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    <title>Documentary Educational Resources - Geography / Africa / Africa &amp;ndash; General / All Films</title>
    <copyright>Copyright 2026, Documentary Educational Resources</copyright>
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    <link>https://store.der.org/africa--general-c10all.aspx</link>
    <pubDate>Tue, 22 Sep 2026 13:41:28 GMT</pubDate>
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    <item>
      <link>https://store.der.org/sandance-p1075.aspx</link>
      <guid isPermaLink="false">Product1075</guid>
      <pubDate>Wed, 24 Aug 2022 10:15:02 GMT</pubDate>
      <title>SanDance!</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/sandance-p1075.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/san-dance.jpg"  alt="SanDance!" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/sandance-p1075.aspx"&gt;SanDance!&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/sandance-p1075.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;Set in the transcendent dance culture of Africa’s San First Peoples, &lt;i&gt;SanDance!&lt;/i&gt; celebrates humanity’s original essence of dance.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This enchanting film follows San dancers from rehearsals in remote villages in Namibia, South Africa and Botswana to their electrifying performances at the Kuru San Dance Festival in Botswana. Held on full moon, the festival draws San dancers and musicians from across southern Africa to the largest annual gathering of San peoples. The film expresses the hopes and dreams of San dancers as they strive to revitalize their beautiful dance traditions, which are threatened by ongoing marginalization of the San’s fragile hunter-gatherer culture.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Radiating from the Kuru San Dance Festival into the visionary world of the trance-healing dance, &lt;i&gt;SanDance!&lt;/i&gt; illuminates the spiritual traditions that underpin ancestral San culture across southern Africa.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Proceeds from SanDance! directly benefit the KDT, and the dance groups featured in this film.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;“The film’s immersion into Southern Africa’s indigenous cultures touches on a wide berth of subjects including ancient history, recent history, colonialism, genocide, dance, language, subsistence, ecology, and philosophy. Because of its shorter runtime and mass of content, SanDance! will easily fit into many curricula.&lt;/i&gt;” – Frank Gunderson, &lt;i&gt;Yearbook of Traditional Music &lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;“&lt;/i&gt;SanDance!&lt;i&gt; is billed as a journey to the heart of Africa’s original dance culture, but it’s much more than that. It opens a door into a segment of African culture that is in danger of dying out... Richard Wicksteed has spent decades filming and working with the San, making at least 10 films of varying length. The level of acceptance and their trust in him is clear from this sensitive and well-paced portrayal of an important culture under threat... I watched [the film] more than once, and still want to watch it again. For the dance. For the music. For the story. For the pleasure.&lt;/i&gt;” – Michael Britton, &lt;a href="https://www.musicinafrica.net/magazine/film-review-sandance-documentary"&gt;Music in Africa&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&amp;nbsp;&lt;div&gt;&lt;b&gt;Selected Screenings &amp;amp; Awards&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Best Documentary&lt;/i&gt;, Garden Route Int'l Film Festival, South Africa, 2021&lt;/div&gt;&lt;div&gt;&lt;i&gt;Award of Excellence, Documentary Feature&lt;/i&gt;, Impact Docs Award, 2021&lt;/div&gt;&lt;div&gt;&lt;i&gt;Globe Award&lt;/i&gt;, ARFF, Barcelona, Spain 2021&lt;/div&gt;&lt;div&gt;&lt;i&gt;Best Cinematography, International Feature&lt;/i&gt;, Thin Line Festival, USA 2021&lt;/div&gt;&lt;div&gt;International Council for Traditional Music, Ghana, 2023&lt;div&gt;&lt;div&gt;Award of Excellence - Original Score, Docs Without Borders, USA, 2021&lt;/div&gt;&lt;div&gt;&lt;div&gt;Award of Excellence, IndieFEST Film Awards, USA 2021&lt;/div&gt;&lt;div&gt;Best Cinematography, ABQ Indie Film Fest, USA, 2021&lt;/div&gt;&lt;/div&gt;&lt;div&gt;Best Feature - Documentary, Bucharest Film Awards, Romania, 2021&lt;/div&gt;&lt;div&gt;Buenos Aires Film Festival, Brazil, 2021&lt;/div&gt;&lt;div&gt;Osaka International Film Festival, Japan, 2021&lt;/div&gt;&lt;div&gt;Garifuna International Indigenous Film Festival, USA, 2021&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/wax-print-p1058.aspx</link>
      <guid isPermaLink="false">Product1058</guid>
      <pubDate>Thu, 28 Oct 2021 13:56:54 GMT</pubDate>
      <title>Wax Print</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/wax-print-p1058.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/wax-print-film-film-thumb.jpg"  alt="Wax Print" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/wax-print-p1058.aspx"&gt;Wax Print&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/wax-print-p1058.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Wax Print&lt;/i&gt; traces the vast and multi-stranded global history of a fabric that has become an iconic symbol of Africa and her children worldwide. This beautiful, transnational two-year journey has taken director Aiwan Obinyan around the world, in search of African wax prints and the untold story of how wax print fabric came to symbolize a continent, its people, and their struggle for freedom.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The film brings forth issues of fast fashion and mass-produced wax print copies, while detailing an Indonesian, English, and Dutch history of the fabric itself and its significance for pan-African identities. As seen in Batik and Kente techniques, bright bold patterns and colors become a significant part of the culture, as well as the identities of the African diaspora that have kept the heritage alive. With names like “The Ungrateful Husband,” which is worn by women to shame their disloyal husbands, each wax print has a pattern and identity embodied in the cloth, and an origin story that is then accepted and integrated into the culture by consumers.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;i&gt;“Obinyan’s enthusiasm for wax print and her excitement at being witness to the process of its making are infectious.  [The film] makes poignant observations about counterfeiting and cultural identity… [and] ultimately ties the fabric’s identity to the black experience itself.”&lt;/i&gt;&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;– Debbie Onuoha, Humboldt University, Berlin&lt;/blockquote&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;b&gt;Selected Screenings &amp;amp; Awards&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Bradford Literature Festival, UK, 2018&lt;/div&gt;&lt;div&gt;Pan African Film Festival, USA, 2019&lt;/div&gt;&lt;div&gt;Africa in Motion, UK, 2019&lt;/div&gt;&lt;div&gt;12°N 61°W Grenadian Film Festival, 2019&lt;/div&gt;&lt;div&gt;Women of the Lens, UK, 2019&lt;/div&gt;&lt;div&gt;African Film Festival New Zealand, 2019&lt;/div&gt;&lt;div&gt;AFRIFF, Nigeria, 2019&lt;/div&gt;&lt;div&gt;Africa Movie Academy Awards (AMAA), Nigeria, 2019&lt;/div&gt;&lt;div&gt;San Francisco Black Film Festival, 2019&lt;/div&gt;&lt;div&gt;Wax Print Festival, Ghana, 2019&lt;/div&gt;&lt;div&gt;Berkshire Museum, USA, 2019&lt;/div&gt;&lt;div&gt;Tubman African American Film Festival, USA, 2019&lt;/div&gt;&lt;div&gt;BlackStar Film Festival, USA, 2019&lt;/div&gt;&lt;div&gt;Black History Studies Film Festival, UK, 2019&lt;/div&gt;&lt;div&gt;CinemAfrica Film Festival, Sweden, 2020&lt;/div&gt;&lt;div&gt;Utrecht Centraal Museum: Voices of Fashion Exhibition, Netherlands, 2021&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/the-primate-series-p969.aspx</link>
      <guid isPermaLink="false">Product969</guid>
      <pubDate>Wed, 5 Sep 2018 11:07:00 GMT</pubDate>
      <title>The Primate Series</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/the-primate-series-p969.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/primate-series.jpg"  alt="The Primate Series" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/the-primate-series-p969.aspx"&gt;The Primate Series&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/the-primate-series-p969.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$2,675.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;The Primate Series &lt;/i&gt;aims to give a comparative view of a number of different primate species living under various conditions in captivity and in the wild.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The longer films compare some closely related animals, including subspecies, different species living in similar habitats, and animals of different families, such as monkeys and apes. This is done in order to let the observer see similarities caused by a common size, or close genetic relationship and compare these to more distantly related animals.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Having the opportunity to actually see primates moving in their natural habitats highlights the importance of specializations in locomotor systems, such as the long legs of vertical clinging and leaping primates, the long arms of brachiators, and the strong dexterous hands of arboreal quadrupeds.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Furthermore, watching the animals interact with each other emphasizes the subtlety of facial communication and the importance of kinesthetic movement. Does one animal respond to another's approach with retreat, defensiveness, or unconcern? Or, maybe with a groom invitation or a turned back?&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The films also address group behavior. When food access is being contested, is the outcome based on individual relationships or on membership in a particular social class such as infant, female or dominant animal? Is food sharing common and peaceful, or involuntary and due to strategy and theft?&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The films share an expanse of information, but the way that the videos were shot and edited also provides long uninterrupted sequences of behavior which can be used to study interactions, use of space, facial communication and role behaviors.&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/chimpanzees-today-p915.aspx</link>
      <guid isPermaLink="false">Product915</guid>
      <pubDate>Thu, 30 Aug 2018 08:16:00 GMT</pubDate>
      <title>Chimpanzees Today</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/chimpanzees-today-p915.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/chimpanzees-today.jpg"  alt="Chimpanzees Today" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/chimpanzees-today-p915.aspx"&gt;Chimpanzees Today&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/chimpanzees-today-p915.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Chimpanzees Today is an overview of the various roles filled by chimpanzees and the situations in which they currently live. It begins by briefly discussing the precipitous drop in wild populations as well as some of the history of Jane Goodall's research at Gombe, focusing on the discoveries that promoted the use of the chimpanzee model in studying human evolution. It then covers many situations chimpanzee captivity, including the sanctuaries in Africa set up for infant chimpanzees rescued from poachers and some of the zoo habitats in which they are held. It also covers chimps raised as show animals, as pets, as participants in medical research, and as participants in behavioral research such as self-recognition, language-use and in the study of chimpanzee painting. Questioning when and if chimpanzee captivity is necessary, the video discusses the new captive sanctuaries for animals unable to return to the wild: chimpanzees and other primates that have outgrown their usefulness as pets or show animals, and those that have been retired from medical research. Returning to the theme of the use of the chimpanzee model in hominid evolution, the video includes a short segment on captive Bonobos. These are the other species of chimpanzee; a very rare form that may in fact be more similar in behavior to early hominids than are common chimpanzees. It ends with a plea for conservation of wild chimpanzees since without them all the contributions which the captive ones make will no longer be sustainable. Of particular value in the video are the sections on actual footage from a medical research laboratory, mirror self-recognition, and the level of language facility gained by chimpanzees who are not the focus of special language training programs. Anyone watching this video is undoubtedly aware of the social and intellectual kinship between humans and chimpanzees. The question then becomes, 'What are our responsibilities towards them?'&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/dollars-and-dreams-p876.aspx</link>
      <guid isPermaLink="false">Product876</guid>
      <pubDate>Thu, 30 Aug 2018 07:05:00 GMT</pubDate>
      <title>Dollars and Dreams</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/dollars-and-dreams-p876.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/dollars-and-dreams.jpg"  alt="Dollars and Dreams" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/dollars-and-dreams-p876.aspx"&gt;Dollars and Dreams&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/dollars-and-dreams-p876.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;i&gt;Dollars and Dreams&lt;/i&gt; is a documentary film focused on the pursuits and challenges of numerous West African immigrants as they confront the idea of the American Dream and the reality of the New York experience. Including additional perspective from scholars, authors, and community leaders, the film creates a vibrant portrait of African achievement throughout the city, while exploring the complicated issues African immigrants face as they balance their deep connections to Africa and their enthusiastic commitments to America.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/images-from-the-field-baboons-p734.aspx</link>
      <guid isPermaLink="false">Product734</guid>
      <pubDate>Wed, 29 Aug 2018 12:44:00 GMT</pubDate>
      <title>Images from the Field: Baboons</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/images-from-the-field-baboons-p734.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/images-from-the-field.jpg"  alt="Images from the Field: Baboons" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/images-from-the-field-baboons-p734.aspx"&gt;Images from the Field: Baboons&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/images-from-the-field-baboons-p734.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;In this video we see the savanna baboons of Africa in various regions of their natural habitat, but with an emphasis on woodlands and forested regions since most other baboon films focus on the open savanna. The video emphasizes various roles filled by animals in a troop with particular attention paid to the range of behaviors seen in males. These include consorting, sentry, protection, baby-tending, positive affiliations with females, control and leading the troop. Various common behaviors such as feeding, grooming, locomoting, resting and playing are also portrayed in an attempt to set the roles in a context of group life. The females and their young are revealed to be a focus of attention for the group and many episodes of complex social behaviors are recorded in long sequences to allow the student to practice observation techniques.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/macaques-p599.aspx</link>
      <guid isPermaLink="false">Product599</guid>
      <pubDate>Tue, 28 Aug 2018 14:49:00 GMT</pubDate>
      <title>Macaques</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/macaques-p599.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/macaques.jpg"  alt="Macaques" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/macaques-p599.aspx"&gt;Macaques&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/macaques-p599.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This video presents an overview of the genus Macaca, beginning with a discussion of their place in the primate order and their adaptability. This potential for eating a wide variety of foods and living in both temperate and tropical environments at a variety of altitudes means they are very similar to humans in their ability to exploit a range of habitats. After the introduction by Professor Zeller, the video covers 6 species of the approximately 18 types of macaques. The groups chosen range from the only Euro/African species (Macaca sylvanus, the Barbary macaque) at the west end of their range to the Japanese macaques at the eastern edge. The common rhesus and long-tailed macaques are included who range very widely across South-east Asia and these are contrasted with 2 species endemic to the island of Sulawasi in Indonesia. One of these is a new species discovered in the 1990's on the southern Sulawasi Island of Buton, (Macaca Brunescens) and the other is the rarely seen Macaca (Cynopithecus) nigra, one of the larger forms. Material on sexual dimorphism, locomotion, male-female relations, infant care, diet, group social patterns, grooming and communication is covered for each group, pointing out the differences and similarities between the species. Footage from free ranging and captive situations is used and the impact of captivity on behaviour is mentioned. This video is useful as an introduction to the genus, as well as providing data for a more complex analysis of behavioral comparisons which might be undertaken by more senior students. One particular area of comparison is the handling of objects by a variety of species and the potential functions of stick and stone use. Commentary about conservation issues and the impact of humans on the animals is also included.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/primate-patterns-ii-p528.aspx</link>
      <guid isPermaLink="false">Product528</guid>
      <pubDate>Tue, 28 Aug 2018 10:58:00 GMT</pubDate>
      <title>Primate Patterns II</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/primate-patterns-ii-p528.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/primate-patterns-ii.jpg"  alt="Primate Patterns II" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/primate-patterns-ii-p528.aspx"&gt;Primate Patterns II&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/primate-patterns-ii-p528.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$295.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This video compares 3 species of monkey, one prosimian and two types of apes, all living in a zoo setting. These are Japanese macaques, lion tail macaques, mandrills, black lemurs, orangutans and lowland gorillas. Each segment shows several minutes of footage with descriptions of common behavior such as eating, grooming, locomotion, play and social interactions. The narration provides a commentary for each species but the comparisons between them are left to the observer and can occur at several levels. These include comparisons of behavior as it relates to size and sexual dimorphism, or comparisons in terms of phylogenetic level, or comparisons of complexity based on group size or species differences. Because the animals are caged, visibility is better in the wild, but comparisons with some of the other videos taken in natural settings, may allow discussion of the possible influences of captivity on behavior. Of particular interest are the social interactions of adult orangutans.&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/african-christianity-rising-p136.aspx</link>
      <guid isPermaLink="false">Product136</guid>
      <pubDate>Wed, 18 Jul 2018 13:30:00 GMT</pubDate>
      <title>African Christianity Rising</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/african-christianity-rising-p136.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/african-christianity-rising.jpg"  alt="African Christianity Rising" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/african-christianity-rising-p136.aspx"&gt;African Christianity Rising&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/african-christianity-rising-p136.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing the fastest.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;With guidance from leading scholars, these films document the vitality and changing nature of Christianity in Africa. They explore the ways in which it is has become increasingly popular by becoming increasingly African — that is, by becoming rooted more authentically in local cultures. In Ghana and Zimbabwe, where we did our principal filming, we saw that this means emphasizing healing, for instance, or dancing as spiritual discipline, or addressing the multiplicity of spirits that are part and parcel of the world most Africans know.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The films include the personal dramas of ordinary people wrestling with unmistakable, and at times gripping, human problems: a young Pentecostal woman struggling to overcome bitterness toward her mother, or a teenager wracked by poverty, depression and guilt, who has been persuaded by a traditional healer that hateful relatives have placed a curse on her life. Her Methodist pastor brings in the church's "prayer group" to pray against any spiritual powers that she, and they, suspect might be at work.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Such stories are illuminated by leading thinkers on the subject, like Archbishop Peter Sarpong of Ghana, a pioneer in introducing African cultures into Christian worship, and Kwame Bediako, one of Africa's leading theologians. Furthermore, filming characters on routine "missions" to North America points to the impact African Christianity is having in the West, at a time when African congregations are taking over old churches in Holland, Norway and Sweden, for example, and the ten largest churches in Britain are African.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The Complete Educational Edition includes 23 Educational Extras providing biographical sketches of key commentators, more detailed portraits of specific church communities, and the daily work of a traditional obosum priestess in Ghana competing for business with a prophet-founded church nearby.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Part One: Stories from Ghana (77 min, 2013)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Educational Extras: Ghana (126 min, 2013) &amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Part Two: Stories from Zimbabwe (74 min, 2013)&amp;nbsp;&lt;/div&gt;&lt;div&gt;Educational Extras: Zimbabwe (99 min, 2013)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;“The most penetrating and informative material I have ever seen on African Christianity, bringing out its vitality &amp;amp; variety without ever sensationalizing or exoticizing.”&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;— Terence Ranger, Professor of African History, Oxford&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;“Striking, powerful and clarifying. These films pack more information and present it more tellingly than would vast areas of print.”&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;—Andrew Walls, Founder, Centre for the Study of World Christianity, Univ. of Edinburgh, &amp;amp; The Journal of Religion in Africa&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;“Teaching how Africa’s world religions intersect with indigenous belief systems pose daunting pedagogical challenges, especially in the West. Ault’s impressive documentaries effectively challenge the sensationalism notoriously persistent even among intelligent lay learners . . . and are essential teaching tools in African studies.”&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;—Olufemi Vaughan, Professor Africana Studies, Bowdoin College&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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      <link>https://store.der.org/african-dance-sand-drum-and-shostakovich-p137.aspx</link>
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      <pubDate>Wed, 18 Jul 2018 13:30:00 GMT</pubDate>
      <title>African Dance: Sand, Drum, and Shostakovich</title>
      <description>&lt;div style="float:left"&gt;&lt;a class="url" href="https://store.der.org/african-dance-sand-drum-and-shostakovich-p137.aspx"&gt;&lt;img src="//cdn.nexternal.com/der/images/african-dance.jpg"  alt="African Dance: Sand, Drum, and Shostakovich" border="0" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="riRssTitle"&gt;&lt;a href="https://store.der.org/african-dance-sand-drum-and-shostakovich-p137.aspx"&gt;African Dance: Sand, Drum, and Shostakovich&lt;/a&gt;&lt;/span&gt;&lt;br&gt;&lt;a href="https://store.der.org/african-dance-sand-drum-and-shostakovich-p137.aspx"&gt;Buy Now:&lt;/a&gt; &lt;span color="#990000"&gt;&lt;b&gt;$320.00&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;div&gt;This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances.&amp;nbsp;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;blockquote style="margin: 0 0 0 40px; border: none; padding: 0px;"&gt;&lt;div&gt;"More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links. The young choreographers visiting us from Abidjan, a dance capital in Central Africa, from Ouagadougou and Johannesburg, are creating their own special vocabularies, with echoes from ancestral lands and sprawling urban centers. In their works, these artists are living Africa's present and future, with all the anxiety or confidence that this may entail."&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Festival International de Nouvelle Danse, Montreal, Canada&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;"The idea of a developing African dance avant-garde is still unfamiliar in North America, where classes in traditional African dance remain popular, as do touring African dance companies. [The film's] virtue is the cogency with which the choreographers explain their ideas and provide the link between their very different pieces. The basic theme is that modern dance in Africa, even if influenced by the West, remains rooted in Africa because it is danced by Africans."&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Anna Kisselgoff, NY Times, 01/10/03&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;"…a very important documentation for the development of modern African dance for this period of time!"&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Kajo Nelles, Director of the International Dance Fair, Germany&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;"It would be excellent to show all of our dance classes, especially our history and performance classes…"&amp;nbsp;&lt;/div&gt;&lt;div&gt;— Gail Hoak, Dance Chair, Mt. San Jacinto College, California&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Dance performances and companies featured in the film include:&amp;nbsp;&lt;/div&gt;&lt;div&gt;Incantation, Compagnie Danse Nyata-Nyata, Canada/Congo&amp;nbsp;&lt;/div&gt;&lt;div&gt;Le Coq Est Mort, Compagnie Jant-Bi, Germany/Senegal&amp;nbsp;&lt;/div&gt;&lt;div&gt;Phokwane, Mpheyane, Vincent Mantsoe, South Africa&amp;nbsp;&lt;/div&gt;&lt;div&gt;Figninto, Compagnie Cie Salia ni Seydo, Burkina Faso&amp;nbsp;&lt;/div&gt;&lt;div&gt;Heritage, Compagnie Sylvain Zabli, Ivory CoastUma&amp;nbsp;&lt;/div&gt;&lt;div&gt;Historia Da Duvida, Compagnie Clara Andermatt, Cape Verde/PortugalDimi, Compangnie Tehetche, Ivory CoastPour Antigone, Comagnie Mathilde Monnier, France/Burkina Faso/Mali&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;hr&gt;&lt;b&gt;SELECTED SCREENINGS &amp;amp; AWARDS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;University of Florida, Movement Revolution Dialogues: Contemporary Performance In and Of Africa, 2004&lt;/div&gt;&lt;div&gt;Brooklyn Academy of Music, 2003&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Dance on Camera Film Festival, New York, 2003&lt;/div&gt;Melbourne International Festival of the Arts, Australia, 2003&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Visit &lt;a href="https://store.der.org/africa--general-c10all.aspx"&gt;Africa &amp;ndash; General&lt;/a&gt; to see additional products in this category.&lt;/div&gt;</description>
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