of Dar is an ethnographic film about the fishermen and women of downtown Dar es Salaam, Tanzania. It explores the continuity and integrity of traditional fishing practices in new, contemporary settings. Dar es Salaam is a metropolis of 3 million people yet the city's demand for fish is entirely met by equipment, methods and tools that have been used here for hundreds of years.

This film takes the viewer to the central fish market and pier in the city harbor, and to a small fishing community away from the market. It is structured between two sunrises and two sunsets: the story begins before dawn, with small lanteen sailed boats (ngawaalas) and bigger mashua boats (a diesel engine replacing the sail) leaving for fishing grounds close by or further out to sea, and continues with fishing at sea; coming back to unload and sell fish at the market; auctions and retail sales; fast food preparation and sale at the market; home-based work and leisure activities in the fishing community.

Eschewing commentary and voice-over explanation — similar to Forest of Bliss — the film shows the many hands the fish pass through before reaching customers. Hundreds of people make a living in the process. We see fishermen and women, boat builders, boat crews, auctioneers, laborers, vendors and market people of all kinds. Not the least are women who come with buckets, buy and clean small fish and then go back home by bus to sell fried fish in the hundreds of smaller markets of the city.

The film reveals how traditional methods articulate with modern demands. There are problems: a brief text at the end of the film points out that the market was recently demolished to make way for expansion of the harbor. The age old process continues but under difficult new conditions.

SELECTED SCREENINGS & AWARDS

Best Documentary, Athens Ohio Film Festival, 2003

Juror's Choice, Black Maria Film Festival, 2003

Golden Dhow, Director's Choice, Zanzibar Int'l Film Festival, 2002

Best Cinematography, Ann Arbor Film Festival, 2002

Northwest Folk Life Film Festival, Seattle, 2003

Rakumi Arts Film Festival, Seattle Museum of Art, 2003

Rhode Island Int'l Film Festival, Providence, 2003

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Fishing at the Stone Weir

Wed, 29 Aug 2018 14:53:00 GMT

Fishing at the Stone Weir
Buy Now: $320.00

Fishing at the Stone Weir

Part 1 (30 min)

Full summer, and the tundra is bare; skin tents are up and it is time to attend to the fishing as the fish move upstream. The men are in the river, lifting stones and placing them to form enclosures to trap the fish. A woman skins a duck and then braids her hair in the old way, stiffly around sticks. From a bladder she makes a balloon for the child. The men are fishing with the three-pronged leisters, spearing the fish and stringing them on a thong, until it is as much as a man can do to drag his catch from the water. The woman works quickly, cleaning the fish, and then all enjoy bits of the fresh raw fish.

Part 2 (27 min)

There are many men fishing now and even the children on shore imitate the motions of the men. Rain sweeps over the tundra but the work goes on, the men splashing through the weir, furs hitched high, seemingly little affected by the cold water. The haul is large. A man makes fire with a bowdrill and soon there is a blaze under the stone cooking pot. Fish are stewed and eaten, the men staying in their own group. There is a little play at cat's cradle while stories are told, and then the women return to cleaning fish and the men to building stone caches to store and protect the plentiful harvest for the leaner days to come.

Films in the Netsilik series

At The Autumn River Camp
At The Caribou Crossing Place
At The Spring Sea Ice Camp
At The Winter Sea Ice Camp

Building a Kayak

Fishing at the Stone Weir

Group Hunting on the Spring Ice

Jigging for Lake Trout

Stalking Seal on the Spring Ice

About the Netsilik series

These films reveal the live reality of traditional Inuit lifebefore the European acculturation. The Netsilik of the Pelly Bay regionin the Canadian Arctic had long lived apart from other people and haddepended entirely on the land and their own ingenuity to sustain lifethrough the rigors of the Arctic year.

The filming was done during the summers of 1963 and 1964 and in the late winter of 1965 under the ethnographic direction of Dr. AsenBalikci of the University of Montréal, assisted by Guy Mary-Rousseliere, O.M.I., both anthropologists of wide Arctic experience. Quentin Brownwas Producer-Director, and Kevin Smith the Executive Producer for theseries. A minimum of cultural reconstruction was required during thefilming; the Netsilik families readily agreed to live in the old wayonce more and showed considerable aptitude in recalling and representing the earlier ways of life.

Note on Term "Eskimo":

The films in this series make use of the name "Eskimo." While once broadly applied, it is a perjorative term and considered offensive. While the inception of the word is a matter of debate, it is no longer used or applied in our film catalog. The context in which the term appears in this series is an acknowledged relic of a colonial past, presented in its original version. DER apologizes for any offense caused.

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Fit Surroundings

Wed, 29 Aug 2018 14:53:00 GMT

Fit Surroundings
Buy Now: $295.00

Based on more than a decade of field research, this colorful report on the high-touch craft of shellfish diving, takes us to the coast of the Shima Peninsula in central Japan. Here most of the divers (ama) are women and many of them are older with an average age of 50. By taking you into different settings where the divers operate, the program allows you to sample a social environment in which fierce individual competition underwater is checked and balanced by a spirited colleagueship carefully nurtured among groups of divers as they relax on shore. The program is suitable for use at the secondary school level and above, for courses not only about Japan, but about gender, aging, and sustainable environments, or "fit surroundings." A study guide which includes additional information and suggested readings is available below.

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From the First People

Wed, 29 Aug 2018 14:53:00 GMT

From the First People
Buy Now: $320.00

This is a film about change and contemporary life in Shungnak, a village on the Kobuk River in northwestern Alaska, 75 miles north of the Arctic Circle. Life in this inland community is dominated by the seasons and the river.

In October, when the film begins, the Kobuk becomes filled with ice, which slowly thickens until freeze-up is complete. Traditional subsistence activities still continue: women net fish under the ice, and a man and his wife construct a cottonwood mudshark trap that is carefully placed in the river ice. The combination of old and new technology is pervasive. Some people hitch their teams of huskies to a sled, others travel by snowmobile. Old people reflect upon these changes. "In the old days," George Cleveland laughs, "you knew your good dogs would get you home. Today, if your snowmachine breaks down, you have to walk! On the other hand," he says, "most things these days are easier than in the past, when people had to be tough in order to survive. Today, you just plug in the bubbling coffee pot, pull the string for light, and turn the stove's knob when you are cold." Indeed, popcorn is cooking on the stove as children don masks for Halloween trick-or-treating.

The film reveals that life along the Kobuk River is still inextricably linked to the harsh and starkly beautiful land, where the December sun rises at 11 a.m. and sets three hours later. An old man shares his feelings about the changes he has seen: "Long ago, forest fires put themselves out. Today, even when men fight them, they burn. I think our earth is getting old, and when things get old and dry they burn. Our earth is the same way," he adds. "It's ready to burn. I think it's coming close to the time when we will have a new one."

Films in the Alaska Native Heritage Film series:

At the Time of Whaling

The Drums of Winter (Uksuum Cauyai)

From the First People

Note on Term "Eskimo":

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From the Ikpeng Children to the World

Wed, 29 Aug 2018 14:53:00 GMT

From the Ikpeng Children to the World
Buy Now: $295.00

Four Ikpeng children introduce us to life in their village. They show their families, their toys, and their celebrations with grace and lightheartedness. We meet the characters that make up their everyday world - from baby chickens to the village chief - and we see the children helping with chores, learning to hunt, going to school and playing games.

Often comparing and contrasting themselves to earlier generations, they are aware of their cultural heritage and how it has changed since their grandparents' time. Engaging and candid, the Ikpeng children are full of curiosity and ask that people of other cultures send their own video-letters.

Films in the Indigenous Video Makers series

Dancing with a Dog
From the Ikpeng Children to the World
Kinja Iakaha, A Day in the Village
The Living Forest
Moyngo
Nguné Elü
One Must Be Curious
A Path to Live
The Rainy Season
Shomõtsi
Trainees for the Future
Wapté Mnhõnõ, The Xavante's Initiation
Wai'á Rini, The Power of the Dream

Disclaimer on Naming:
Please be aware that this documentary may include outdated or potentially offensive language. Such terms are not endorsed by DER but are presented in their original context to promote awareness, education, and discussion. Learn more about DER’s efforts to use reparative language and honor the preferred names of Indigenous communities by clicking here.

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