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Yanomamö Films: Remastered, Vol. 1

Tue, 14 Sep 2021 09:45:14 GMT

Yanomamö Films: Remastered, Vol. 1
Buy Now: $1,000.00

In 1968 and again in 1971 filmmaker Timothy Asch and anthropologist Napoleon Chagnon collaborated on a project to film the Yanomamö Indians. Chagnon had conducted research among the Yanomamö beginning in 1964, and Asch had previously filmed in the field in Africa and Japan. During his first field trip, Chagnon used a 16mm Bolex to film selected aspects of Yanomamö life.

In 1968, Asch joined Chagnon, and from this first collaboration two films were produced: The Feast and Yanomamö: A Multidisciplinary Study. The latter film was made in close cooperation with a team of scientists from the Department of Human Genetics at the University of Michigan. A feast was chosen as the subject of the other film for several reasons: it was a predictable event, and as a single event it could be placed in the social and cultural context of the village. Additionally, the feast illustrated some classical anthropological themes - reciprocity and alliance formation - that would complement Chagnon's own published work, particularly his widely-read Yanomamö: The Fierce People.

Between 1968 and 1971 Chagnon returned annually to the field and filmed alone. The footage shot during this period became more meaningful when viewed as part of the larger body of film on the Yanomamö shot collaboratively by Asch and Chagnon in 1971. During 1971 the team (together with Craig Johnson who recorded synchronous sound) shot an additional 80,000 feet of 16mm color film, using Arriflex, Bolex, Nagra, and Uher equipment. The scene of most of this film is the remote village of Mishimishimabowei-teri, a village whose history and inhabitants Chagnon knew well. Several figures in particular are outstanding: Moawa, a village headman and Dedeheiwä, another headman and the leading shaman in Magical Death.

In all, Asch and Chagnon shot approximately 110,000 feet (50 hours) of film on the Yanomamö, much of it in Mishimishimabowei-teri. Thirty-seven films were produced from this footage and initially used in a national introductory curriculum project supported by the National Science Foundation. Today, they have become classics of visual anthropology and continue to be studied in classrooms throughout the world.

This collection includes these remastered films:

Arrow Game

The Ax Fight

Children's Magical Death

Climbing the Peach Palm

A Father Washes His Children

Magical Death

A Man and His Wife Make a Hammock

A Man Called Bee: Studying the Yanomamö

Moonblood: A Yanomamö Creation Myth

Weeding the Garden

Several of these films are also available on the Yanomamö Shorts DVD collection. This two-disc set includes the following remastered titles on Disc One: Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock and Weeding the Garden. Also included on Disc One: Firewood, Tapir Distribution and Tug-of-War. Disc Two includes: Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling, and Young Shaman.

Films in the Yanomamö series:

Arrow Game *†

The Ax Fight †

Bride Service

Children's Magical Death *†

Climbing the Peach Palm *†

A Father Washes His Children *†

The Feast

Firewood *

Jaguar, a Yanomamö Twin Cycle Myth

Magical Death †

A Man and His Wife Make a Hammock *†

A Man Called Bee: Studying the Yanomamö †

Moonblood: A Yanomamö Creation Myth †

Myth of Naro, as told by Dedeheiwä

Myth of Naro, as told by Kaobawä

New Tribes Mission

Ocamo is My Town

Tapir Distribution *

Tug-of-War, Yanomamö *

Weeding the Garden *†

Yanomamö: A Multidisciplinary Study

Yanomamö of the Orinoco

* included on the Yanomamö Shorts compilation
† included in the Yanomamö Films: Remastered, Vol. 1 set

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Diary of a Maasai Village series

Wed, 5 Sep 2018 11:07:00 GMT

Diary of a Maasai Village series
Buy Now: $1,360.00

"A rich man in Maasai has children and cows.... and he has wives - many wives."

This series of five films by Melissa Llewelyn-Davies looks at daily life among the Maasai. The films are presented as a diary of a 7-week visit to a single village. The structure is episodic and the content dependent on various events or stories, some of which are developed through more than one film. The tapes can be used independently or together, to give an in-depth sense of Maasai life.

The senior man in the village is the most important Maasai prophet and magician who is known as the Laibon. He is regarded as a wealthy man because he has so many wives and children. He has 13 wives living in the village as well as a large number of children, about 20 daughters-in-law, and 30 grandchildren. All the main characters in the films are somehow related to the Laibon, who was nearly 80 years old when the films were made.

A common thread to the events of all five films is the ever-present anxiety about the state of the herds. These appear to be slowly depleting due to drought, disease and an increasing need to sell livestock for cash. Cash and/or livestock are needed by the Laibon and his kin to trade for wives, to pay off debts and to compensate for previous thefts.

Films in the Diary of a Maasai Village Series

Part 1: The Prophet's Village

Part 2: Two Ways Of Justice

Part 3: Two Mothers

Part 4: Two Journeys

Part 5: Nine Cows And An Ox

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Yanomamö Series

Wed, 5 Sep 2018 11:07:00 GMT

Yanomamö Series
Buy Now: $5,770.00

In 1968 and again in 1971 filmmaker Timothy Asch and anthropologist Napoleon Chagnon collaborated on a project to film the Yanomamö Indians in southern Venezuela and northern Brazil. Chagnon had conducted research among the Yanomamö beginning in 1964, and Asch had previously filmed in the field in Africa and Japan. During his first field trip, Chagnon used a 16mm Bolex to film selected aspects of Yanomamö life.

Several of these films are also available on the Yanomamö Shorts DVD collection, a 2007 re-mastered/authored 2-disc set which also contains eight previously unreleased short Yanomamö films and additional information about the series.

Films in the Yanomamö series:

Arrow Game *†

The Ax Fight †

Bride Service

Children's Magical Death *†

Climbing the Peach Palm *†

A Father Washes His Children *†

The Feast

Firewood *

Jaguar, a Yanomamö Twin Cycle Myth

Magical Death †

A Man and His Wife Make a Hammock *†

A Man Called Bee: Studying the Yanomamö †

Moonblood: A Yanomamö Creation Myth †

Myth of Naro, as told by Dedeheiwä

Myth of Naro, as told by Kaobawä

New Tribes Mission

Ocamo is My Town

Tapir Distribution *

Tug-of-War, Yanomamö *

Weeding the Garden *†

Yanomamö: A Multidisciplinary Study

Yanomamö of the Orinoco

* included on the Yanomamö Shorts compilation
† included in the Yanomamö Films: Remastered, Vol. 1 set

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Yanomamö Short Films

Wed, 5 Sep 2018 11:07:00 GMT

Yanomamö Short Films
Buy Now: $545.00

This 2-DVD set combines 17 short Yanomamö films in a 2007 compilation which contains additional background information about the series. Six of the films on Disc One were remastered in 2021. The updated versions are included here, and are also available in the set Yanomamo Films: Remastered, Vol 1.

Disc One contains all previously released titles:

Arrow Game *

Children's Magical Death *

Climbing the Peach Palm *

A Father Washes His Children *

Firewood

A Man and His Wife Make a Hammock *

Tapir Distribution

Tug-of-War

Weeding the Garden *

* Remastered 2021

Disc Two collects eight previously unreleased short films from the series. They only exist as what Asch called "slopticals," duplicated workprints with optical tracks that he assembled in order to receive feedback from fellow filmmakers. Although they lack narration or translated subtitles, they show many interesting aspects of social life:

Dedeheiwä Rests in His Garden (6 min)

The warmth of adult-child interaction is shown as children play with the resting Dedeheiwä.

Children Roasting Meat (5 min)

Several children sit and play together. One roasts meat and bananas over a small fire.

A Woman Spins (8 min)

A woman reclines in the shade, spinning while a baby tries to play with her thread.

Children Make a Toy Hammock (7 min)

While running around and playing, a few children work on a smaller version of the hammocks their parents make.

Sand Play (19 min)

Boys and girls aged four to seven sit in a tight circle and play around a sand pile.

Playing in the Rain (8 min)

Children and adults play tug of war in the rain.

Mouth Wrestling (5 min)

Teenagers wrestle over a wad of tobacco.

Young Shaman (10 min)

A young shaman, still an initiate, gets sick and loses control on the hallucinogen ebene.

Films in the Yanomamö series:

Arrow Game *†

The Ax Fight †

Bride Service

Children's Magical Death *†

Climbing the Peach Palm *†

A Father Washes His Children *†

The Feast

Firewood *

Jaguar, a Yanomamö Twin Cycle Myth

Magical Death †

A Man and His Wife Make a Hammock *†

A Man Called Bee: Studying the Yanomamö †

Moonblood: A Yanomamö Creation Myth †

Myth of Naro, as told by Dedeheiwä

Myth of Naro, as told by Kaobawä

New Tribes Mission

Ocamo is My Town

Tapir Distribution *

Tug-of-War, Yanomamö *

Weeding the Garden *†

Yanomamö: A Multidisciplinary Study

Yanomamö of the Orinoco

* included on the Yanomamö Shorts compilation
† included in the Yanomamö Films: Remastered, Vol. 1 set

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Don't Fence Me In

Thu, 30 Aug 2018 07:05:00 GMT

Don't Fence Me In
Buy Now: $295.00

Since 1962, Burma has been ruled by a military junta. Life has deteriorated markedly for its citizens. Despite its former prosperity and its rich resources, it was voted least developed nation by the UN in 1987, and human rights atrocities continue to prevail. Forced from their homes by the government, more than 100,000 people live in refugee camps along the border between Burma and Thailand; hundreds of thousands more hide in jungles on the Burma side. They are the Karen people, one of the largest ethnic groups in Burma.

Don't Fence Me In chronicles the life of 70-year-old freedom fighter Major Mary On and her people's struggle for self-determination. Mary explains how the Karen are fighting for their very survival; the Burmese military's goal is “to wipe the Karen away so if you want to see them you'll have to go see them in the museum. See just an image or picture.” Her charismatic storytelling is accompanied by rare, clandestine footage smuggled out of the Karen refugee camps.

She illuminates the plight of the Karen still inside Burma, having little food and hiding in the jungle, yet proving remarkably resilient. While the Karen have lost their land, their way of life, and many of those who lived and fought beside them for independence, they have not lost their ties to a rich and beautiful history that transcends their present day despair. The film reveals the Karen refugees' spirit and determination to survive as political and historical forces conspire against them. Don't Fence Me In is an eloquent and moving chronicle of human rights abuses that must finally be brought to the attention of the global community.

"Deeply moving and hauntingly beautiful, Don't Fence Me In... tells a universal story of struggle against oppression and the creativity and courage that inspire people to make meaning of their lives, as their most basic rights - including the right to live - are systematically violated." — Ellen Bruno, filmmaker of the award-winning documentary Sacrifice: The Story of Child Prostitutes from Burma

"Don't Fence Me In... provides a steppingstone for discussion and study in Asian studies, sociology, women's studies. It is highly recommended." — Educational Media Reviews Online, Karen Hartman, Rutgers University

"A good introduction to issues concerning Burma's indigenous peoples. It also provides a useful picture of the day-to-day lives of refugees from one of the world's longest running conflicts." – Visual Anthropology

SELECTED SCREENINGS & AWARDS

Grand Jury Award, Best Documentary, Washington DC Independent Film Festival, 2006
Director's Citation, Black Maria Film Festival, various U.S. locations, 2006
Finalist – Short Film & Video Competition, USA Film Festival, Dallas, Texas, 2004

Frame By Frame HBO Documentary Film Series, San Francisco, 2004

Worldwide Short Film Festival, Toronto, Canada, May 2004

Cracow Film Festival, Poland, 2004
26th Annual IFP Market, New York, 2004
FlickerFest International Short Film Festival, Sydney, Australia, 2005
Slamdance Film Festival, Utah, 2005
Intermedia Arts, Minnesota, 2005
Foreign Correspondent's Club of Thailand, 2005
Frameline29, Roxie Cinema, San Francisco, 2005
Association for Asian Studies Conference, San Francisco, 2006
8th Annual Artfest Film Festival, Harrisburg, Pennslyvania, 2006
Society for Visual Anthropology/American Anthropological Association Conference, USA, 2006
Alternative ASEAN Film Festival on Migration, Philippines, 2006
Judges Award & Audience Award, San Diego Women's Film Festival, 2006
Burma Human Rights Day Screening, Int'l Rescue Committee, San Francisco, CA, 2007
Migration Film Festival, Singapore, 2007
Sebastopol Documentary Film Festival, CA, 2007
National Museum of Women in the Arts Festival of Film & Media Arts, Washington DC, 2007
6th Festival Film Dokumenter - Jogjakarta, Indonesia, 2007
India International Women Film Festival, New Delhi, 2007
Migrant Worker Film Festival, Seoul, Korea, 2008
This Human World - Human Rights Film Festival, Vienna, Austria, 2009

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Duka's Dilemma

Thu, 30 Aug 2018 07:05:00 GMT

Duka's Dilemma
Buy Now: $320.00

Duka is a married woman and mother of five young children, living in Hamar, Southern Ethiopia. Ever since her husband married a beautiful, young, second wife, Duka has been in a state of emotional turmoil. Among the Hamar, who live with herds and cultivate small fields of sorghum in their remote, bush-covered country, men are allowed to marry more than one wife, but only a few men ever do so. Duka wonders why her husband married again; did he find her too old, or was he turned off because of her chronic malaria? Also, she doesn't know what to make of the new wife who is silent and never expresses her feelings except in rage? And on top of this, her mother-in-law keeps making trouble and is angry with her son for marrying a second wife behind her back. Personal and intimate, the film follows the drama of this family in crisis, the high points of which are the birth of the new wife's child, and nine months later, a heated dispute between the mother-in-law and her son, which leads to the building of a new house. Duka, her husband, her mother-in-law and the second wife voice their different points of view as events proceed and the crisis finally gets resolved. The language of the film is Hamar, and is translated by subtitles. There is no need for extra commentary from the filmmakers, whose presence and close relationship to the people are always evident.

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Daughter from Danang

Thu, 30 Aug 2018 07:04:00 GMT

Daughter from Danang
Buy Now: $320.00

A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war.

To all outward appearances, Heidi is the proverbial "all-American girl", hailing from small town Pulaski, Tenn. But her birth name was Mai Thi Hiep. Born in Danang, Vietnam in 1968, she's the mixed-race daughter of an American serviceman and a Vietnamese woman. Fearing for her daughter's safety at the war's end, Hiep's mother sent her to the U.S. on Operation Babylift, a Ford administration plan to relocate orphans and mixed-race children to the U.S. for adoption before they fell victim to a frighteningly uncertain future in Vietnam after the Americans pulled out.

Kim believed her daughter would be in danger in Vietnam. "What I heard really worried me," Kim says. "If you had worked for Americans and had racially mixed children, they said those kids would be gathered up, they would be soaked in gasoline and burnt." The parting was devastating to both mother and child, who would know nothing about each other for 22 years.

Now, as if by a miracle, they are reunited in Danang. But what seems like the cue for a happy ending is anything but. Heidi and her Vietnamese relatives find themselves caught in a confusing clash of cultures and at the mercy of conflicting emotions that will change their lives forever. Through intimate and sometimes excruciating moments, Daughter from Danang profoundly shows how wide the chasms of cultural difference and how deep the wounds of war can run — even within one family.

At its core, filmmakers Gail Dolgin and Vicente Franco have created a thought-provoking film about identity, family and culture: What shapes our sense of self? What defines our concept of family? And how do cultural expectations influence our choices? Since the film takes places against the backdrop of the Vietnam War it reveals how the trauma inflicted by that conflict continues to haunt and harm those who survived it.

SELECTED SCREENINGS & AWARDS

Academy Award Nominee, Best Documentary Feature, 2002
Grand Jury Prize, Best Documentary, Sundance Film Festival, 2002
Grand Prize, Golden Gate Award, San Francisco International Film Festival, 2002
Feature Selection, New Directors/New Films, New York, 2002

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Dead Birds

Thu, 30 Aug 2018 07:04:00 GMT

Dead Birds
Buy Now: $34.95

Robert Gardner's seminal 1964 film Dead Birds is a portrait of the lives, beliefs, practices and ritual warfare of the Hubula people of the remote Baliem Valley in western New Guinea, now part of Indonesia. In 1963 Dead Birds won the prestigious Robert Flaherty Award and in 1998 was added to the National Film Registry of the Library of Congress. Dead Birds is considered a pivotal work in the history of the discipline of visual anthropology and continues to be used frequently in university lectures and seminars to engage students in wider questions and debates.

Filmmaker Robert Gardner, in describing the experience making the film, comments, “Dead Birds is a film about the Dani*, a people dwelling in the Grand Valley of the Baliem high in the mountains of West Irian. When I shot the film in 1961, the Dani had an almost classic Neolithic culture. They were exceptional in the way they focussed their energies and based their values on an elaborate system of intertribal warfare and revenge. Neighboring groups of Dani clans, separated by uncultivated strips of no man's land, engaged in frequent formal battles.

When a warrior was killed in battle or died from a wound and even when a woman or a child lost their life in an enemy raid, the victors celebrated and the victims mourned. Because each death had to be avenged, the balance was continually being adjusted with the spirits of the aggrieved lifted and the ghosts of slain comrades satisfied as soon as a compensating enemy life was taken. There was no thought in the Dani world of wars ever ending, unless it rained or became dark. Without war there would be no way to satisfy the ghosts. Wars were also the best way they knew to keep a terrible harmony in a life which would be, without the strife they invented, mostly hard and dull.

Dead Birds has a meaning which is both immediate and allegorical. In the Dani language it refers to the weapons and ornaments recovered in battle. Its other more poetic meaning comes from the Dani belief that people, because they are like birds, must die. In making Dead Birds certain kinds of behavior were followed, never directed. It was an attempt to see people from within and to wonder, when the selected fragments of that life were assembled, if they might speak not only of the Dani but also of ourselves.”

Digitally Remastered 2-DVD Set

The special edition 2-disc DVD of Dead Birds includes the remastered film and the following extra features:

6 sequences of edited scenes cut from the first answer print of Dead Birds with original narration and a commentary by Robert Gardner and Lucien Taylor
An audio track of commentary by Robert Gardner and Ross McElwee
A French language track narrated by Jean Rouch
A gallery of photographs shot during the making of Dead Birds and accompanied by excerpts read by Robert Gardner from his field journals
An excerpt from a television interview featuring a conversation about Dead Birds between Octavio Paz, William Alfred and Robert Gardner
2 sequences from a black and white print of Dead Birds made at the timeof the film 's release. These are accompanied by a conversation byRobert Gardner and Lucien Taylor
Previously unreleased outtakes from the archive of footage shot for Dead Birds

“A cinematographic interpretation of the life of a group of Grand Valley Dani, who are mountain Papuans in West New Guinea (Irian Barat, Indonesia), studied by the Harvard-Peabody Expedition (1961-1963). This film was made by Gardner in 1961, before the area was pacified by the Dutch government. The film focuses on Weyak, the farmer and warrior, and on Pua, the young swineherd, following them through the events of Dani life: sweet potato horticulture, pig keeping, salt winning, battles, raids and ceremonies.” —Karl G. Heider

*Note on term “Dani”

The preferred name for the community in this film is Hubula. The name "Dani" as used in this film is an exonym used by Moni, a neighboring group of people living west of the Baliem Valley. The name has been reproduced in many colonial and postcolonial texts, even until today.

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Diary of a Maasai Village, Part 2

Thu, 30 Aug 2018 07:04:00 GMT

Diary of a Maasai Village, Part 2
Buy Now: $320.00

In this episode of Diary of a Maasai Village, the film follows the story of the young men of the village. Young men are ritually prohibited from eating grain. Several of them steal one of the Laibon's goats and then must make reparations.

About the Diary of a Maasai Village series

Part 1: The Prophet's Village

Part 2: Two Ways Of Justice

Part 3: Two Mothers

Part 4: Two Journeys

Part 5: Nine Cows And An Ox

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For Our Street Family

Wed, 29 Aug 2018 14:53:00 GMT

For Our Street Family
Buy Now: $295.00

Revolving around a teen drop-in center called Planet Youth, the film explores the pain of stereotypes, the importance of peer support, and the ambivalence towards identity experience by a group of First Nations teens in Prince Rupert, British Columbia.

Begun as a participatory photography group self-portrait, the film expands to capture the youths' difficult challenges with racism, abuse, and foster care, while exploring the teens' resilient playfulness and why they are a "street family." For Our Street Family provides the opportunity to finally listen to a group parented by bureaucracy and ignored by the public.

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