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    <title>Documentary Educational Resources - Subject / Social &amp;amp; Cultural Life / Childhood / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/childhood-c295all.aspx</link>
    <pubDate>Mon, 21 Sep 2026 21:53:51 GMT</pubDate>
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      <link>https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx</link>
      <guid isPermaLink="false">Product1056</guid>
      <pubDate>Tue, 14 Sep 2021 09:45:14 GMT</pubDate>
      <title>Yanomamö Films: Remastered, Vol. 1</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/yanomamo-films-remastered-vol-1.jpg"  alt="Yanomamö Films: Remastered, Vol. 1" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$1,000.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;In 1968 and again in 1971 filmmaker Timothy Asch and anthropologist Napoleon Chagnon collaborated on a project to film the Yanomamö Indians. Chagnon had conducted research among the Yanomamö beginning in 1964, and Asch had previously filmed in the field in Africa and Japan. During his first field trip, Chagnon used a 16mm Bolex to film selected aspects of Yanomamö life.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;In 1968, Asch joined Chagnon, and from this first collaboration two films were produced: &lt;i&gt;The Feast&lt;/i&gt; and &lt;i&gt;Yanomamö: A Multidisciplinary Study&lt;/i&gt;. The latter film was made in close cooperation with a team of scientists from the Department of Human Genetics at the University of Michigan. A feast was chosen as the subject of the other film for several reasons: it was a predictable event, and as a single event it could be placed in the social and cultural context of the village. Additionally, the feast illustrated some classical anthropological themes - reciprocity and alliance formation - that would complement Chagnon's own published work, particularly his widely-read Yanomamö: The Fierce People.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Between 1968 and 1971 Chagnon returned annually to the field and filmed alone. The footage shot during this period became more meaningful when viewed as part of the larger body of film on the Yanomamö shot collaboratively by Asch and Chagnon in 1971. During 1971 the team (together with Craig Johnson who recorded synchronous sound) shot an additional 80,000 feet of 16mm color film, using Arriflex, Bolex, Nagra, and Uher equipment. The scene of most of this film is the remote village of Mishimishimabowei-teri, a village whose history and inhabitants Chagnon knew well. Several figures in particular are outstanding: Moawa, a village headman and Dedeheiwä, another headman and the leading shaman in Magical Death.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In all, Asch and Chagnon shot approximately 110,000 feet (50 hours) of film on the Yanomamö, much of it in Mishimishimabowei-teri. Thirty-seven films were produced from this footage and initially used in a national introductory curriculum project supported by the National Science Foundation. Today, they have become classics of visual anthropology and continue to be studied in classrooms throughout the world. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;This collection includes these remastered films:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;Several of these films are also available on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; DVD collection. This two-disc set includes the following remastered titles on &lt;b&gt;Disc One:&lt;/b&gt; &lt;i&gt;Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock&lt;/i&gt; and &lt;i&gt;Weeding the Garden&lt;/i&gt;. Also included on Disc One: &lt;i&gt;Firewood, Tapir Distribution &lt;/i&gt;and&lt;i&gt; Tug-of-War&lt;/i&gt;. &lt;b&gt;Disc Two&lt;/b&gt; includes: &lt;i&gt;Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling, &lt;/i&gt;and&lt;i&gt; Young Shaman&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/yanomam-series-p970.aspx</link>
      <guid isPermaLink="false">Product970</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>Yanomamö Series</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/yanomam-series-p970.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/yanomamo-series.jpg"  alt="Yanomamö Series" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/yanomam-series-p970.aspx"&gt;Yanomamö Series&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/yanomam-series-p970.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$5,770.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;In 1968 and again in 1971 filmmaker Timothy Asch and anthropologist Napoleon Chagnon collaborated on a project to film the Yanomamö Indians in southern Venezuela and northern Brazil. Chagnon had conducted research among the Yanomamö beginning in 1964, and Asch had previously filmed in the field in Africa and Japan. During his first field trip, Chagnon used a 16mm Bolex to film selected aspects of Yanomamö life.&lt;div&gt;&lt;br /&gt;&lt;div&gt;In 1968, Asch joined Chagnon, and from this first collaboration two films were produced: &lt;i&gt;The Feast&lt;/i&gt; and &lt;i&gt;Yanomamö: A Multidisciplinary Study&lt;/i&gt;. The latter film was made in close cooperation with a team of scientists from the Department of Human Genetics at the University of Michigan. A feast was chosen as the subject of the other film for several reasons: it was a predictable event, and as a single event it could be placed in the social and cultural context of the village. Additionally, the feast illustrated some classical anthropological themes - reciprocity and alliance formation - that would complement Chagnon's own published work, particularly his widely-read 'Yanomamö: The Fierce People'.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Between 1968 and 1971 Chagnon returned annually to the field and filmed alone. The footage shot during this period became more meaningful when viewed as part of the larger body of film on the Yanomamö shot collaboratively by Asch and Chagnon in 1971. During 1971 the team (together with Craig Johnson who recorded synchronous sound) shot an additional 80,000 feet of 16mm color film, using Arriflex, Bolex, Nagra, and Uher equipment. The scene of most of this film is the remote village of Mishimishimabowei-teri, a village whose history and inhabitants Chagnon knew well. Several figures in particular are outstanding: Moawa, a village headman and Dedeheiwä, another headman and the leading shaman in &lt;i&gt;Magical Death&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In all, Asch and Chagnon shot approximately 110,000 feet (50 hours) of film on the Yanomamö, much of it in Mishimishimabowei-teri. Thirty-seven films were produced from this footage and initially used in a national introductory curriculum project supported by the National Science Foundation. Today, they have become classics of visual anthropology and continue to be studied in classrooms throughout the world.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;Several of these films are also available on the Yanomamö Shorts DVD collection, a 2007 re-mastered/authored 2-disc set which also contains eight previously unreleased short Yanomamö films and additional information about the series.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
    </item>
    <item>
      <link>https://store.der.org/yanomam-short-films-p975.aspx</link>
      <guid isPermaLink="false">Product975</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>Yanomamö Short Films</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/yanomamo-shorts.jpg"  alt="Yanomamö Short Films" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Short Films&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This 2-DVD set combines 17 short Yanomamö films in a 2007 compilation which contains additional background information about the series. Six of the films on Disc One were remastered in 2021. The updated versions are included here, and are also available in the set &lt;i&gt;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamo Films: Remastered, Vol 1&lt;/a&gt;&lt;/i&gt;. &lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Disc One&lt;/b&gt; contains all previously released titles:&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt;&lt;i&gt; *&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;i&gt;*&lt;/i&gt;&lt;/i&gt; Remastered 2021&lt;i&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Disc Two&lt;/b&gt; collects eight previously unreleased short films from the series. They only exist as what Asch called "&lt;g class="gr_ gr_41 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling" id="41" data-gr-id="41"&gt;slopticals&lt;/g&gt;," duplicated workprints with optical tracks that he assembled in order to receive feedback from fellow filmmakers. Although they lack narration or translated subtitles, they show many interesting aspects of social life:&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Dedeheiwä Rests in His Garden&lt;/i&gt;&lt;/b&gt; (6 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;The warmth of adult-child interaction is shown as children play with the resting Dedeheiwä.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Children Roasting Meat&lt;/i&gt; &lt;/b&gt;(5 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Several children sit and play together. One roasts meat and bananas over a small fire.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;A Woman Spins&lt;/i&gt;&lt;/b&gt; (8 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;A woman reclines in the shade, spinning while a baby tries to play with her thread.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Children Make a Toy Hammock&lt;/i&gt; &lt;/b&gt;(7 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;While running around and playing, a few children work on a smaller version of the hammocks their parents make.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Sand Play&lt;/i&gt;&lt;/b&gt; (19 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Boys and girls aged four to seven sit in a tight circle and play around a sand pile.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Playing in the Rain&lt;/i&gt;&lt;/b&gt; (8 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Children and adults play tug of war in the rain.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;Mouth Wrestling&lt;/b&gt; &lt;/i&gt;(5 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Teenagers wrestle over a wad of tobacco.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;i&gt;Young Shaman&lt;/i&gt;&lt;/b&gt; (10 min)&amp;nbsp;&lt;/div&gt;&lt;div&gt;A young shaman, still an initiate, gets sick and loses control &lt;g class="gr_ gr_42 gr-alert gr_gramm gr_inline_cards gr_run_anim Grammar multiReplace" id="42" data-gr-id="42"&gt;on&lt;/g&gt; the hallucinogen ebene.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/cheerleader-p909.aspx</link>
      <guid isPermaLink="false">Product909</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Cheerleader</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/cheerleader-p909.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/cheerleader.jpg"  alt="Cheerleader" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/cheerleader-p909.aspx"&gt;Cheerleader&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/cheerleader-p909.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Cheerleader explores the quest to be a champion, the experience of being female, and the ins and outs of an All-American pastime, all through the eyes of some of the nation’s youngest cheerleaders. Cheerleading began more than a century ago in the nation’s all-male colleges, and it wasn’t until the 1920s that women became involved. Like most cheerleaders, the Tigers spend their weekends supporting the football team. Their cheers are cute, flirty, and some would even say, sexy. And while yesterday’s cheerleaders stood on the sidelines, the Tigers want center stage. They dance like Paula Abdul and backflip like Mary Lou Retton. They’re athletic, perky and polished – a winning combination in the world of competitive cheerleading. Through the Tigers’ story and the unfolding of cheerleading’s own history, Cheerleader looks at the complexity of the sport and shows how cheerleading remains a robust image in our society – one that influences how we see women and how women see themselves. Excerpts from Cheerleader are currently being featured in the International Museum of Women's online exhibit Imagining Ourselves (Sept. 15 — Oct. 1, 2007). View clips of the film here.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/childrens-magical-death-p914.aspx</link>
      <guid isPermaLink="false">Product914</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Children's Magical Death</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/childrens-magical-death-remastered.jpg"  alt="Children's Magical Death" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;A group of Yanomami boys, ages four to ten, pretend to be shamen and imitate the drug-taking and hekura-spirit-calling ceremonies of their fathers. The children, using ashes as their "drug," blow it up each others nostrils and chant and dance as if under the influence of ebene. Near the end they attempt to draw out the evil spirits in a "sick" boy and effect a shamanistic cure.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This short film of children's "play" explores how children imitate their parents and prepare for adult life. Young boys can become real shaman at the age of 16 or 17. The film,&amp;nbsp;&lt;i&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt;&lt;/i&gt;, also part of the Yanomamö series portrays a shamanistic event in the same community. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Children's Magical Death&lt;/i&gt; was restored by DER with funding from the National Film Preservation Foundation.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This film is included on the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts compilation&amp;nbsp;&lt;/a&gt;DVD.&amp;nbsp;This two-disc set includes the following remastered titles on&amp;nbsp;&lt;b&gt;Disc One&lt;/b&gt;:&amp;nbsp;&lt;i&gt;Arrow Game, Children's Magical Death, Climbing the Peach Palm, A Father Washes His Children, A Man and His Wife Make a Hammock&amp;nbsp;&lt;/i&gt;and&lt;i&gt;&amp;nbsp;Weeding the Garden&lt;/i&gt;. Also included on Disc One:&amp;nbsp;&lt;i&gt;Firewood, Tapir Distribution&amp;nbsp;&lt;/i&gt;and&lt;i&gt;&amp;nbsp;Tug-of-War&lt;/i&gt;.&lt;b&gt; &lt;i&gt;Disc Two&lt;/i&gt;&lt;/b&gt; includes: &lt;i&gt;Dedeheiwä Rests in His Garden, Children Roasting Meat, A Woman Spins, Children Make a Toy Hammock, Sand Play, Playing in the Rain, Mouth Wrestling,&amp;nbsp;&lt;/i&gt;and&lt;i&gt;&amp;nbsp;Young Shaman&lt;/i&gt;. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Films in the &lt;a href="https://store.der.org/the-yanomam-series-p970.aspx"&gt;Yanomamö&lt;/a&gt; series:&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="https://store.der.org/arrow-game-p157.aspx"&gt;Arrow Game&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-ax-fight-p180.aspx"&gt;The Ax Fight&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/bride-service-p211.aspx"&gt;Bride Service&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/childrens-magical-death-p914.aspx"&gt;Children's Magical Death&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/climbing-the-peach-palm-p919.aspx"&gt;Climbing the Peach Palm&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-father-washes-his-children-p801.aspx"&gt;A Father Washes His Children&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/the-feast-p845.aspx"&gt;The Feast&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/firewood-p811.aspx"&gt;Firewood&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/jaguar-p696.aspx"&gt;Jaguar, a Yanomamö Twin Cycle Myth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/magical-death-p601.aspx"&gt;Magical Death&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-and-his-wife-make-a-hammock-p608.aspx"&gt;A Man and His Wife Make a Hammock&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/a-man-called-bee-p595.aspx"&gt;A Man Called Bee: Studying the Yanomamö&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/moonblood-p637.aspx"&gt;Moonblood: A Yanomamö Creation Myth&lt;/a&gt; †&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-dedeheiwa-p649.aspx"&gt;Myth of Naro, as told by Dedeheiwä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/myth-of-naro-as-told-by-kaobawa-p650.aspx"&gt;Myth of Naro, as told by Kaobawä&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/new-tribes-mission-p582.aspx"&gt;New Tribes Mission&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/ocamo-is-my-town-p539.aspx"&gt;Ocamo is My Town&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tapir-distribution-p308.aspx"&gt;Tapir Distribution&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/tug-of-war-yanomam-p355.aspx"&gt;Tug-of-War, Yanomamö&lt;/a&gt; *&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/weeding-the-garden-p249.aspx"&gt;Weeding the Garden&lt;/a&gt; *†&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-a-multidisciplinary-study-p269.aspx"&gt;Yanomamö: A Multidisciplinary Study&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/yanomam-of-the-orinoco-p270.aspx"&gt;Yanomamö of the Orinoco&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;* included on the &lt;a href="https://store.der.org/yanomam-short-films-p975.aspx"&gt;Yanomamö Shorts&lt;/a&gt; compilation&lt;br /&gt;&lt;/i&gt;† &lt;i&gt;included in the&amp;nbsp;&lt;a href="https://store.der.org/yanomam-films-remastered-vol-1-p1056.aspx"&gt;Yanomamö Films: Remastered, Vol. 1&lt;/a&gt; set&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/close-encounters-of-no-kind-p920.aspx</link>
      <guid isPermaLink="false">Product920</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Close Encounters of No Kind</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/close-encounters-of-no-kind.jpg"  alt="Close Encounters of No Kind" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;Close Encounters of No Kind&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/close-encounters-of-no-kind-p920.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;Close Encounters of No Kind&lt;/i&gt; follows the Rabari, camel and sheep herders of Saurastra, India. Their nomadic lifestyle requires them to move herds of sheep and camels across the Saurastrian landscape to seek grazing and water. This practice has been going on for hundreds of years and during that time the Rabari have developed close working relationships with many groups and deeply adverse relations with other groups.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Traveling with the Rabari through the region of Jhalavad for a period of two months as they drift eastwards on their out migration, the film consists of a series of conversations with different caste groups about the Rabari way of life and their relations with the Rabari. It is a culture of tension and distrust; all of the interdependent caste groups are wary of the Rabari and of each other. While there are no actual encounters between the groups in the film, they accuse each other of inappropriate conduct and irresponsible character in their conversations with the filmmaker. He is not spared either; they accuse him of profiteering from this filmic exploration.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This film is then a traverse of two landscapes: the physical arid region of Jhalavad and the internal and imagined world of Rabari intercaste relations with Hindu and Muslims castes who are their partners in life. The film addresses issues related to social relations, pastoralism, ecology and land resource management. It would be useful for ethnographic and documentary film classes where the approach for conversational engagement as a tool for understanding social dynamics is prioritized and where new presentation of subtitling to differentiate different voices in group conversations is presented.&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/dont-fence-me-in-p877.aspx</link>
      <guid isPermaLink="false">Product877</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>Don't Fence Me In</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/dont-fence-me-in-p877.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/dont-fence-me-in.jpg"  alt="Don't Fence Me In" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/dont-fence-me-in-p877.aspx"&gt;Don't Fence Me In&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/dont-fence-me-in-p877.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Since 1962, Burma has been ruled by a military junta. Life has deteriorated markedly for its citizens. Despite its former prosperity and its rich resources, it was voted least developed nation by the UN in 1987, and human rights atrocities continue to prevail. Forced from their homes by the government, more than 100,000 people live in refugee camps along the border between Burma and Thailand; hundreds of thousands more hide in jungles on the Burma side. They are the Karen people, one of the largest ethnic groups in Burma.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Don't Fence Me In&lt;/i&gt; chronicles the life of 70-year-old freedom fighter Major Mary On and her people's struggle for self-determination. Mary explains how the Karen are fighting for their very survival; the Burmese military's goal is “to wipe the Karen away so if you want to see them you'll have to go see them in the museum. See just an image or picture.” Her charismatic storytelling is accompanied by rare, clandestine footage smuggled out of the Karen refugee camps.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;She illuminates the plight of the Karen still inside Burma, having little food and hiding in the jungle, yet proving remarkably resilient. While the Karen have lost their land, their way of life, and many of those who lived and fought beside them for independence, they have not lost their ties to a rich and beautiful history that transcends their present day despair. The film reveals the Karen refugees' spirit and determination to survive as political and historical forces conspire against them. &lt;i&gt;Don't Fence Me In&lt;/i&gt; is an eloquent and moving chronicle of human rights abuses that must finally be brought to the attention of the global community.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;"Deeply moving and hauntingly beautiful, &lt;i&gt;Don't Fence Me In&lt;/i&gt;... tells a universal story of struggle against oppression and the creativity and courage that inspire people to make meaning of their lives, as their most basic rights - including the right to live - are systematically violated." — Ellen Bruno, filmmaker of the award-winning documentary Sacrifice: The Story of Child Prostitutes from Burma&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;"&lt;i&gt;Don't Fence Me In&lt;/i&gt;... provides a steppingstone for discussion and study in Asian studies, sociology, women's studies. It is highly recommended." — &lt;i&gt;&lt;a href="https://emro.libraries.psu.edu/record/index.php?id=2738"&gt;Educational Media Reviews Online&lt;/a&gt;&lt;/i&gt;, Karen Hartman, Rutgers University&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;"A good introduction to issues concerning Burma's indigenous peoples. It also provides a useful picture of the day-to-day lives of refugees from one of the world's longest running conflicts." – &lt;i&gt;&lt;a href="https://www.tandfonline.com/doi/full/10.1080/08949460701424254"&gt;Visual Anthropology&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Grand Jury Award&lt;/i&gt;, Best Documentary, Washington DC Independent Film Festival, 2006 &lt;br /&gt;&lt;i&gt;Director's Citation&lt;/i&gt;, Black Maria Film Festival, various U.S. locations, 2006&lt;br /&gt;&lt;i&gt;Finalist – Short Film &amp;amp; Video Competition&lt;/i&gt;, USA Film Festival, Dallas, Texas, 2004&lt;/div&gt;&lt;div&gt;Frame By Frame HBO Documentary Film Series, San Francisco, 2004&lt;/div&gt;&lt;div&gt;Worldwide Short Film Festival, Toronto, Canada, May 2004&lt;/div&gt;&lt;div&gt;Cracow Film Festival, Poland, 2004&lt;br /&gt;26th Annual IFP Market, New York, 2004&lt;br /&gt;FlickerFest International Short Film Festival, Sydney, Australia, 2005&lt;br /&gt;Slamdance Film Festival, Utah, 2005&lt;br /&gt;Intermedia Arts, Minnesota, 2005&lt;br /&gt;Foreign Correspondent's Club of Thailand, 2005&lt;br /&gt;Frameline29, Roxie Cinema, San Francisco, 2005&lt;br /&gt;Association for Asian Studies Conference, San Francisco, 2006&lt;br /&gt;8th Annual Artfest Film Festival, Harrisburg, Pennslyvania, 2006&lt;br /&gt;Society for Visual Anthropology/American Anthropological Association Conference, USA, 2006&lt;br /&gt;Alternative ASEAN Film Festival on Migration, Philippines, 2006&lt;br /&gt;Judges Award &amp;amp; Audience Award, San Diego Women's Film Festival, 2006&lt;br /&gt;Burma Human Rights Day Screening, Int'l Rescue Committee, San Francisco, CA, 2007&lt;br /&gt;Migration Film Festival, Singapore, 2007&lt;br /&gt;Sebastopol Documentary Film Festival, CA, 2007&lt;br /&gt;National Museum of Women in the Arts Festival of Film &amp;amp; Media Arts, Washington DC, 2007&lt;br /&gt;6th Festival Film Dokumenter - Jogjakarta, Indonesia, 2007&lt;br /&gt;India International Women Film Festival, New Delhi, 2007&lt;br /&gt;Migrant Worker Film Festival, Seoul, Korea, 2008&lt;br /&gt;This Human World - Human Rights Film Festival, Vienna, Austria, 2009&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/dukas-dilemma-p882.aspx</link>
      <guid isPermaLink="false">Product882</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>Duka's Dilemma</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/duka-dilemma.jpg"  alt="Duka's Dilemma" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;Duka's Dilemma&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/dukas-dilemma-p882.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Duka is a married woman and mother of five young children, living in Hamar, Southern Ethiopia. Ever since her husband married a beautiful, young, second wife, Duka has been in a state of emotional turmoil. Among the Hamar, who live with herds and cultivate small fields of sorghum in their remote, bush-covered country, men are allowed to marry more than one wife, but only a few men ever do so. Duka wonders why her husband married again; did he find her too old, or was he turned off because of her chronic malaria? Also, she doesn't know what to make of the new wife who is silent and never expresses her feelings except in rage? And on top of this, her mother-in-law keeps making trouble and is angry with her son for marrying a second wife behind her back. Personal and intimate, the film follows the drama of this family in crisis, the high points of which are the birth of the new wife's child, and nine months later, a heated dispute between the mother-in-law and her son, which leads to the building of a new house. Duka, her husband, her mother-in-law and the second wife voice their different points of view as events proceed and the crisis finally gets resolved. The language of the film is Hamar, and is translated by subtitles. There is no need for extra commentary from the filmmakers, whose presence and close relationship to the people are always evident.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/everyday-life-of-roma-children-from-block-71-p891.aspx</link>
      <guid isPermaLink="false">Product891</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>Everyday Life of Roma Children from Block 71</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/everyday-life-of-roma-children-from-block-71-p891.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/everyday-life-of-roma-children.jpg"  alt="Everyday Life of Roma Children from Block 71" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/everyday-life-of-roma-children-from-block-71-p891.aspx"&gt;Everyday Life of Roma Children from Block 71&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/everyday-life-of-roma-children-from-block-71-p891.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;There are 600 squatter settlements in Serbia, the inhabitants of which are mostly of Roma origin. Of these, 105 are in Belgrade with seventeen more in New Belgrade. Here, Ivana Todorovic documents the life of the Stankovic family who migrated from Southern Serbia in search of better opportunities. Provided with few social services, their living conditions are rough and the children work to help support their family. An intimate window into Serbian Roma culture, the documentary sheds light on the intricacies of Roma customs and their amalgamation of cultural influences - from Roma and Serbian culture to Hispanic pop-culture. Remarkably resilient, funny and optimistic, the children speak openly about their hopes and dreams, including educational opportunities from which they are often excluded. Charming and informative, the documentary brings an alternative and very human view of the often-beleaguered and impoverished Roma.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/debes-tantrum-p863.aspx</link>
      <guid isPermaLink="false">Product863</guid>
      <pubDate>Thu, 30 Aug 2018 07:04:00 GMT</pubDate>
      <title>Debe's Tantrum</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/debes-tantrum-p863.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/debes-tantrum.jpg"  alt="Debe's Tantrum" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$545.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;In this film a five-year-old named Debe refuses to let his mother Di!ai go gathering without him. Di!ai appeals to her daughter N!ai to entertain the child but Debe resists. In the end Di!ai leaves with Debe on her back. This is a companion film to The Wasp Nest which shows Di!ai, Debe, and other women and children on the subsequent gathering expedition.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Thisfilm is available as part of the &lt;a href="https://store.der.org/kung-short-films-p936.aspx"&gt;!Kung Short Films&lt;/a&gt; set. This collection combines fourteen of Marshall's short !Kung filmsonto two remastered/re-authored DVDs, complete with a full-color bookletcontaining photos, writings, and additional information about the series.&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscOne:&amp;nbsp;&lt;br /&gt;&lt;/b&gt;&lt;a href="https://store.der.org/a-curing-ceremony-p902.aspx"&gt;A Curing Ceremony&lt;/a&gt;&amp;nbsp;(bw) (9:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-group-of-women-p762.aspx"&gt;Group of Women&lt;/a&gt;&amp;nbsp;(6:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-joking-relationship-p689.aspx"&gt;A Joking Relationship&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/num-tchai-p573.aspx"&gt;N/um Tchai: The Ceremonial Dance of the !Kung Bushmen&amp;nbsp;&lt;/a&gt;(bw)(20:00)&lt;br /&gt;&lt;a href="https://store.der.org/melon-tossing-game-p622.aspx"&gt;N!owa T'ama: The Melon Tossing Game&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-lion-game-p684.aspx"&gt;The Lion Game&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/an-argument-about-a-marriage-p149.aspx"&gt;An Argument About a Marriage&lt;/a&gt;&amp;nbsp;(18:00)&lt;br /&gt;&lt;a href="https://store.der.org/men-bathing-p625.aspx"&gt;Men Bathing&lt;/a&gt;&amp;nbsp;(14:00)&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;b&gt;DiscTwo:&amp;nbsp;&lt;br /&gt;&lt;/b&gt;&lt;a href="https://store.der.org/playing-with-scorpions-p518.aspx"&gt;Playing with Scorpions&lt;/a&gt;&amp;nbsp;(5:00)&lt;br /&gt;&lt;a href="https://store.der.org/a-rite-of-passage-p465.aspx"&gt;A Rite of Passage&lt;/a&gt;&amp;nbsp;(15:00)&lt;br /&gt;&lt;a href="https://store.der.org/debes-tantrum-p863.aspx"&gt;Debe's Tantrum&lt;/a&gt;&amp;nbsp;(9:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-wasp-nest-p231.aspx"&gt;The Wasp Nest&lt;/a&gt;&amp;nbsp;(13:00)&lt;br /&gt;&lt;a href="https://store.der.org/the-meat-fight-p654.aspx"&gt;The Meat Fight&lt;/a&gt;&amp;nbsp;(14:00)&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://store.der.org/baobab-play-p186.aspx"&gt;Baobab Play&lt;/a&gt;&amp;nbsp;(8:00) &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;This film is part of the &lt;a href="https://store.der.org/the-kung-series-p962.aspx"&gt;!Kung Series&lt;/a&gt;. &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Orthography Note&lt;/b&gt;&lt;br /&gt;The group of people depicted in these films are the Ju/'hoansi, speakers of the Ju/'hoan language. Ju/'hoan is part of the !Kung language group; the term !Kung was previously used by the Marshall family and others to refer to Ju/'hoansi. Although the term is outdated, it has been retained here for the sake of consistency with John Marshall's previously published work. The films and their related printed materials also employ antiquated spellings of names and places. For current Ju/'hoan orthography, please see the &lt;a href="https://openlibrary.org/books/OL1216227M/English-Ju_%27hoan_Ju_%27hoan-English_dictionary" target="_blank"&gt;Ju/'hoan - English Dictionary&lt;/a&gt;, compiled by Patrick Dickens and the Ju/'hoan Peoples Literacy Committee. &lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/childhood-c295all.aspx"&gt;Childhood&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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