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    <title>Documentary Educational Resources - Indigenous Studies / Daily Life &amp;amp; Community / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/daily-life--community-c1039all.aspx</link>
    <pubDate>Mon, 21 Sep 2026 11:06:36 GMT</pubDate>
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    <item>
      <link>https://store.der.org/voices-of-the-rainforest-p1025.aspx</link>
      <guid isPermaLink="false">Product1025</guid>
      <pubDate>Wed, 29 May 2019 10:52:27 GMT</pubDate>
      <title>Voices of the Rainforest</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/voices-of-the-rainforest-p1025.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/voices-of-the-rainforest.jpg"  alt="Voices of the Rainforest" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/voices-of-the-rainforest-p1025.aspx"&gt;Voices of the Rainforest&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/voices-of-the-rainforest-p1025.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$340.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Voices of the Rainforest: A Day in the Life of Bosavi&amp;nbsp;&lt;/i&gt;is a 70-minute cinema concert–an experiential documentary about the ecological and aesthetic coevolution of Papua New Guinea's Bosavi rainforest region and its inhabitants. Through sound and image, the film immerses viewers in the rainforest, and makes audible myriad connections between the everyday sounds of the rainforest biosphere and the creative practices of singing to, with, and about it by the Bosavi people.&amp;nbsp;Structured around a day in the life of the rainforest and the music it inspires for the Bosavi people, the film brings to life the everyday activities of work, leisure, and ritual–heard in the full ambient setting of the rainforest–throughout the day and night.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;i&gt;Voices of the Rainforest&amp;nbsp;&lt;/i&gt;was produced by Steven Feld and Dennis Leonard and Directed by Steven Feld and Jeremiah Ra Richards in collaboration with the Bona community of Bosavi, Papua New Guinea. Feld conducted anthropological and ethnomusicological fieldwork in Bosavi from 1975 to 2000. The original Voices of the Rainforest CD was produced during this time (1991) with production support from Grateful Dead drummer Mickey Hart. Working with acclaimed sound editor Dennis Leonard at Skywalker Sound in 2016-2017, Feld recomposed a 25th anniversary 7.1 &lt;i&gt;Voices &lt;/i&gt;soundtrack. A 2018 return to Bosavi with filmmaker Jeremiah Ra Richards and digitization of Feld's extensive archival photographs led to the creation of the immersive film joined to the 7.1 soundtrack.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;i&gt;Voices of the Rainforest&amp;nbsp;&lt;/i&gt;is the first in a series of films based on Feld's work. While&amp;nbsp;&lt;i&gt;Voices&lt;/i&gt;&amp;nbsp;offers a visualization of the original audio experience,&amp;nbsp;&lt;i&gt;New Voices of the Rainforest&lt;/i&gt;, the companion film, will provide an update on the state of the forest and the problems of development in what remains a remote and underserved region of Papua New Guinea.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;This Deluxe Edition includes a 150-page color photobook, 7.1 Blu-ray (with a 2.0 stereo track) and the 25th Anniversary edition audio CD.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;All sales benefit the Bosavi Peoples Fund, advocating for environmental and cultural justice in a remote part of Papua New Guinea.&amp;nbsp;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Selected Screenings &amp;amp; Awards&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Honourable Mention&lt;/i&gt;, &lt;i&gt;Documentary Film Prize&lt;/i&gt;, International Council for Traditional Music, 2020&lt;/div&gt;&lt;div&gt;Competition Category "Community and Equality," Vizantrop Film Festival, 2020 &lt;/div&gt;&amp;nbsp;&lt;div&gt;&lt;b&gt;Academic Screenings&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div dir="ltr"&gt;Scholarship Film Festival, U Pennsylvania, 2019&lt;br /&gt;&lt;/div&gt;&lt;div dir="ltr"&gt;NYU Depts of Anthropology &amp;amp; Music, 2019&lt;/div&gt;&lt;div dir="ltr"&gt;Granada Centre for Visual Anthropology UK, 2019&lt;/div&gt;&lt;div dir="ltr"&gt;University of Eastern Finland, 2019&lt;/div&gt;&lt;div dir="ltr"&gt;Johannes Gutenberg University, Mainz, 2019&lt;/div&gt;&lt;div dir="ltr"&gt;Harvard University, 2019&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;style type="text/css"&gt;p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica}&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/climbing-the-peach-palm-p919.aspx</link>
      <guid isPermaLink="false">Product919</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Climbing the Peach Palm</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/climbing-peach-palm-remastered.jpg"  alt="Climbing the Peach Palm" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;The ingenuity of Yanomamö technology is revealed in the climbing frame used to scale the spiny trunk of the peach palm tree. Here a young man collects the fruit for his in-laws by means of two frames, each constructed of two crisscrossed poles. As he perches on one frame, he raises (or lowers) the other, onto which he carefully steps, continuing in this manner up (or down) the entire tree. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Climbing the Peach Palm&lt;/i&gt; was restored by DER with funding from the National Film Preservation Foundation.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This film is included on the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts compilation&lt;/a&gt; DVD. This two-disc set includes the following remastered titles on &lt;b&gt;Disc One&lt;/b&gt;: &lt;i&gt;Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock&lt;/i&gt; and &lt;i&gt;Weeding the Garden&lt;/i&gt;. Also included on Disc One: &lt;i&gt;Firewood, Tapir Distribution&lt;/i&gt; and &lt;i&gt;Tug-of-War&lt;/i&gt;.&amp;nbsp; &lt;b&gt;Disc Two&lt;/b&gt; includes: &lt;i&gt;Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling&lt;/i&gt;, and &lt;i&gt;Young Shaman&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/close-encounters-of-no-kind-p920.aspx</link>
      <guid isPermaLink="false">Product920</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Close Encounters of No Kind</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/close-encounters-of-no-kind.jpg"  alt="Close Encounters of No Kind" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;Close Encounters of No Kind&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Close Encounters of No Kind&lt;/i&gt; follows the Rabari, camel and sheep herders of Saurastra, India. Their nomadic lifestyle requires them to move herds of sheep and camels across the Saurastrian landscape to seek grazing and water. This practice has been going on for hundreds of years and during that time the Rabari have developed close working relationships with many groups and deeply adverse relations with other groups.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Traveling with the Rabari through the region of Jhalavad for a period of two months as they drift eastwards on their out migration, the film consists of a series of conversations with different caste groups about the Rabari way of life and their relations with the Rabari. It is a culture of tension and distrust; all of the interdependent caste groups are wary of the Rabari and of each other. While there are no actual encounters between the groups in the film, they accuse each other of inappropriate conduct and irresponsible character in their conversations with the filmmaker. He is not spared either; they accuse him of profiteering from this filmic exploration.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is then a traverse of two landscapes: the physical arid region of Jhalavad and the internal and imagined world of Rabari intercaste relations with Hindu and Muslims castes who are their partners in life. The film addresses issues related to social relations, pastoralism, ecology and land resource management. It would be useful for ethnographic and documentary film classes where the approach for conversational engagement as a tool for understanding social dynamics is prioritized and where new presentation of subtitling to differentiate different voices in group conversations is presented.&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-disappearing-of-tuvalu-p895.aspx</link>
      <guid isPermaLink="false">Product895</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>The Disappearing of Tuvalu</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-disappearing-of-tuvalu-p895.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/disappearing-of-tuvalu.jpg"  alt="The Disappearing of Tuvalu" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-disappearing-of-tuvalu-p895.aspx"&gt;The Disappearing of Tuvalu&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-disappearing-of-tuvalu-p895.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;A detailed overview of contemporary life in the tiny South Pacific country of Tuvalu, this film documents the earth's first sovereign nation faced with total destruction due to the effects of global warming.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;With a population of about 11,000 living on a total landmass of only 20 square miles – less than Manhattan – spread over nine low-lying atolls 600 miles to the north of Fiji, Tuvalu has been inhabited for over four millenia. The warm-spirited and highly community-oriented people of this ex-British colony struggle to survive economically while confronting the likelihood of having to evacuate their homeland en masse within the next 50 years.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;As the industrial world just begins to address the threat and causes of global warming, rising seas and increasingly violent changes in climate have already left their marks on this poor island nation. The government of Tuvalu and other concerned organizations are directing their pleas for solutions to the wealthy countries whose high pollution emissions could be the central human contribution to this phenomenon.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Observation, narration, and interviews with Tuvalu citizens from various walks of life flesh out a full portrait of a unique community confronting a dubious future on the front lines of a global environmental assault.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-earth-is-our-home-p897.aspx</link>
      <guid isPermaLink="false">Product897</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>The Earth is Our Home</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-earth-is-our-home-p897.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/earth-is-our-home.jpg"  alt="The Earth is Our Home" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-earth-is-our-home-p897.aspx"&gt;The Earth is Our Home&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-earth-is-our-home-p897.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This documentary about the early Natives of the Great Basin emphasizes the traditional culture of the last 5,000 years. The story unfolds through the words and skills of the older Paiute women of southeastern Oregon and northern Nevada. They tell us how they make cakes from berries, baskets from tulles, cord for nets...necessary daily tasks linked with an ancient heritage.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The earth is ever present in the film, wildlife, rivers and marshes, sagebrush desert, all part of the story. The lifeways of the Northern Paiutes are followed through a seasonal cycle, from root-gathering in spring to building shelter in winter.&amp;nbsp;&lt;i&gt;The Earth is Our Home&lt;/i&gt; is an important historical film about Native North Americans.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is excellent for classroom use from 6th grade to adult.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;DER thanks Oregon Public Broadcasting for the opportunity to rescue fine archival films from obscurity.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/deep-hearts-p864.aspx</link>
      <guid isPermaLink="false">Product864</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Deep Hearts</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/deep-hearts-p864.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/deep-hearts.jpg"  alt="Deep Hearts" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/deep-hearts-p864.aspx"&gt;Deep Hearts&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/deep-hearts-p864.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Deep Hearts&lt;/i&gt; is a film about the Bororo Fulani, a nomadic society located in the central portion of the Niger Republic of Africa. The title is a reference to an important aspect of these people's thought and demeanor. The Bororo are immensely beautiful. They are also extremely envious of each other's looks. This envy accounts for their truly suspicious nature; one which leads quickly to feelings of fear. They are particularly fearful of being 'devoured' by both the eyes and mouths of those around them with whom they compete as beautiful creatures. The concept of a deep heart is useful because it accommodates their fears by providing a metaphysical space in which to hide their true feelings. &lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Deep Hearts&lt;/i&gt; describes the Gerewol, an occasion during the rainy season when two different and competing lineages come together at a designated watering place to choose the most 'perfect' Bororo male. It is close to being a physical and moral beauty contest in which the winner, selected by a maiden of the opposing lineage, is acclaimed the 'bull.' The film is also an attempt to let this ceremony of the Bororo be a way of speaking to the larger question of choice itself, something which confronts all human beings at all times. &lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx</link>
      <guid isPermaLink="false">Product870</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Diary of a Maasai Village, Part 3</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/diary-of-a-maasai-village-3.jpg"  alt="Diary of a Maasai Village, Part 3" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Diary of a Maasai Village, Part 3&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Two Mothers&lt;/i&gt; focuses on gender relationships in a Maasai village. The principal events for the women are a "coming out ox" ritual and the birth of a child; for the men, the birth of a calf is the central theme.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;div&gt;&lt;b&gt;About the&amp;nbsp;&lt;a href="https://store.der.org/diary-of-a-maasai-village-series-p943.aspx"&gt;Diary of a Maasai Villageseries&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Thisseries of five films by Melissa Llewelyn-Davies looks at daily life among theMaasai. The films are presented as a diary of a 7-week visit to a singlevillage. The structure is episodic and the content dependent on various eventsor stories, some of which are developed through more than one film. The tapescan be used independently or together, to give an in-depth sense of Maasailife. The series includes the following five films:&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-1-p868.aspx"&gt;Part 1: The Prophet's Village&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-2-p869.aspx"&gt;Part 2: Two Ways Of Justice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-3-p870.aspx"&gt;Part 3: Two Mothers&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-4-p871.aspx"&gt;Part 4: Two Journeys&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/diary-of-a-maasai-village-part-5-p872.aspx"&gt;Part 5: Nine Cows And An Ox&lt;/a&gt;&lt;/div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face{font-family:Times;panose-1:2 0 5 0 0 0 0 0 0 0;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:Cambria;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:roman;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:Cambria;mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}@page Section1{size:8.5in 11.0in;margin:1.0in 1.25in 1.0in 1.25in;mso-header-margin:.5in;mso-footer-margin:.5in;mso-paper-source:0;}div.Section1{page:Section1;}--&gt;&lt;/style&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/fishing-at-the-stone-weir-p816.aspx</link>
      <guid isPermaLink="false">Product816</guid>
      <pubDate>Wed, 29 Aug 2018 14:53:00 GMT</pubDate>
      <title>Fishing at the Stone Weir</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/fishing-at-the-stone-weir-p816.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/fishing-at-the-stone-weir.jpg"  alt="Fishing at the Stone Weir" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/fishing-at-the-stone-weir-p816.aspx"&gt;Fishing at the Stone Weir&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/fishing-at-the-stone-weir-p816.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;style type="text/css"&gt; p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica}&lt;/style&gt;&lt;div&gt;&lt;b&gt;Fishing at the Stone Weir&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 1&lt;/b&gt; (30 min)&lt;/div&gt;&lt;div&gt;Full summer, and the tundra is bare; skin tents are up and it is time to attend to the fishing as the fish move upstream. The men are in the river, lifting stones and placing them to form enclosures to trap the fish. A woman skins a duck and then braids her hair in the old way, stiffly around sticks. From a bladder she makes a balloon for the child. The men are fishing with the three-pronged leisters, spearing the fish and stringing them on a thong, until it is as much as a man can do to drag his catch from the water. The woman works quickly, cleaning the fish, and then all enjoy bits of the fresh raw fish.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 2&lt;/b&gt; (27 min)&lt;/div&gt;&lt;div&gt;There are many men fishing now and even the children on shore imitate the motions of the men. Rain sweeps over the tundra but the work goes on, the men splashing through the weir, furs hitched high, seemingly little affected by the cold water. The haul is large. A man makes fire with a bowdrill and soon there is a blaze under the stone cooking pot. Fish are stewed and eaten, the men staying in their own group. There is a little play at cat's cradle while stories are told, and then the women return to cleaning fish and the men to building stone caches to store and protect the plentiful harvest for the leaner days to come.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the&amp;nbsp;&lt;/b&gt;&lt;a href="https://store.der.org/netsilik-series-p951.aspx"&gt;Netsilik series&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/at-the-autumn-river-camp-p163.aspx"&gt;At The Autumn River Camp&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-caribou-crossing-place-p164.aspx"&gt;At The Caribou Crossing Place&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-spring-sea-ice-camp-p165.aspx"&gt;At The Spring Sea Ice Camp&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-winter-sea-ice-camp-p167.aspx"&gt;At The Winter Sea Ice Camp&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/building-a-kayak-p215.aspx"&gt;Building a Kayak&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/fishing-at-the-stone-weir-p816.aspx"&gt;Fishing at the Stone Weir&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx"&gt;Group Hunting on the Spring Ice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jigging-for-lake-trout-p703.aspx"&gt;Jigging for Lake Trout&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/stalking-seal-on-the-spring-ice-p438.aspx"&gt;Stalking Seal on the Spring Ice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the Netsilik series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;These films reveal the live reality of traditional Inuit lifebefore the European acculturation. The Netsilik of the Pelly Bay regionin the Canadian Arctic had long lived apart from other people and haddepended entirely on the land and their own ingenuity to sustain lifethrough the rigors of the Arctic year.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The filming was done during the summers of 1963 and 1964 and in the late winter of 1965 under the ethnographic direction of Dr. AsenBalikci&amp;nbsp;of the University of Montréal, assisted by Guy Mary-Rousseliere, O.M.I., both anthropologists of wide Arctic experience. Quentin Brownwas Producer-Director, and Kevin Smith the Executive Producer for theseries. A minimum of cultural reconstruction was required during thefilming; the Netsilik families readily agreed to live in the old wayonce more and showed considerable aptitude in recalling and representing the earlier ways of life.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Note on Term "Eskimo":&lt;/b&gt;&lt;div&gt;&lt;i&gt;The films in this series make use of the name "Eskimo." While once broadly applied, it is a perjorative term and considered offensive. While the inception of the word is a matter of debate, it is no longer used or applied in our film catalog. The context in which the term appears in this series is an acknowledged relic of a colonial past, presented in its original version. DER apologizes for any offense caused.&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/a-group-of-women-p762.aspx</link>
      <guid isPermaLink="false">Product762</guid>
      <pubDate>Wed, 29 Aug 2018 13:26:00 GMT</pubDate>
      <title>A Group of Women</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/a-group-of-women-p762.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/group-of-women.jpg"  alt="A Group of Women" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;A Group of Women&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role. Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series.&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is available as part of the&amp;nbsp;&lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung ShortFilms&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung films onto two remastered/re-authored DVDs, complete with a full-color booklet containing photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&lt;/b&gt;&amp;nbsp;&lt;br /&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx</link>
      <guid isPermaLink="false">Product772</guid>
      <pubDate>Wed, 29 Aug 2018 13:26:00 GMT</pubDate>
      <title>Group Hunting on the Spring Ice</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/group-hunting-on-the-spring-ice.jpg"  alt="Group Hunting on the Spring Ice" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx"&gt;Group Hunting on the Spring Ice&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$340.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;b&gt;Group Hunting on the Spring Ice&lt;/b&gt;&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 1 &lt;/b&gt;(34 min)&lt;/div&gt;&lt;div&gt;Late June, and much of the land is bare. There are sounds of running water, and melt ponds shine everywhere. The woman carries heather and moss to camp and the man makes a whirling bullroarer for the boy. Another child pretends to drive a dog sled. A woman is working sinews into bowstrings, while another is busy with a seal skin. A woman prepares to cook a meal and a man makes a bow from bone and sinews. It is a demanding task to combine such materials into a strong supple weapon; the result is pleasing to the man. The next day the men move out on the sea ice with a dog to look for seal pups.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 2&amp;nbsp;&lt;/b&gt;(28 min)&lt;/div&gt;&lt;div&gt;The men are out on the sea ice and the women work at the tasks of camp. Seal skins are pegged to dry in the sun and a woman, baby on her back, picks over a pile of gulls. The birds are skinned and then go into the pot with water from a melt pond. A baby sucks on a bone. The people eat, and then the women visit an old man in his tent. Now the women are out gathering moss for the fires and we see the birds and flowers common to the area. A woman skins a seal pup while another sews skins for a tent. The children play at making camp, and some of the older girls pretend to nurse the fat pups. Then the adults join the fun, playing at juggling.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Part 3&amp;nbsp;&lt;/b&gt;(33 min)&lt;/div&gt;&lt;div&gt;The men are moving about on the sea ice, probing for unsafe ice and watching for seals. The snow cover is nearly gone now, and the breathing holes have widened. The men sit and wait. One makes a strike with his harpoon and others come to watch. They are ready to eat and relish the good warm blood and the liver. Another hunter succeeds, and then another but this one loses his catch when his thong breaks and the seal slides back into the water. But the party has three seals in tow when they return to camp, and soon the women have the meat exposed and all eat. Then the blubber is packed into the sealskin bags and the men haul it away to the cache.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the&amp;nbsp;&lt;/b&gt;&lt;a href="https://store.der.org/netsilik-series-p951.aspx"&gt;Netsilik series&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/at-the-autumn-river-camp-p163.aspx"&gt;At The Autumn River Camp&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-caribou-crossing-place-p164.aspx"&gt;At The Caribou Crossing Place&amp;nbsp;&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-spring-sea-ice-camp-p165.aspx"&gt;At The Spring Sea Ice Camp&lt;/a&gt;&lt;br /&gt;&lt;a href="https://store.der.org/at-the-winter-sea-ice-camp-p167.aspx"&gt;At The Winter Sea Ice Camp&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/building-a-kayak-p215.aspx"&gt;Building a Kayak&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/fishing-at-the-stone-weir-p816.aspx"&gt;Fishing at the Stone Weir&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/group-hunting-on-the-spring-ice-p772.aspx"&gt;Group Hunting on the Spring Ice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jigging-for-lake-trout-p703.aspx"&gt;Jigging for Lake Trout&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/stalking-seal-on-the-spring-ice-p438.aspx"&gt;Stalking Seal on the Spring Ice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;About the Netsilik series&lt;/b&gt;&lt;/div&gt;&lt;div&gt;These films reveal the live reality of traditional Inuit lifebefore the European acculturation. The Netsilik of the Pelly Bay regionin the Canadian Arctic had long lived apart from other people and haddepended entirely on the land and their own ingenuity to sustain lifethrough the rigors of the Arctic year.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The filming was done during the summers of 1963 and 1964 and in the late winter of 1965 under the ethnographic direction of Dr. AsenBalikci&amp;nbsp;of the University of Montréal, assisted by Guy Mary-Rousseliere, O.M.I., both anthropologists of wide Arctic experience. Quentin Brownwas Producer-Director, and Kevin Smith the Executive Producer for theseries. A minimum of cultural reconstruction was required during thefilming; the Netsilik families readily agreed to live in the old wayonce more and showed considerable aptitude in recalling and representing the earlier ways of life.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Note on Term "Eskimo":&lt;/b&gt;&lt;div&gt;&lt;i&gt;The films in this series make use of the name "Eskimo." While once broadly applied, it is a perjorative term and considered offensive. While the inception of the word is a matter of debate, it is no longer used or applied in our film catalog. The context in which the term appears in this series is an acknowledged relic of a colonial past, presented in its original version. DER apologizes for any offense caused.&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/daily-life--community-c1039all.aspx"&gt;Daily Life &amp;amp; Community&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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